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Media Inc Magazine appoints Scott A. Capestany Editor-In-Chief

jessica-1Jessica HowellAssociate Editor 

In an aggressive move by Media Inc Publishing, one of the longest running print publication companies in the Pacific Northwest with over 25 publications, General Manager of the group John Rusnak announced the appointment of Award Winning Film/TV producer and Indie Film business extraordinaire Scott A. Capestany to helm Media Inc Magazine as its new Editor-In-Chief .

Long before the internet, the publication began in the late 1980s as the sole media+film resource and news platform to complement the growing indie film scene in the Seattle, WA market and also to keep its readers up on film festival news, regional film productions and also help production crews members to find jobs.   Over the years, the publication circulated among a regional footprint throughout the Pacific Northwest stretching from Seattle to Portland and Eastern Washington as a well known staple among cinephites.

Early in 2015, Capestany was commissioned by the publication to write a few editorials on the current landscape of Film/TV productions in the region. His Summer 2016 issue cover story “TOP influential Women in Film and Media in WA State” gained the attention of Indie Film communities that quickly led to multiple partnerships with film festivals, businesses and organizations whose mission statements supported spearheading gender equality and diversity throughout Hollywood.  It was around that time Capestany was appointed EIC with full control of both the creative and business operations of the magazines publication platforms (Print and Digital).   “We are very excited to see Scott take this publication into the 21st century and look forward to seeing his new vision enhance the publications reach and growth”, said Rusnak.  MI Publishing ownership said they were quite confident in Scott’s abilities to carry the torch of his legendary magazine and has no doubt his choice as the successor will bring exciting new content, readers and partnerships around the world for the first time in the company’s history.

Soon after taking the reigns of the magazine, Capestany strategically invited trusted film industry colleague, film financier and Producers Guild of America member ANNE MARIE GILLEN into the fold to further connect him to the Hollywood circle of emerging Women in Film and rapidly expanding indie film world of new media financing and distribution.  “Scott’s resilience and drive over the years and watching him grow as a reputable player in the business was more than enough to join his team.” Gillen said.  “Scott is quickly evolving into one of Hollywood’s premier Impact Producers.  His explosive energy, ability to quickly formulate partnerships across industry platforms and communicate with the new digital age filmmakers and players is impressive”.

We got a chance to sit down with our new fearless leader to share with us his vision for the future of MI Magazine.

MI:  Congrat’s on your new appointment!  Seems things are coming full circle for you as a writer and journalist.

Scott A. Capestany:  Seems so.  Having been a writer for many years, I’ve had the thought in the back of my mind that someday running a magazine might be something I could really get excited about.  So when the ownership group approached me, the timing just happened to be perfect.  As things evolved this past summer, I focused my attention in building a new team that would support and stand behind the new branding of the publication and my ongoing vocal advocacy for Women In Film and diversity in the industry.  My strategy from day one was to produce a publication both print and online that equally shared viewpoints from men and women filmmakers (50-50) from around the world.  Another component I’m excited about is adding a sports and music segment to the publication that highlights the explosive new media growth in the entertainment space.  With the ambition to eventually offer more of an international publication online to compliment and grow our regional print publication from its original roots in the Pacific Northwest.  

MI:  So writing and reporting has always been in your blood.

SAC:  Absolutely.  It all started when my High School journalism teacher a million years ago recognized my love for writing and unique approach to engaging my subjects that he recommended me to the local city (Redmond, WA) newspaper to do a weekly editorial for them called “man on the street”.  It involved me engaging with random people around town and asking them questions on current world affairs.  During that time, I would spend many days after school in the photography dark room developing hundreds of photos I took to compliment my editorials both the towns paper and our own school newspaper as the Sports editor called the BLAZE.   I wrote my first college editorial for the UW Daily in 1988 about the doping scandal of Ben Johnson of Canada in the Olympics that quickly got me phone call by the head track coach Ken Shannon to congratulate me on standing up for the sport.  I thought I was getting kicked off the team when he called me in! lol  From there I was the first indie producer to create, host and produce a local TV sports show for local cable TV before streaming was available.  Luckily for me it was a smash hit and found myself court-side at the biggest pro and college sporting events covering their “not so mainstream” athletes and stories.  so yes, this appointment truly circumvents my full love and passion for writing, movies and sports.    

MI:  How did you get involved in the Film/TV business?

SAC:  Well, shortly after attending a Sundance Film Festival around 1999, I found myself drawn to the energy of this extraordinary tribe of creatives called ‘Indie Filmmakers’.  They all thought much like me…outside the box..bucking traditional ways of creating and presenting visual arts.  I found a way to apply my business background I learned in my 20s and early 30s to this newly discovered world of brilliant creative artists.  I knew that I had something to offer the indie film world both as a writer, creator and most importantly someone who could connect and educate these creatives on the ‘business’ components of the industry.   Based on my own research over the years  (in meeting with filmmakers back then and now today), I’ve estimated roughly 1 out of 25 indie filmmakers know much about the business side of what they are doing as creates.  It’s mostly all about art and expression for them.  So the timing was perfect for me when I arrived.   

 MI: Tell us about the classes and workshops you teach around the world on this topic.

 SAC: Sure, it’ s that 1 in 25 sobering statistic that gets me excited and engaged with artists to help educate and teach them about the real and true dynamics of”Film Financing” in the 21st century and this new digital era.  It’s a completely different model than it was just a few years ago let alone in 2000?  Films today have to be made for a fraction of the budgets of yesterday for distributors and buyers to get excited about.  This is an awesome and attractive benefit for investors to explore and get involved in this industry now.  It’s a RED HOT investment era within the digital creative space!  The days of high risk indie filmmaking are long over.  Buyers today are starving for new content as the platforms for consumer consumption have expanded to provide thousands of new ways people watch movies and TV shows.   Where before, it was just in a theater or in their living room on the TV.  This is why Netflix is buying everything in sight.   They purchased more content last year (2016) at the Sundance film festival than any buyer on the planet during that 10 day festival.  Netflix, an online distributor of content buying movies at a film festival.  Say what??  Right! Not to mention the loads of original content that often comes out of film festival screenings and meetings with creatives.  For distributors these days it’s all about content that is globally appealing  and sales – something I’ve excelled at over the years as a creator and negotiator.   Again, timing….I happened to be in the right place at the right time when it came to offering something of value to these artists early on in both my career as a businessman (producer) and as a filmmaker.  I truly believe we’ve “Arrived” for indie filmmaking regarding  budgets, technology, audience engagement capabilities and the exciting new platforms in distribution.  Most every single distributor/buyer in the world is now looking at everything.  If you have content, series bibles, treatments, pitch decks and/or a sizzling proof of concept teaser, you are KING in this business.  Content is KING!  So it’s a great time to be a creative with compelling and engaging material.  

MI:  How would you describe what is taking place in the current landscape of Film/TV production?

SAC:  I call it the ‘Perfect Storm’ with the three most important  components converging simultaneously and changing so rapidly. Technology, creativity and consumption.  I’d say 80% of the people my age gave up in this business because of the lighting speed technology and the time it takes to develop and foster professional relationships.  You can now pitch a complete stranger in a hotel lobby after a conference and within days they are investing in your endeavor and doing business with you.  Technology has helped bridge the gap of uncertainty in our business. I’m glad I stuck around for this amazing moment in time.  The growth curve for many these days is too much to stay on top of, thus they drop out and revert back to archaic business models that no longer work in the modern world.   Thanks to getting my first computer in 1981 for Christmas,  I’ve always been a “techie” kind of guy that’s had a computer and cell phone for 30+ years and stays on top of the new digital landscape.  People laugh at me texting 40 words a minute with one hand on an airplane, but it’s they way the world works.  I get more done on my cell phone and tablet in a few days than most can do in two weeks.  Especially when it comes to engaging decision makers at the studio and network level as they mostly are in their 30s and grew up on their phones.  So I speak their language quite well.  Applying and harnessing the latest technology in my industry with at my fingertips daily allows me to navigate the terrain with ease and lightning speed accuracy.  Today’s landscape of film making truly is a manifestation of what I imagined it could become when I was a kid and young business professional in the 90s.  Most everything the imagination conceives in the story telling word can be produced on screen for worldwide audiences.     

MI:   What are some of your strategies you use a producer?

SAC:  For me, it’s about connecting with people first, building those relationships with integrity and transparency then providing a win-win scenarios for our investors, filmmakers and creative artists.    As filmmakers, our industry is all about three things – relationships, timing and money. Understanding and applying these three vital components strategically through storytelling, trust and fearless transparency have always been my cornerstones of my producing endeavors.  The new look and feel of MI Magazine will reflect the dynamic changes in the current world of storytelling from an Indie producers viewpoint.  Our publications clients will be apart of all our new interactive events we will be hosting regionally, nationally and internationally.  We have partnered with numerous film festivals/organizations as their media affiliate that helps connect filmmakers with the world both digitally and through our print publications.  With the current explosion of digital storytelling platforms that now allow everyone the equal opportunity to collaborate together and express themselves creatively to the world, it’s literally a dream come true for me a filmmaker and journalist to be working in such an exciting time connecting the two worlds!  

MI:  What type of Producer are you?  Creative or Business?

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Scott A. Capestany pitching ‘My silent Voice’ on stage at the VARIETY Faith Based Film Summit. He was 1 of 12 selected from around the world.

SAC:  I’ve been blessed with the unique skill set to operate on both sides of the creative process effectively and efficiently.  Over the course of my professional career, I’ve worked in and around a wide array of industries I absolutely Love.  I’ve worked in the communications, hospitality, sports and entertainment sectors both in front of the camera (as a TV Host), on a playing field (athlete) and in a boardroom orchestrating business deals.  They all have involved me producing something that encompasses team building and leadership.  Producing is all about captivating an audience of business professionals, being effective in the pitch and then ultimately getting things done.  This requires a tremendous amount of courage and confidence. You have to be brave and a pioneer with your own vision and ambition.  I have always been one who comes up with quite profound and elaborate ideas and always seems to find a way to pull those thoughts and ideas together.  That’s what a film producer does.  He/She is the visionary and ultimate pitch person to the decision makers that these days are starving for fresh new profitable investment vehicles and original creative content.  My approach to all this has allowed me to communicate effectively on both the creative and business sides of each of my Film/TV projects and making an effective impact in the first 60 seconds of a presentation or conversation.   Not many producers can do this.  But with the new digital age now impacting the entire scope of the filmmaking process and business, I now refer to myself as an ‘Impact Producer’.  “When Scott walks in the room to pitch and talk business it’s like an explosion of engaging ideas and business initiatives that all lead to intelligent and practical revenue and creative streams of brilliance”, Says his Producer Anne Marie Gillen.

MI:  I’ve never heard of that kind of producer?  But love the sound of it! It sounds explosive!

That’s great to hear!   We live in a world now that if you can’t make an impact in less than 10 seconds in any given business, consumers and people for that matter simply click or glance away saying bye-bye to what ever you just said or offered.  When I walk into the room, I have everyone’s undivided attention with solid ice breakers of human experience and humor.  Then get right down to business.   An Impact producer is someone who can successfully create, implement and execute an explosive campaign for individuals or a team (In my case – filmmakers) that need to devise multiple audience impact strategies.  Using a passionate spirit as the primary fuel cell.  He/She is a master speaker and fundraiser for these campaigns and can effectively secure key partners, affiliates and execute or oversee  all the campaign stages simultaneously (social media, marketing, PR, fundraising, film festival tour and screenings strategies, etc.) and evaluating the level of overall audience engagement across all platforms.  Before, during and after the project has been completed.    

MI:  What other projects are you involved in as a Producer/Writer and creative now?

We are involved in multiple projects in a variety of production stages.  We’ve recently optioned the sequel to Escape from Alcatraz currently titled ‘After Alcatraz – Surviving the Escape’ that was actually written by the son (Kevin Bruce) of J. Campbell Bruce, the original author who wrote the book that was made into the famous movie with Clint Eastwood by Paramount Pictures in the 70s.  We also are in the development stages of a very exciting action/adventure film THE RAINFOREST.  We also have a magical family film MY SILENT VOICE in the packaging phase that’s about a young deaf girl, her love for horses and her heroic journey to the equine winners circle.  We are also in pre-production of a magical Holiday tale REFLECTIONS IN TIME.   A magical film about a homeless boy who meets a very extraordinary eye Doctor whom takes the boy in from the streets of Seattle and helps him establish a new perspective on life through his magical set of antique eye glasses. { Listen to RADIO INTERVIEW.}

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Scott’s Radio Interview with KKNW

 I’m also interfacing with a handful of producers on some very empowering documentary and live action projects that have quite unique themes.  One of my personal favorites is a TV series titled THE ADVENTURES OF SAMMIE DRAKE.  An empowering children’s live action TV/VOD series that is poised for pre-production.  This is a captivating story about a young girl who just graduated from the 3rd grade and convinces her parents that she’s old enough to join the family treasure hunting business.  If you remember the adventures of Pippy Longstocking and the illuminating moxy of little Punky Brewster (of the 80s) with a dash of Nancy Drew mystery, then audiences and especially little girls will quickly identify and connect with Sammie and become fans of her and the brave adventures she undertakes.  Doing everything just as good and even better than the boys!   

MI:  Having a current look at your pallet of films you have on the go, it seems most revolve around themes of empowerment, hero journey’s and social issues.

SAC: Without a doubt!  We are all about telling stories that uplift, inspire and empower others to action.  My production company Capestany Films was founded on these principles and believe that creativity has no discrimination (age, gender, themes, etc.).  We also feel that films produced, created and directed by women in particular deserve equal treatment in the press and in opportunities rather than remain in the lopsided gender gap that exists in Hollywood.  Which leads me to share another big initiative we have in 2017 for the magazine as a whole (if I may).  Beginning with our Winter 2017 issue, 50% of the content will be dedicated to projects, stories and events featuring women in front or and behind the camera and film festival events.  Something that already taking hold with our multiple film festival media partnerships.  I was raised by a strong, resilient, outspoken and brave mother that always encouraged us boys to be fair, treat people with dignity and also be transparent.  So I have a very special place in my heart when I see or create stories that touch on these themes and are told from a female perspective.  I’ve never been one to see gender, race, age or whatever when collaborating and conducting my way of life.  I’m the type of guy that just simply sees the best in everyone and especially if they’ve overcome radical odds to achieve their goals.  Women have been fighting for equality in Hollywood for decades not to mention in the everyday workforce.  and now entering 2017 I’m more than excited to see improvements with       

MI: Tell us about your vision and new direction you are taking with MEDIA INC MAGAZINE.

SAC:  We are currently laser focused on re-branding the publication and designing effective “Impact” campaigns for our new generation readers, influencers and strategic partners.  We’ve already partnered with multiple film festivals as their media affiliate providing coverage and connecting with indie filmmakers to help them promote their projects with solid press coverage.   It’s one thing to get a write-up on an unknown blog and another thing to get a write-up in a regional magazine print publication and have a professional digital link coming from that legitimate digital source.  One of the first things we jumped on was the social media platform that this publication had very little exposure on.  We’ve grown our twitter, IG and FB pages 500% since taking over and still primed for fresh new engagement daily.  So being a fresh new print publication in the digital world has worked to our advantage growing our communities and engagers.   We are already becoming a well known media publication outlet both Nationally and Internationally within the Indie film world.  We are already slated to covered Whistler, Sundance, SXSW, Tribeca and  Cannes Film Festivals .   Which is allowing us to expand our coverage in new markets.

MI:  What is the current distribution, circulation and frequency of the magazine?

SAC:  We are a quarterly publication circulating around 5K print magazines throughout the Pacific Northwest . We are strategically planning to significantly expand those circulation numbers and take the publication nationally and  globally through partnering with global film festivals and industry organizations that support Indie Filmmaking. 

MI:  Are you currently hiring writers and editors to help with your editorial and digital platform expansion plan?

SAC:  Yes, we are!  In fact we are meeting with folks at film festivals and industry events in search for highly engaged creative writers that love Indie Film and also seeking and working with digital influencers that dig our approach and eager to help us grow our online presence.   We are also taking original editorial submissions by artists, publicists and producers covering their own film projects as well.  They are encouraged to submit their work to us directly via email 24/7.

You can follow MEDIA INC and CAPESTANY FILMS on Twitter/IG

For Scott’s full Biography – IMDB

Press:  RAINFOREST – Peninsula Daily News

 

 

afm-2016

2016 AFM Kicks off this week in Santa Monica!

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By Editor-In-Chief:  SCOTT A. CAPESTANY

This week in Santa Monica, one of the worlds most EPIC and engaging film markets opens up.  Since attending this event since 2001, it has lead to more contacts and creative business deals, contacts and insight than any other event I’ve attended in the world.

Each year over 8000 industry professionals from 80+ countries around the globe converge at the beautiful SANTA MONICA LOEWS HOTEL at 1700 Ocean Avenue to interface with international buyers, distributors, financiers and top decision makers in Hollywood and around the world.

Aside from the amazing event itself and the many years I have attended, I’ve always been impressed with  how both the AFM and hotel staff treats everyone with dignity, class and professional demeanor throughout the entire property.  They respect that we are all there to bring our “A game”.  Even the Executive Director of the entire AFM Jonathan Wolf had a few moments to answer my personal questions over the years. A total professional!

afm-2016-poster

I had the honor of being selected a handful of years ago to “pitch” one my own feature film projects “My Silent Voice” as an emerging producer and creator to a massive ball room full of international press and over 1000 industry folks. 2013-11-09-13-03-15 WOW! What a rush! Around 15 or so were selected from around the world representing around 7-8 countries as I recall.  One of the worlds leading experts in interfacing filmmakers with TOP Hollywood decision makers STEPHANIE PALMER from GOOD IN ROOM, hosted the pitch conference.  She was exceptionally insightful, engaging and most of all a kind PRO there to help producers like me present our masterpieces to the world.

We each were given 3 minutes to pitch our project and get feedback from some of the panelists.  Just moments after, I was approached by a number of financiers and buyers on the floor surrounding me interested in helping guide my magical story of a young deaf girl and her journey to the winners circle with her equine pal.  Ironically, since that time, family films have now been a very HOT ticket item of content and huge commodity for buyers and distributors.  For me, I was grateful to be in the right place at the right time and those 3 minutes forever changed the my filmmaking career. hiest-of-hidden-cove That same week I meet whom now has become one of my closest and trusting producing partners and consultants on most all of my projects.  And a member of the Producers Guild of America to boot!  My pitch went well enough to catch her eye and personally approach me to offer working together with me.  A moment I will never forget.

I just couldn’t fathom where I would be today in my career, if I didn’t pony up the resources, submit my pitch video and board the plane that cold rainy Fall morning in November.

I strongly encourage  filmmakers from around the world to attend this awesome event to connect, engage, pitch, network and interface with folks that can literally change your career and life course!

If you live in LA, you can head down to the Santa Monica (few door down from the Pier) to register any day of the market on-site to buy a badge ranging from appx. $400 to $1500 for most every event and any single conference. Money WELL worth it’s weight in gold!  Visit their website here to engage in your own destiny!  AMERICAN FILM MARKET (AFM) Follow them on Twitter (@AFMOfficial) for daily updates on what’s going on and also recommend downloading their handy APP.

 

SCott and Theo Small BEST

Media Inc partners with Hollyshorts Film Festival

Having recently arrived on Hollywood Blvd. this year at the 2016 HOLLYSHORTS FILM FESTIVAL, Media Inc Magazine joined forces as the exclusive media partner with one of the world’s top international film short festivals to help provide additional press coverage and PR support for the thousands of filmmakers attending the event.  Each year, over 3000 submissions from all continents around the globe position their creative works in hopes to be one of the 400 featured film shorts selected to be presented at the famous TCL Chinese Theatres in Hollywood, CA.

“We were honored and privileged this year to provide an additional component to the filmmakers experience at Hollyshorts.”, said Editor In Chief SCOTT A. CAPESTANY.  “With our recent expansion of our print publication footprint and explosive online engagement, we are eager to offer new and engaging PRESS and PR opportunities for the vast growing number of Film Festivals combined with their Indie Filmmakers around the world and help them understand the importance and dynamics of working with the press and using them as a valuable asset in promoting both their festival and positioning their filmmakers projects for effective and engaging press coverage.”

Hollyshorts 2016

“With the growing number of independent films on an explosive rise, there now seems to be a growing educational need among filmmakers and festival directors artists that could enhance their presentations at new levels through legitimate media outlet coverage and partnerships.”, Said Capestany.  “What allows us to stand above as a publication in a sea of massive content to cover as journalists, is that our writers and contributors all connect and engage directly with the filmmakers and festivals leadership in helping them  interface the importance of connecting with industry decision makers using the PRESS as the main conduit.  Which ultimately allows artists and festivals to grow their pallet of future creative projects, events and showcases.”

The magazine also held their first official LA kickoff event at the HOLLYWOOD ROOSEVELT where industry pros and filmmakers got a chance to network and enjoy a night of music, food and spirits.

roosevely-party-image

HOLLYSHORTS 2016 – Women In Film

As part of MI’s Women In Film expanded coverage among our publications platforms, a handful of impressive and empowering screenings rose to the top that were created and produced by Women.   Media Inc Magazine had the opportunity to sit down with these rapidly emerging  Award Winning filmmakers and shared with us about their films.

The Big Swim presentation copyTrailblazing the way for Women in Film (LA); writer, producer, director, KAT GREEN presented her recent film THE BIG SWIM who’s empowering story explores the enriching and enduring strength of a cancer survivor. As an active participant of local cancer awareness events, Green’s insight brings a powerful and passionate compliment to her story. “I’m so honored to have worked with a cast and crew who’s extraordinary efforts in supporting my story, supported both our
creative ambitions, and offered crew platforms for women in IMG_5466film.” Complimenting Green’s endeavor included her dear friend JARED
DAY
as casting director. Day’s work on network television’s NCIS: New Orleans and his love for helping fellow actors, brought to the production a unique asset, to compliment Green’s vision.  One of the most impressive elements of her film involved shooting the entire production on location in Mexico with an elaborate array of moving parts.   “One of the biggest blessings of this production was bringing on producer MEGAN WOEPPLE to help facilitate things”, Said Green.  “We really were lucky finding her, especially considering she came on board quite late in the game”.  Woepple provided the kind of leadership and moxy that helped bond the team back together after many cast and crew selections had to be re-examined with scheduling conflicts well into pre-production.   Green further acknowledged that her arrival truly enhanced the productions logistical requirements exponentially.     Kat Green on Twitter. Megan  Woeppel on Twitter and Jared day on Twitter

 

 

Hux-Poster2-Web-800Anther quite extrodinary film by   examined the complexities of the fear merged with courage surrounding autism. The film HUX fosters a unique
perspective on the multidimensional
understanding of autism, presented by award winning writer, producer, director, editor and lead actress MAGEINA TOVAH. “I’m in hopes our film presents the journey and exploration of strength required for an individual to persevere and remain strong”. Follow Mageina on Twitter.

Among the WA State film block of films screened this year came a captivating romantic comedy, ACROSS THE POND,
created by award nominated Australian / British national RENÉE BOURKE and Actor/Host/Musician PARIS DYLAN. Their story explores the dynamics of love
and the challenges of IMG_2641distance and career. She takes us through the
relationship of a struggling fashion designer from London EMILY, who meets the lost soul musician, NICK (Dylan). Together, they find quite a magical and impressive way to bridge the gap across the pond. Follow Renée on Instagram and Follow Paris on Twitter

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Actor/Producer/Host/Musician Paris Dylan. Photo by Getty Images

The film took over a year to piece together which allowed for Dylan and Bourke to fullfill their dreams of working from all creatives angles on their first film as Producers, Writers and Actors.  Be sure to follow all the annual events this on TW/FB/IG: @Hollyshorts. HOLLYSHORTS will continue their screenings throughout the year in special monthly showcases.

Scott on the set of one of his latest projects, The Rainforest.

The Rainforest: FEATURE to be produced in Western Washington

Scott Capestany standing in front of field monitor.

Creator/Director Scott A. Capestany standing in front of field monitor.

The upcoming Feature Film The Rainforest has become quite the buzz around town and in many Western Washington regions where the project is slated to be filmed in 2017.

Created, written, directed and executive produced by award-winning Washington State resident and indie filmmaker Scott A. Capestany, this project carries quite the exotic and elaborate storyline that’s sure to get viewers excited while experiencing Pacific Northwest settings, authentic PNW Native American legends and some ‘Lara Croft’-style treasure hunting, action and adventure. Filming locations slated include Forks, Lake Quinault, Amanda Park, Sequim, Bainbridge Island, Seattle and the University of Washington, which will be the central settings for this epic action/adventure feature film.The Rainforest BAnner

The story was conceived by Capestany during his most recent TV series production, NW Waters Adventure TV, while fishing in Western Washington. By December, he produced a “proof of concept” teaser that he has used to help generate interest from investors, business partners and to showcase to inbound cast/crew. His project was selected as a “pitch” finalist for the Washington Filmworks Innovation Lab, which in turn led to some major interest among Hollywood distributors, VODs and programming networks to also make the feature into a TV Series.

With pre-production scheduled to begin in Summer 2017, Capestany’s endeavor is now on the fast track, having gained quite extensive support from well known PNW cast and crew, from statewide businesses and organizations, as well as from some very well known Hollywood players.

Wide shot of actress Cindy Lemos reading the map.

The adventure team assembles in proof of concept filming.

“The goal was to spend a solid 1.5 years  developing new business partnerships and backers for this project with the goal to impact the Washington State economy positively through general interest and commerce,” he said. “With a limited budget, I figured that if I could connect my proposed filming locations/communities to our project, all the moving parts on the finance end of things would fall into place seamlessly.”

Committed to keep 100% of The Rainforest produced in WA State, Capestany will be using local Emmy Award winning Seattle Post Audio design company BAD ANIMALS  along with KOERNER CAMERA to facilitate his projects camera needs.  “Our relationships with long standing highly acclaimed regional leaders are important not only for the economics of our local industry but also from the high level of work they do”, Said Capestany.  “Bad Animals has been the premier leader in sound design in our market having worked with some of the greatest musicians of our generation including  Elton John, Stevie Wonder, Steve Miller and R.E.M.  And they are still winning Emmy’s!”

Scott’s strategic planning paid off recently by signing on 7 CEDARS CASINO in Sequim, Washington, as both a marketing and creative participant whose tribe’s history and legends will be accurately featured in the main storyline.

Jerry Allen, CEO of the 7 Cedars Casino, said, “We are honored to have this new partnership with Scott. I think this is a compliment to the tribe that Scott wants to do something like this. We are excited to be part of it. There were a lot of choices. When you think about the number of tribes that circle this peninsula and the fact that we were able to put this together, we are very, very flattered.”

Capestany on his Satellite phone.

Capestany on scouting trip with his Satellite phone.

Preserving the delicate filming locations and their delicate  environments are a primary objective for Capestany. His goal of attracting more PNW, national and international outdoor apparel, products and services (that will be functional as both props and woven into the storyline) that support sustainability and environmental awareness will remain at the forefront in the coming months with The Rainforest.

As creative director at Capestany Films for a number of years, Capestany has cut his teeth like all indie filmmakers operating outside the studio system.  He’s created a quite impressive Hollywood network ranging from relationships with major players in the industry to actively participating annually in dozens of international panels and workshops educating creatives on the business side of the industry.  He has worked as a consulting producer and film financier for over a decade on multiple creative endeavors and likes to keep his business involvement with many well known films modestly at bay when asked about them.   “My goal as a financier has always been about the filmmaker, not about how we arrived there.”, He said.  “If I can help an artist guide his creative endeavor early on by removing the money equation that hampers 90% of films and often times contaminates the creative process with all involved, then the projects our group typically gets behind most always seem to find a way to be realized and produced.”

After reading the book Rebel without a Crew by Robert Rodriguez, he launched Capestany Films on Main Street in Park City, Utah, during the 2000 Sundance Film Festival, where he was serving as a volunteer at the Slamdance Film Festival under the watchful eye of founders Peter Baxter and Dan Mirvish. He still carries his first “creative” business card he made that year in his wallet as a daily reminder that “if you can dream…you can achieve.”

Interior airfield hangar of cast looking at laptop.

Interior airfield hangar of proof of concept filming.

To date, Capestany has been selected to pitch at multiple Hollywood networks, studios,  production companies and some of the most recognizable film market events in the world.  Including recently in Beverly Hills at the Variety’s Faith-Based Summit and the American Film Market, where he met one of his current consulting producers, Anne Marie Gillen. After hearing one of his explosive and engaging pitch presentations, Gillen quickly decided to join Capestany Films to help guide his new endeavors through the quite complicated terrain of Hollywood business and finance.

Gillen was the former COO of Morgan Freeman’s production company, Revelations Entertainment, and is currently an expert in business development and finance for indie filmmakers around the world.

“After watching Scott on that stage in front of the world, his passion and resilience told me I had to be a part of what he was doing,” Gillen said.Scott meeting with Sklallam tribe

The Rainforest is “a hero’s journey” about a quite intelligent and skilled female professor, Dr. Riley Stone, who one day is visited at her college campus by a young girl claiming her great-grandmother’s story of a Rainforest legend should be examined further. After recognizing a very rare necklace the girl shows up wearing, Dr. Stone agrees to set off to her small town located in Western Washington to meet with the woman. Upon her arrival, Dr. Stone learns more about the legend and discovers some extraordinary clues that leads her to assemble a world-class team of explorers to join her for an expedition of discovery and adventure. Soon after the team gets underway, bizarre things begin to affect the expedition, sending them all on a death-defying race of survival and psychological mystery.

Casting for the film will begin in January 2017 underway with the lead, Dr. Riley Stone, being considered for numerous named Hollywood Female lead actors whose intellectual strength have already graced well know Film/TV productions.

As one of the most fierce and vocal advocates in the independent film sector of the industry for Women in Film, Capestany is strategically positioning  this partnerships with some of Hollywood’s elite leaders in this current fight for equality and diversity in the work place.  “My lead character Dr. Riley Stone is a reflection of some of the strongest and most influential women I have met in this business and throughout the world in my business travels whom I respect”.  She’s what I consider an authentic representation of a person that women can and should aspire to be.  Strong (emotionally and psychologically), Intelligent, dynamic leader and most importantly well-respected among their male counterparts”, Capestany Said.  “The days of commercially viable scripts describing a woman as sexy, beautiful and alluring are reaching a breaking point and soon to be replaced by stories of strength from within”.

Capestany has begun assembling quite the impressive Pacific Northwest crew, including Seattle producer Ben Andrews (founder of the Seattle Film Summit) and Vashon Island resident Tim Everitt (SFX animator who has worked on Pirates of the Caribbean and The Last Samurai). Capestany is a frequent speaker at regional industry events and an instructor at the Northwest Film Forum teaching emerging filmmakers the importance of connecting commerce and creativity.

Production for The Rainforest is slated for late August 2017 with a projected 22-day filming schedule. The official films proof of concept launch party was held this summer at the 7 Cedars Casino in Sequim, WA, August 29th.  Story intro to the general public, live music by award-winning singer/songwriter Melanie Dekker (www.melaniedekker.com), catered food, raffle and gaming were part of the festivities.  More can be found on Facebook (Capestany Films & The Rainforest) and  on Twitter @CapestanyFilms and @MediaIncMag. All inquiries may go to producer@capestanyfilms.com.

Scilla Andreen

WA State’s Most Influential Women in Film, TV and new Media

Scott A. CapestanyBy Scott A. Capestany Editor-In-Chief

Over the past few years, a growing band of Pacific Northwest talented and fierce female creatives have taken the regional community of independent film, TV, media and music by storm. This two-part cover story takes us into the hearts and minds of some of Washington’s and Oregon’s most admired and influential women who have helped pave the way on how we consume media, create films/music, produce visual art (films) and empower others through their creative and artistic talents. Their work today continues to push the limits of innovativeness by contributing to the ever-growing and quickly-evolving landscape of our region’s multi-media sector. We are proud to call these women ‘our own.’ But most importantly, so very grateful for what they do for others through their leadership, inspiration and love within our communities.

For part one of this cover story, we are honored and excited to commemorate the careers and achievements of 18 unique and fascinating women from Washington State within the world of film, TV, media and creativity. Highlighting their profound and worthy contributions is just one factor we took into consideration. The other, which is equally important throughout the process of creative collaboration, is the leadership and teamwork skills that each of them have so admirably displayed over the years. Our selection is not in any order of significance, but rather a collective equal presentation celebrating women pioneers that have fought hard in their professions, stepped outside the box, made their voices heard and, most importantly, become game-changers that continue to push for equality and women empowerment around our region.

Congratulations to these outstanding women from Washington State, and be sure to look for part two of this story, which will feature women from Oregon, in the next issue of Media Inc.

SCILLA ANDREEN, co-founder and CEO of Seattle-based IndieFlix, has truly become one of the most iconic empresses of women empowerment and influence within the world of indie filmmaking.

Scilla Andreen

Scilla Andreen

What Variety magazine calls ‘the Netflix of indie films,’ IndieFlix is now the world’s premier online indie film streaming service that specifically provides a platform for content representing independent thinkers, offering a unique and never-before-seen distribution and revenue model for filmmakers. Content that is featured on the IndieFlix platform allows filmmakers to get paid through metrics involving ‘minutes viewed’ and most recently can now access all their films’ data of their actual viewing audience.

“We created IndieFlix with the filmmaker in mind first that offered more than just a platform for showcasing their finished films,” Andreen said. Currently now in beta  testing, IndieFlix filmmakers can for the first time have access to all the necessary data as to who, where, and how consumers are viewing their content, which she believes is a game-changer in the industry.

As a veteran entrepreneur, Andreen’s work over the past two decades as an Emmy-nominated costume designer, award-winning filmmaker, producer, popular speaker, international film festival juror and dedicated advocate of independent film has helped open up doors and inspired millions of creative artists, both in front of and behind the camera. Her recent empowerment documentary project run through her IndieFlix foundation, which highlights ordinary women doing extraordinary things, recently returned home to Washington State after making a national tour around the country featuring a band of young female filmmakers interviewing and highlighting other women’s empowering stories. The documentary now is being screened at hundreds of schools across the nation. Her current project Screenagers is a fascinating look into today’s youth and their usage of digital technology, directed by Seattle physician and award-winning filmmaker Delaney Rustin. Visit www.indieflix.com and www.screenagersmovie.com for more.

Having made five of her six feature films in Washington State, our next featured woman of influence likely doesn’t need a formal introduction. If you have your eye on Pacific Northwest filmmaking or have attended any major local film festival or event, writer/director LYNN SHELTON has essentially embodied what women in film and Washington State filmmaking have become. Along with her good friend and Seattle producer Mel Eslyn, Shelton feels there needs to be a greater effort by Washington State legislation to see the value and benefit of making films and TV shows in Washington.

“The thing about the Motion Picture Competitiveness Program is that it’s so beautifully engineered and designed to benefit the Washington State economy and professional filmmakers,” said Shelton. “In fact, Washington State was the first state ever to create a film incentive that included union standards, like pension health benefits.”

Lynn Shelton

Lynn Shelton

Spending half her time in L.A., Shelton works both as a writer and director for a number of well-known network and studio projects. Her work has been seen on Netflix, Showtime, Fox and 20th Century TV in episodes of series such as Mad Men, Shameless, Master of None, Fresh Off the Boat, New Girl and Maron.

Shelton also feels that it is a very unique time for women in film. “I believe that we as women are upon a very special moment that I hope is not wasted,” she said. “A moment of opportunity… that I hope is not wasted.” Now that the conversation of women in film and the lack of gender diversity among directors in Hollywood has been brought to the forefront of the media, Shelton senses a much more profound willingness and actual  desire of women wanting to change the pattern by hopefully enhancing the numbers of women directors at large in the workplace. Shelton is actively pushing to bring her next feature to the Evergreen State, produced with our next featured woman of influence and her good friend, Mel Eslyn.

One of the most decorated and hard-working independent film producers from Washington State is MEL ESLYN. Having begun working on movie sets at the age of 14, Eslyn’s resilient and admirable work ethic has spanned two decades, leading her to producing over 15 films, including 3 of Lynn Shelton’s 6 major feature films. Over the last handful of years, she has produced a series of feature films that have screened at some of the world’s top film festivals, including Sundance, Toronto, Tribeca and SXSW. She recently won the prestigious Piaget Producers Award at the 2016 Film Independent Spirit Awards that honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality independent films. The annual award includes a $25,000 unrestricted grant funded by Piaget.

Mel Eslyn

Mel Eslyn

“One of the biggest hurdles for me as a producer has been my ability to bring more of my films to Seattle. Once projects reach a certain budget, a state film incentive comes into play quite significantly as to where the film is made,” Eslyn said. “It’s my goal in the next year to bring at least one, if not two, feature films to our market that in turn will help bring more awareness to legislation to see the huge benefits a feature film has on impacting local community’s business and economy.” One of Eslyn’s biggest contributions to the Washington State film scene over the years has been her loyalty to her crew and co-workers. Although a number of her films have been filmed outside of Washington State, she brings along many local crew people to work alongside her.

When it comes to connecting the Pacific Northwest’s growing pool of talented actors, casting director NIKE IMORU, CSA, is the one woman who not only gets the job done, but is counted on by the leading producers throughout Washington and now in Los Angeles to find the most talented performers in film and TV. Nike, pronounced “Nee-Kay,” has been a professional casting director in Washington for over 10 years and currently is the lead casting director for the state’s largest recurring cable TV series, Z Nation.

Nike Imoru

Nike Imoru

“It’s been my goal ever since I began casting to offer more to actors during the casting process than what typically they would get during an audition,” Imoru said. Known around the region as a true “actors coach,” she is a classically trained professional theater actor herself who hails from the U.K., where she also taught acting at a few prestigious schools before becoming a full-time CSA. She recently opened up a state-of-the-art casting studio facility in West Seattle, where she will be spending most of 2016 casting and supporting Z Nation. Visit www.nikeimorucasting.com or find Nike Imoru Casting on Facebook: ‘Act with Inspiration.’

With approximately 45 film festivals and competitions each year for filmmakers and folks to attend around the state, STEFANIE MALONE, executive director of the world’s largest youth film festival NFFTY, helms a quite impressive and quickly growing international festival in downtown Seattle each spring. Now in its 10th year, NFFTY (National Film Festival for Talented Youth) receives over 950 submissions from over 20 countries around the world made by youth filmmakers between the ages of 5 and 25.

Stefanie Malone

Stefanie Malone

An Emmy Award-winning producer herself, Malone’s work in the PBS arena for many years led her to Seattle, where she became the community engagement and education director for Seattle’s local PBS affiliate, KCTS. Although her full-time commitment to NFFTY year-round occupies most of her bandwidth, her ongoing relationship with KCTS and WETA (the Washington, D.C. PBS affiliate) allows her to pursue her true passion and love for developing and producing documentaries. “It’s hard to leave PBS entirely after being with them so long, so I’m grateful I can continue to work within that space where I still think it is an excellent platform for filmmakers to showcase their films and TV shows,” Malone said. Her team of likeminded leaders and growing numbers of supporting staff at NFFTY has allowed the festival to expand its annual events and festival offerings to the public. Visit www.nffty.org.

Working for the City of Seattle as executive director for the Film+Music Office, KATE BECKER leads a staff of seven who oversee a multitude of resources and permitting activities that help facilitate filmmakers, musicians and special events. Whether it be a feature film, TV series, commercial or new media production that involves city parks or hundreds of locations run by the city, Becker’s team truly is the ‘one-stop shop’ for the professional filmmaker. Each year, the city issues over 400 film permits for projects filmed in and around the city.

Prior to working with the city, Becker served in leadership roles at Kate BeckerSeattle Theatre Group, Art Share L.A. in Los Angeles, and the New Art Center in Newton, Massachusetts. She co-founded Seattle’s Vera Project and the Old Fire House, nonprofit art- and music-based all-ages venues that have helped build Seattle’s creative economy talent pipeline. Becker has also produced more than 1,000 all-ages shows and numerous major fundraisers and galas. Talking about women in film, Becker said, “I’m so happy to work in a market (WA State) where so many talented women are leading our local industry by producing and creating exceptional content which is a true feather in our cap.”

Becker also works quite diligently as one of Washington State’s top interactive advocates for helping bring new filmmakers to the state from around the world while attending national and international festivals and markets. “We are excited the members of the film industry are actively convening in pursuit of a production facility to be located in Seattle,” she said. “Something like this could do wonders for the film/TV and media landscape.” Visit www.seattle.gov/filmandmusic.

As co-founder and owner of Mighty Tripod Productions (MTP), one of Seattle’s most respected actor development, management and indie production companies, ANGELA DiMARCO truly has become an empowering woman of influence, both in front of and behind the camera. With a genuine heart to help others (she is known as ‘Mama DiMarco’ among her circle), she helps mentor and prepare actors for the rigorous road of working in the business.

Angela DiMarco

Angela DiMarco

“MTP is an evolution of who I was, growing up without having quality training and mentorship that I believe is a major cornerstone of becoming a professional artist,” said DiMarco, who runs the company with her talented and award-winning husband David Hogan, who himself has over two decades of theater, film, TV and talent leadership under his belt.

“David and I wanted to create a platform in Mighty Tripod Productions for Northwest actors taught by Northwest actors, available to all ages to hone their craft, build their confidence and, most of all, be mighty,” she added. You can find DiMarco on all social media channels under Mighty Tripod Productions, her own hashtag #dontwaitcreate and at www.mightytripod.com.

Once a creative artist decides he or she wants to take the plunge into the world of acting or modeling in the Seattle area, TERRI MORGAN’s TCM Models and Talent Agency would be considered by many one of the most well-known and reputable agencies in the state. Starting up in 1979 as a modeling agency over in Eastern Washington, Morgan decided to take her love for helping others within the industry to Seattle and opened up a new location downtown in 1990, where they remain today. By 1998, her well-seasoned staff established a new talent division that has provided actors opportunities in commercials, feature films, TV series and new media requiring on-camera talent.

Terri Morgan

Terri Morgan

“Coming from a modeling background myself, I know how hard it can be to break into the business not knowing how to navigate the oftentimes intimidating and rigorous demand of the business or how the auditioning and selection process works,” she said. “TCM specializes in counseling and advising talent by offering a well-developed road map for actors and models to utilize if they choose to enhance their careers.” Visit TCM at www.tcmmodels.com.

One of Washington State’s best known features is its rich and vibrant Native American culture and history. Our next woman of influence has spent over a decade developing an awareness  and sensitivity to the power of media and film as a modern storytelling tool for local communities, primarily the indigenous people of the region. As co-founder and executive director of Longhouse Media, now in their 11th year, TRACY RECTOR (Choctaw/Seminole Tribe) has produced over 350 film shorts, worked with over 40 tribes from around the United States, and has served over 3,000 youths by bringing filmmaking tools to tribal students from around the country to help them tell their own stories. Her work has been featured by Cannes Film Festival, ImagineNative and National Geographic’s All Roads Film Project, while also leading the first filmmaking team from Seattle to have a documentary on PBS’ Independent Lens and appearing in the Smithsonian’s Museum of the American Indian. Not to mention, she’s a recent Sundance Film Institute Lab fellow participant and Tribeca Film Festival all-access grantee to boot.

Tracy Rector

Tracy Rector

Aside from being an award-winning director/producer and advocate, Rector developed and launched the quite successful educational program ‘SuperFly,’ a program that challenged students to create 5 films in 36 hours, which then screened in conjunction with the Seattle International Film Festival (SIFF).

“SIFF’s decade-long collaborating with Tracy on ‘SuperFly’ was an exceptional opportunity that not only provided exemplary training and experience to youth across cultures, but built bridges between the Native community and their neighbors from cities across the USA. Today, Tracy’s new ‘4th World’ program continues that depth of intent, as we are proud to be working with her to fill the need for additional training for up-and-coming Native filmmakers,” said Dustin Kaspar, education director at SIFF.

Rounding off her admirable leadership throughout the communities of the Puget Sound, Rector currently sits as City of Seattle Arts Commissioner.

“My vision is to bring traditional and contemporary education together on a foundation based in environmental stewardship,” said Rector. As a monthly series, her ‘Indigenous Showcase’ program at the Northwest Film Forum also blends culture with community. She added, “The Indigenous Showcase program screens films made by Native Americans or in part supported by the Native American community.” Read more about Rector at www.longhousemedia.org and www.clearwaterstories.org.

Abby Dylan

Abby Dylan

With the growing number of actors and performers living and arriving to Seattle, ABBY DYLAN is a woman whose lengthy multi-decade experience in the industry has landed her passionate voice for actors at the top of the most prestigious organizations in show business. Dylan is an elected member of the SAG-AFTRA Board, where she serves as the National Chairman of the SAGIndie Committee and ViceChair of the Legislative Committee. In addition, she is also a director of the SAG-AFTRA Foundation Board, and was appointed to serve on the Board of Washington Filmworks by both Governor Christine Gregoire and Governor Jay Inslee. In 2016, Dylan also was appointed to the Board of the SAG Foundation as their new secretary. For more, visit www.sagaftra.org, www.sagindie.org, and www.washingtonfilmworks.org.

Every spring, Seattle ushers in one of the biggest and longest-running city-wide events, the Seattle International Film Festival (SIFF). Ranked as one of the top film festivals in the world, SIFF showcases over 450 films, shorts and documentaries from over 80 countries throughout a 25-day odyssey. BETH BARRETT, director of programming, spearheads the division along with her team of staffers and volunteers that help formulate the line-up and presentation of films each year. Barrett has been with SIFF since 2003, joining as an intern in communications and quickly moving along into the programming division. Over the course of her tenure, she has watched SIFF grow from 5 staff to now over 25 full-time staffers.

Programming essentially works with the incoming filmmakers each Beth Barrettyear, streamlines communication between programmers and watches hundreds of films leading up to the festival with the objective of bringing the best films they can find from around the world and our own region to screen in Seattle. To help local filmmakers from Washington State showcase their films on an international platform, SIFF offers a unique ‘Northwest Connections’ showcasing. “The program is designed to help elevate local filmmakers to international attention that essentially represent a microcosm of the work being done by Pacific Northwest artists with projects of all types of films, genres, styles and lengths,” Barrett said.

Her commitment to bring some of the best films from around the world made by women is a top priority while paying close attention to her final design of the festival’s programming. “It’s really important to me to have women from all around the world represented here at SIFF on an equal footing every year,” said Barrett.

Be sure to mark your calendars for May for this spectacular presentation of world cinema right here in Seattle by visiting www.siff.net for all the events, parties and screenings.

Recently winning the ‘Best TV Personality’ award put on by KING 5 in 2015, ANNY HAVLAND has been making a huge splash in the world of online empowerment through her uplifting reality TV/Web series called Talk It Up TV. Originally from Bellingham, Havland came to Seattle to explore more opportunities using her magical gift of connecting and inspiring others. In 2010, she co-founded and now produces her own series that boasts over 5,000 YouTube subscribers from all around the world.

Anny Havland

Anny Havland

Talk It Up TV is a new style of media that is reality TV at its best with a positive twist. Instead of reporting and highlighting negative tragedies, we share these real-life stories with our viewers and create a positive ending to each story with a shocking act of kindness that are unforgettable,” Havland said. Each episode is lined with a powerful, very uplifting and heartfelt message that offers a life-changing experience for the individual. Visit Havland online at www.talkituptv.com or by using the hashtag #tiuarmy.

One of Seattle’s most dynamic documentary filmmakers is ROSALIE MILLER. Her handful of films she has produced in just the last five years have screened at over 100 film festivals worldwide under her own banner, Wanderhouse Productions. Her independent production company focuses on producing micro-budget narrative and documentary projects with an emphasis on digital media production. The Wanderhouse website boasts: “We are dedicated to creative collaboration, compelling storytelling, and subject matter intended to inspire others.”

Rosalie Miller

Rosalie Miller

Miller’s resilient and fierce approach to the filmmaking process radiates wherever she goes with quite vocal and well-developed skills in pitching, fundraising and audience engagement. Her feature-length documentary Personhood (now in post-production), which documents the burgeoning personhood movement and the far-reaching impact of laws designed to protect the fetus, won both the Women in Film Seattle Professional Grant and the 2015 American Documentary Film Fund.

Aside from her work behind the camera, Miller is a member of SAG-AFTRA and is a well-known actress who has appeared in dozens of feature-length films, shorts, commercials and TV series in Washington State. Miller is currently in production on her next documentary, an intimate portrait piece about Seattle-based dance artist and drag queen, Jody Kuehner (aka Cherdonna Shinatra). Visit www.wanderhouseproductions.com and www.personhoodmovie.com for more.

Producer LEAH WARSHAWSKI has over a decade of experience in film and TV production. Warshawski has worked on some of TV’s biggest series, including Lost, Survivor and Alias. She recently wrapped her own feature-length documentary Big Sonia, which in 2015 won the prestigious $50,000 film grant award given annually by True Productions in partnership with the Seattle International Film Festival.

Leah Warshawski with her doc subject and grandmother, Sonia.

Leah Warshawski with her doc subject and grandmother, Sonia.

“The process of documentary filmmaking is becoming more about the films’ campaigns than just about the actual movie being made,” Warshawski said. “Big Sonia has been a story I’ve always wanted to tell about my own grandmother. So we decided early on to develop a nationwide campaign for major cities that would also educate and involve local communities around the country surrounding her story.”

Warshawski also is currently working with local filmmakers Jo Ardinger and Rosalie Miller on the doc Personhood as producer. “When Jo approached me to join the team, I just couldn’t say no because of the impact I knew this film would make on our communities and country,” she added. Her current projects can be found at www.bigsonia.com.

RYAN DAVIS is a professional film publicist, communications specialist and co-founder of Seattle’s Smarthouse Creative. With over 30 years of combined experience in film marketing, publicity, distribution, programming and exhibition, Smarthouse Creative helps filmmaking teams find their audiences and bring attention to their work during all phases of their projects, from fundraising to festivals to distribution. They also work with select film festivals, non-profits and startups to deliver digital strategy, publicity and audience engagement services to position clients at the forefront of their respective industries.

Ryan Davis

Ryan Davis

For over a decade, Davis has worked in nearly every aspect of the film business including documentary film producing, film festivals, distribution, exhibition and sales. She and Smarthouse have placed multiple projects on media platforms such as HBO, CNN, The
New York Times, newspapers and local radio. Independent film projects that Smarthouse has run PR/marketing on have screened all over the world. Prior to Smarthouse, Davis served as a marketing leader for multiple non-profit arts groups and organizations including the Northwest Film Forum and Northwest Folklife.

Smarthouse Creative gets Media Inc.’s vote for best local indie film PR & marketing firm! Visit  www.smarthousecreative.com.

If there is one woman creative in Seattle that personifies the fastest and hardest-working bird on earth—the hummingbird—it most certainly is producer/actor LORRAINE MONTEZ. For over a decade, Montez has appeared in over 20 films as an actress and over a dozen films as producer. She is known widely in the local film community for her unlimited amount of energy and drive she pours into her daily routine as a filmmaker, educator, mentor and actor.

Lorainne Montez

Lorainne Montez

After noticing that fewer roles were being offered in film and TV to more mature women as a performer in the local market, she took the initiative to begin writing and soon formed her own production company, Abundant Productions. “I strongly believe in the laws of attraction,” Montez said. “I wanted to create a company that would attract goodness, abundance and creativity.” A recent feature film she produced under her Abundant flagship, The Hollow One, was acquired by Raven Banner Entertainment for international and domestic distribution.

Montez has been a vocal and active member of Women in Film for many years and recently served as the marketing and communication chairwoman for WIF Seattle. As a producer who feels there needs to be a bigger pool of well-educated filmmakers in the art of marketing and producing skills, Montez also instructs a marketing and producing class at Shoreline Community College. She also heads up a monthly workshop called Abundant Creative Playground, a platform where writers and professional actors come together in an interactive creative setting to enhance literary material. It’s a process she calls “disrupting the writing process in a productive and unique way.” Find out more at www.abundantproductions.net.

Award-winning journalist MAUREEN FRANCISCO is a woman whose journey into the world of TV and media has been quite unique. After arriving from the Philippines as a young girl to Federal Way, Washington, she learned to speak English by watching the nightly news. Fascinated by The Oprah Winfrey Show, Francisco was quickly inspired to pursue a career in journalism, which led her to an early career working for major network affiliates (CBS, NBC, ABC and FOX) around the country as a news reporter after graduating from Pacific Lutheran University. Upon her return to the Puget Sound in 2004, Francisco continued her work in TV at Northwest Cable News.

Maureen Francisco

Maureen Francisco

By 2013, she joined her husband as co-executive producer of NW Productions. Their company produces live shows, including the Pacific Northwest qualifying events for the Miss USA and Miss Teen USA pageants from Idaho, Montana, Oregon and Washington
States. “We coordinate and produce all of the events for both pageants in our region including doing the PR for our title holders and contestants under a separate division of NW Productions,” Francisco said. “We are in charge of procuring sponsors, selecting judges, screening contestants for eligibility requirements and finding our host venues.”

NW Productions also produces red carpet events, women empowerment workshops, and reality/talk show programming throughout the Puget Sound. Visit www.maureenfrancisco.com.

With 1 in every 10 Americans now using online dating services, the number of people looking for love online has never been greater. SUSIE LEE, CEO and founder of the dating app Siren, took things into her own hands a few years ago by creating an entirely new approach to the virtual world of online dating. “Our members set the tone of our community; we focus on connections that matter in a respectful space,” said Lee. “Siren is a platform where wit and personality shine.” Lee’s brainchild won the App of the Year by GeekWire in 2015, and recently landed an additional $500,000 in funding to help expand their 20,000 membership base and operations.

Susie Lee

Susie Lee

The app works quite differently than most apps, in that members receive a “Question of the Day” asked by artists and other types of creatives in the local community. The questions ignite conversations, which in turn promote members to uncover their true personalities organically, rather than with a generic profile and photo.

A graduate of Yale, Columbia and UW with degrees in molecular biophysics and biochemistry, science education, and art, Lee uses her skills as a social sculptor to amplify humanity in technology. Her work has been collected by numerous institutions including the Denver Art Museum, Mitchell Center for the Arts, Frye Art Museum, and Crystal Bridges Museum of Art. For more, go to www.susiejlee.com.

We invite you to learn more about the women of influence within TV, film and media as we continue our coverage in our next issue, which will feature women from the state of Oregon.

Features writer Scott A. Capestany is an award-winning producer, educator and advocate for women in film. Visit him at www.capestanyfilms.com and all social media platforms @capestanyfilms. Email producer@capestanyfilms.com.

Scott and Ben_2015_HSFF

HollyShorts Film Festival welcomes Pacific Northwest Alliance!

Award Winning Seattle Filmmakers set to showcase films at the 2016 LA Hollyshorts Film Festival!

Seattle, WA — Media Inc has partnered with Hollyshorts Film Festival as their official press affiliate this year covering the events from the iconic TCL Theater and the Roosevelt Hotel on Hollywood Boulevard Aug 11-20.

HollyShorts Film Festival announced last week the 3rd annual inclusion of  the “WA State Film Showcase” for their line-up of special film short screenings.  Hosted at the iconic Grauman’s  Chinese Theater on Hollywood Boulevard and other LA venues (The Roosevelt Hotel, Harmony Gold Theater, OHM Nighclub, Ignited Spaces, Avenue 17 Studios, 33 Taps and Redbury Hollywood), the 12th annual Hollyshorts Film Festival will be featuring works from 400+Indie Film shorts from around the world during a week long odyssey between Aug 11-20 packed with of screenings, conferences, parties, panels, workshops and special events.  Nearly 3000 films from every continent were submitted this year.

Ben Andrews and David S. Hogan

Ben Andrews and David S. Hogan

Pacific NW production companies Evil Slave (ES), Abundant Productions (AP), Mighty Tripod Productions (MTP), Modern Motion (MM) and Capestany Films (CF) will be featuring works from PNW Filmmakers.    Headlining the showcase will be the World Premier of 2015 Award Winning Hollyshorts screenplay “The Lunchbox Brigade”.  Produced  collectively by Lorraine Montez, Ben Andrews, David S. Hogan, Marissa Fujimoto, Ryan Wagenhauser and Christopher Meuer,  this warm and adventurous coming of age tale featured over WA state with a cast and crew filmed entirely in the Evergreen State.

The Lunchbox Brigade follows a neighborhood squadron of kids that discovers their brother-in-arms, Johnny, has gone to camp for the summer. They determine a rescue is in order, and together they embark on an antic-filled plan to infiltrate enemy territory (aka summer camp) and free their friend. But when their leader, Teddy, discovers that Johnny actually wants to be at camp, he must lead the Lunchbox Brigade in a touching tribute to the loss of one of theirown.Media Inc Roosevelt party banner

Casted by David S. Hogan of Mighty Tripod Productions, the local talent included Kyan Zielinski as Teddy, Forrest Campbell as Bugsy, Malakai James as Logan, Kristoffer Holtan as Clyde, Eden Campbell as Sue and Alex Silva as Johnny.  “I had a great time casting the talent for this great film.  The amount of talent we saw during the auditions was very impressive.  The kids that were ultimately cast are some of the region’s best young performers I’ve seen,” said Hogan.   

Hollyshorts is listed by MovieMaker Magazine as one of the “top 25 festivals worth the entry fee,” HollyShorts awards the winner of the screenplay competition with an automatic entry in the following year’s festival.

Seattle-based producer and filmmaker Ben Andrews, creative director of Evil Slave, recognized an opportunity to create a strong alliance of filmmakers from Seattle, Tacoma and Los Angeles when he met the HollyShorts leadership early in 2014 at SXSW. “It happened pretty quickly,” said Andrews. “I discussed the need to highlight Washington filmmakers and they discussed the need to expand and further their outreach.”

“It’s truly an honor to see our dreams becoming a reality, having our esteemed HollyShorts Screenplay competition winner Kyle Thiele get his short made via our partners Evil Slave, Abundant Productions and Mighty Tripod Productions along with Shoreline Community College’s Filmmaking Department,” said Theo Dumont and Daniel Sol, HollyShorts co-founders. “This alliance truly signifies the new pathway between the Pacific Northwest and Hollywood, a bridge that creates incredible opportunities across the board for filmmakers everywhere and we are delighted to be involved.”

Lorainne Montez

Lorainne Montez

Pacific Northwest producer Scott A. Capestany, Creative Director at Capestany Films, has sponsored and supported this new alliance and movement since its inception. “We are proud sponsors of the HollyShort film festival each year in support of Ben Andrews’ efforts in helping bridge the gap between the L.A. indie film market and our local market,” he said. “His resilient efforts have helped open up new relationships between Puget Sound businesses and Hollywood decision makers that support the growth of our Washington State economy and our vibrant film/TV local industry.”ATP Blue poster_HS laurel

Capestany’s latest film “Across The Pond” starring University of Washington alum and now Hollywood writer/producer/actor PARIS DYLAN, was selected to screen during this years WA Film showcase.  “It was an honor and privilege to have worked with such a great team on this film. Pulp Digital Productions really pulled out all the stops and delivered an impressive film.   Rene (Bourke) really worked hard leading us all for over a year to make this film come to reality,” Dylan said.  “I’m so proud of our amazing team, Pulp Digital Productions, Paris Dylan, and special mention to Capestany Films for their consulting, guidance, and marketing expertise to see this film through to showcased in the worlds entertainment capital of Hollywood at this prestigious Hollyshorts Film Festival.” Said Executive Producer and lead actress Renee Bourke.  Also supporting the 2016 Hollyshorts Alliance are industry leaders Terri Morgan of TCM MODELS and Peter Barnes of  CLATTER & DIN, Inc.Hollyshorts 2016

“I’m honored to be the winner of the 2015 Screenplay competition with HollyShorts and am impressed with the professional caliber of the Pacific Northwest filmmakers producing the short,” said Thiele, writer and director of The LunchBox Brigade.

The 12th Annual HollyShorts Film Festival and Film Conference/Film Market is scheduled for August 11-20, 2016 at the world famous TCL Chinese Theatres.  The WA State Film Showcase will take place August 14, 2016 from 10am-2pm followed by an Abundant Playhouse special screenwriting event.   MEDIA INC MAGAZINE will host a special kickoff event at the Hollywood Roosevelt Hotel Saturday August 13th from 7-10pm. RSVP HERE.  Visit www.hollyshorts.com for more information. Hollyshorts on Twitter and Instagram

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Anne Marie Gillen joins MI as associate editor

Media Inc Magazine welcomes Award Winning Producer Anne Marie Gillen (Producers Guild of America) as Associate Editor to compliment the publications efforts of increasing its global  outreach and engagement  within the independent film arena.  She will help oversee coordinating National and International press, PR and industry event editorial coverage.

As former COO of Morgan Freeman’s production company ‘Revelation Entertainment’, Gillen’s work as a Producer, Consultant, Lecturer and Corporate/Executive Coach has spanned the elite levels of motion picture development and financing business for over 25 years.  Her work as Executive Producer on Universal Studios feature film ‘Fried Green Tomatoes’ paved the way for  global box-office success grossing over $110M.  As an expert in film finance, distribution, digital media and film development, Gillen also brings a plethora of top tiered industry relationship to Media Inc Magazine’s network.  She is the co-author of the 3rd edition of The Producer’s Business Handbook – published by Focal Press and co-branded by Variety. Her second book The Business of Show Business for Creatives has also been published by Focal Press and co-branded by American Film Market (AFM). The AFM is produced by the Independent Film & Television Alliance®  She is the CEO and President of ‘The Gillen Group, LLC’ whom specializes in working with ‘IndieFilm’ producers realize their projects.  Anne Marie can be reached at  amgillen@gillengroupllc.com 

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Ashland Named A Best Place to Live and Work as a Filmmaker by MovieMaker Magazine for Third Year in a Row

Ashland article_Bagshaw

By Ginny Auer Executive Director, Southern Oregon Film and Media (SOFaM)
Photo by Sean Bagshaw

When thinking of Ashland, most people’s minds go to the Tony Award-winning Oregon Shakespeare Festival, the powder atop the slopes of Mt. Ashland or the many local wineries and breweries. But after a third year in a row on the list of best places to live and work as a filmmaker in MovieMaker Magazine, Ashland’s reputation as a filmmaking hub is solid as well.

Ashland was recognized by MovieMaker Magazine as the #2 Town to Live and Work as a MovieMaker in the nation for 2014, and then was honored with a bump to #1 in January of 2015! In 2016, MovieMaker changed the criteria for the award to combine small cities and towns. Ashland beat out film hubs with populations of more than 150,000 and more robust incentive packages, ranking at #5 on the list this year. How is it that this small town of 20,000 is getting such accolades? MovieMaker cited “a bustling culinary scene, a no-big box store policy (and no state sales tax!), film festivals, independent theaters and a super-supportive film organization called Southern Oregon Film and Media (SOFaM).”

SOFaM supports the local film industry by promoting the region to both local and out-of-area producers, and works to connect productions with local film professionals, actors, equipment and resources via its online directory. With its large database and deep reach across the entire region, SOFaM is a great place to start for any film or media project.

In recent years, Ashland has shown up on big and small screens quite a bit. Wild, with Academy Award winner Reese Witherspoon, featured the downtown area, as well as nearby sections of the scenic Pacific Crest Trail. Ashland was also seen in Night Moves with Jesse Eisenberg and then again in the locally-produced independent film Black Road. Companies like Hewlett-Packard and even John Deere are finding Southern Oregon a great place to film.

Ashland has a film-friendly community, with low- to no-cost permits, strong state incentives, no sales tax and unexpectedly large numbers of filmmakers, technicians, equipment, support services and on-screen talent.

And then there are the kinds of resources you don’t expect to find in a town this size. Beyond the talented performers that join the Oregon Shakespeare Festival each year, OSF’s costume rental shop is just as impressive. The shop is the size of a football field with costumes from nearly every era, and it regularly rents to theaters, film and TV productions across the country, including Saturday Night Live.

Ashland is in the center of a filmmaker’s goldmine. Southern Oregon boasts a unique and beautiful coastline, high desert to the east, and many small towns with a host of unique venues for shooting. Medford, situated at the heart of the region, is the location of an airport with direct flights to and from Los Angeles, Portland, Seattle, San Francisco, Denver, Salt Lake City and Phoenix. When taken as a whole, the MovieMaker designation of Ashland as a best place to live and be a filmmaker really applies to all of Southern Oregon.

Cameras are rolling in Southern Oregon like never before and SOFaM extends an invitation for new and returning filmmakers to join in and see what all the buzz is about!

The staff of Three Dollar Bill Cinema with Maureen Bradley, director of the 2015 Best Narrative Feature, Two 4 One.

THE 2016 TRANSLATIONS

The staff of Three Dollar Bill Cinema with Maureen Bradley, director of the 2015 Best Narrative Feature, Two 4 One.

The staff of Three Dollar Bill Cinema with Maureen Bradley, director of the 2015 Best Narrative Feature, Two 4 One.

Seattle Transgender Film Festival is a constellation of shining stars & original stories

By Sam Berliner Festival Director
Photos courtesy of Three Dollar Bill Cinema

The 2016 edition of Translations: Seattle Transgender Film Festival is all about connecting audiences with stars and stories. This year we are excited to celebrate some of the champions who have led the way for transgender communities and highlight connections through an array of voices and perspectives.

One of the most visible and highly acclaimed transgender-centered series is the groundbreaking Transparent. Join us during this year’s festival for an exciting discussion with some of the remarkable talent behind the making of this captivating show, including pioneering star Alexandra Billings—the first openly trans woman to have played a transgender character on television back in 2005. Our guests will share some inside scoop, thoughts on the broader implications of the show’s success, reflections on what it means being transgender both in front of and behind the camera, and where they see trans representation going in the future.

Festival director Sam Berliner

Festival director Sam Berliner

We’re incredibly excited for the Northwest premiere of Major! about Miss Major Griffin-Gracy, the 73-year-old Black transgender woman who has fought for the rights of trans women of color for over 40 years. From the 1969 Stonewall Rebellion to the Transgender
Gender Variant Intersex Justice Project (TGIJP), Miss Major’s life is a testament to the fierce survivalism, resilience and celebration of a community that has been historically traumatized and marginalized. The film, which recently sold out its San Francisco premiere at the historic Castro Theatre, shows one woman’s journey, a community’s history, and how caring for each other can be a revolutionary act.

And when it comes to unique stories, Suited fits to a tee. This documentary—fresh from its Sundance premiere and produced by Lena Dunham—tells the story of Bindle & Keep, a Brooklyn tailoring company that makes custom suits for gender -nonconforming and transgender clients. Among the people on the gender spectrum sharing their stories are a trans boy preparing for his Bar Mitzvah, a New York City cab driver, a young Southern law student and a trans man preparing for his wedding. At its heart, the film is an intimate journey of coming into a new identity, accepting difference and living bravely in one’s own skin. It’s another Northwest premiere!

Co-directors of last year's Best Documentary Short Film, Passing, Lucah Rosenberg Lee (left) and J. Mitchel Reed (right).

Co-directors of last year’s Best Documentary Short Film, Passing, Lucah Rosenberg Lee (left) and J. Mitchel Reed (right).

Translations: Seattle Transgender Film Festival is not only a groundbreaking film festival that provides the Pacific Northwest with a venue for films by, for, and about transgender people and the issues facing the transgender community, but one of only a few transgender film festivals in the world. The goal of the event is to place emphasis on visibility and positive representations. Join us for four days of shining stars and exciting stories from our community.

Translations takes place May 12-15 at the Northwest Film Forum and 12th Ave Arts. To read more or purchase tickets, visit www.translationsfilmfest.org and www.threedollarbillcinema.org.

Photo by Sherry Zheng

Asian American Festival Bridges Culture in Seattle

Photo by Sherry Zheng

Photo by Sherry Zheng

This past February, audiences enjoyed the Seattle Asian American Film Festival, which screened at the Northwest Film Forum over four days. Media Inc. spoke with the co-directors of the festival, Vanessa Au and Martin Tran, to hear about the festival’s contribution to the Seattle film and cultural landscape.

Media Inc: Tell us a bit about the Seattle Asian American Film Festival. It had been on hiatus starting in 2007, and then it was resurrected in 2013. What about the festival has changed?
Vanessa Au and Martin Tran: Since SAAFF’s resurrection, we’ve made several changes. We kick off every festival with an opening night party featuring live performances from local Asian American musicians, artists and dancers. We’ve also tried hard to bring the filmmakers to the festival so that they can network with one another and meet the audience, whether that’s during post-film Q&As, panel discussions or in the theater lobby. Finally, we’ve spent a lot of time doing outreach to the Asian American community through our co-presenters program. We get at least one API (Asian Pacific Islander) nonprofit group to promote each program and in turn provide them with a table to distribute info about their organization and a few minutes at the start of the screening to tell the audience about their org.

Photo by Amy Zhong

Photo by Amy Zhong

MI: What are some of your goals with the festival? How does it contribute to the Seattle community?
VA/MT: One of our top goals is to contribute to the Asian American community by bringing attention to various organizations and bringing community organizers to the festival. Some of the groups who’ve participated as co-presenters include API Chaya, Asian and Counseling Resource Services (ACRS), Japanese American Citizens League (JACL) Seattle, Vietnamese Friendship Association, Organization of Chinese Americans (OCA) Greater Seattle, Trikone, International Community Health Services (ICHS), and others. We also use the opening night party to feature local live Asian American talent.

MI: What were some highlights about this year’s festival?
VA/MT: The biggest highlight this year was the number of filmmakers that were in attendance. It was amazing to see them meet one another and the greater Seattle community, be it at official events like our Opening Night Party, Filmmaker Brunch, VIP party, and Q&As after their screenings, to more casual settings like the lobby of the Northwest Film Forum, or in our VIP Lounge or at an impromptu dinner the last night of the fest. It was just really wonderful to see people coming together, and to share our wonderful city with these visiting filmmakers.

Photo by Amy Zhong

Photo by Amy Zhong

MI: Can you speak about some of the Northwest filmmakers that were showcased in the festival?
VA/MT: Every year we do our best to showcase local filmmakers, and we were lucky to have so many great short films to share. Tadd Mitsui told a touching story about a man and his place in our ever-changing city in The Car Doctor Pat Abe. Jade Justad brought such a beautiful visual eye and drew out naturalistic performances from her young actors with her short film, Creased, about a young Asian American woman struggling with self-image and what it means to be beautiful, let alone “normal,” in this world. She brought a deft touch to the issue of Asians having the double eyelid surgery that makes them look more “White.”

We also showcase films from ACRS Southeast Asian Young Men’s Group, shepherded by Joseph Mills. This year we screened Model Minority Stereotype by Minhkennedy Pham and Chanthadeth by Chanthadeth Chanthalangsy. Both films spoke to our perceptions of identity, on both very personal and political levels.

MI: Thanks so much for sharing about the festival. We look forward to it in 2017!

More information about the Seattle Asian American Film Festival is available online at www.seattleaaff.org.