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Scott on the set of one of his latest projects, The Rainforest.

The Rainforest: FEATURE to be produced in Western Washington

Scott Capestany standing in front of field monitor.

Creator/Director Scott A. Capestany standing in front of field monitor.

The upcoming Feature Film The Rainforest has become quite the buzz around town and in many Western Washington regions where the project is slated to be filmed in 2017.

Created, written, directed and executive produced by award-winning Washington State resident and indie filmmaker Scott A. Capestany, this project carries quite the exotic and elaborate storyline that’s sure to get viewers excited while experiencing Pacific Northwest settings, authentic PNW Native American legends and some ‘Lara Croft’-style treasure hunting, action and adventure. Filming locations slated include Forks, Lake Quinault, Amanda Park, Sequim, Bainbridge Island, Seattle and the University of Washington, which will be the central settings for this epic action/adventure feature film.The Rainforest BAnner

The story was conceived by Capestany during his most recent TV series production, NW Waters Adventure TV, while fishing in Western Washington. By December, he produced a “proof of concept” teaser that he has used to help generate interest from investors, business partners and to showcase to inbound cast/crew. His project was selected as a “pitch” finalist for the Washington Filmworks Innovation Lab, which in turn led to some major interest among Hollywood distributors, VODs and programming networks to also make the feature into a TV Series.

With pre-production scheduled to begin in Summer 2017, Capestany’s endeavor is now on the fast track, having gained quite extensive support from well known PNW cast and crew, from statewide businesses and organizations, as well as from some very well known Hollywood players.

Wide shot of actress Cindy Lemos reading the map.

The adventure team assembles in proof of concept filming.

“The goal was to spend a solid 1.5 years  developing new business partnerships and backers for this project with the goal to impact the Washington State economy positively through general interest and commerce,” he said. “With a limited budget, I figured that if I could connect my proposed filming locations/communities to our project, all the moving parts on the finance end of things would fall into place seamlessly.”

Committed to keep 100% of The Rainforest produced in WA State, Capestany will be using local Emmy Award winning Seattle Post Audio design company BAD ANIMALS  along with KOERNER CAMERA to facilitate his projects camera needs.  “Our relationships with long standing highly acclaimed regional leaders are important not only for the economics of our local industry but also from the high level of work they do”, Said Capestany.  “Bad Animals has been the premier leader in sound design in our market having worked with some of the greatest musicians of our generation including  Elton John, Stevie Wonder, Steve Miller and R.E.M.  And they are still winning Emmy’s!”

Scott’s strategic planning paid off recently by signing on 7 CEDARS CASINO in Sequim, Washington, as both a marketing and creative participant whose tribe’s history and legends will be accurately featured in the main storyline.

Jerry Allen, CEO of the 7 Cedars Casino, said, “We are honored to have this new partnership with Scott. I think this is a compliment to the tribe that Scott wants to do something like this. We are excited to be part of it. There were a lot of choices. When you think about the number of tribes that circle this peninsula and the fact that we were able to put this together, we are very, very flattered.”

Capestany on his Satellite phone.

Capestany on scouting trip with his Satellite phone.

Preserving the delicate filming locations and their delicate  environments are a primary objective for Capestany. His goal of attracting more PNW, national and international outdoor apparel, products and services (that will be functional as both props and woven into the storyline) that support sustainability and environmental awareness will remain at the forefront in the coming months with The Rainforest.

As creative director at Capestany Films for a number of years, Capestany has cut his teeth like all indie filmmakers operating outside the studio system.  He’s created a quite impressive Hollywood network ranging from relationships with major players in the industry to actively participating annually in dozens of international panels and workshops educating creatives on the business side of the industry.  He has worked as a consulting producer and film financier for over a decade on multiple creative endeavors and likes to keep his business involvement with many well known films modestly at bay when asked about them.   “My goal as a financier has always been about the filmmaker, not about how we arrived there.”, He said.  “If I can help an artist guide his creative endeavor early on by removing the money equation that hampers 90% of films and often times contaminates the creative process with all involved, then the projects our group typically gets behind most always seem to find a way to be realized and produced.”

After reading the book Rebel without a Crew by Robert Rodriguez, he launched Capestany Films on Main Street in Park City, Utah, during the 2000 Sundance Film Festival, where he was serving as a volunteer at the Slamdance Film Festival under the watchful eye of founders Peter Baxter and Dan Mirvish. He still carries his first “creative” business card he made that year in his wallet as a daily reminder that “if you can dream…you can achieve.”

Interior airfield hangar of cast looking at laptop.

Interior airfield hangar of proof of concept filming.

To date, Capestany has been selected to pitch at multiple Hollywood networks, studios,  production companies and some of the most recognizable film market events in the world.  Including recently in Beverly Hills at the Variety’s Faith-Based Summit and the American Film Market, where he met one of his current consulting producers, Anne Marie Gillen. After hearing one of his explosive and engaging pitch presentations, Gillen quickly decided to join Capestany Films to help guide his new endeavors through the quite complicated terrain of Hollywood business and finance.

Gillen was the former COO of Morgan Freeman’s production company, Revelations Entertainment, and is currently an expert in business development and finance for indie filmmakers around the world.

“After watching Scott on that stage in front of the world, his passion and resilience told me I had to be a part of what he was doing,” Gillen said.Scott meeting with Sklallam tribe

The Rainforest is “a hero’s journey” about a quite intelligent and skilled female professor, Dr. Riley Stone, who one day is visited at her college campus by a young girl claiming her great-grandmother’s story of a Rainforest legend should be examined further. After recognizing a very rare necklace the girl shows up wearing, Dr. Stone agrees to set off to her small town located in Western Washington to meet with the woman. Upon her arrival, Dr. Stone learns more about the legend and discovers some extraordinary clues that leads her to assemble a world-class team of explorers to join her for an expedition of discovery and adventure. Soon after the team gets underway, bizarre things begin to affect the expedition, sending them all on a death-defying race of survival and psychological mystery.

Casting for the film will begin in January 2017 underway with the lead, Dr. Riley Stone, being considered for numerous named Hollywood Female lead actors whose intellectual strength have already graced well know Film/TV productions.

As one of the most fierce and vocal advocates in the independent film sector of the industry for Women in Film, Capestany is strategically positioning  this partnerships with some of Hollywood’s elite leaders in this current fight for equality and diversity in the work place.  “My lead character Dr. Riley Stone is a reflection of some of the strongest and most influential women I have met in this business and throughout the world in my business travels whom I respect”.  She’s what I consider an authentic representation of a person that women can and should aspire to be.  Strong (emotionally and psychologically), Intelligent, dynamic leader and most importantly well-respected among their male counterparts”, Capestany Said.  “The days of commercially viable scripts describing a woman as sexy, beautiful and alluring are reaching a breaking point and soon to be replaced by stories of strength from within”.

Capestany has begun assembling quite the impressive Pacific Northwest crew, including Seattle producer Ben Andrews (founder of the Seattle Film Summit) and Vashon Island resident Tim Everitt (SFX animator who has worked on Pirates of the Caribbean and The Last Samurai). Capestany is a frequent speaker at regional industry events and an instructor at the Northwest Film Forum teaching emerging filmmakers the importance of connecting commerce and creativity.

Production for The Rainforest is slated for late August 2017 with a projected 22-day filming schedule. The official films proof of concept launch party was held this summer at the 7 Cedars Casino in Sequim, WA, August 29th.  Story intro to the general public, live music by award-winning singer/songwriter Melanie Dekker (www.melaniedekker.com), catered food, raffle and gaming were part of the festivities.  More can be found on Facebook (Capestany Films & The Rainforest) and  on Twitter @CapestanyFilms and @MediaIncMag. All inquiries may go to producer@capestanyfilms.com.

ONE SHEET Revised_Alcatraz_Jpeg

‘After Alcatraz – Surviving the Escape’ optioned by Seattle based Capestany Films

Written By Jade Kennedy – Associate Editor 

Now after 54 years, one of the most fascinating unsolved US historical mysteries of all time will be returning to the silver screen with an Award Winning screenplay and original story that follows the infamous Escape from Alcatraz by three men on June 11, 1962.Scott and Kevin

Seattle Producer Scott A. Capestany of Capestany Films negotiated earlier this Spring at the 2016 SCRIPTFEST  in Los Angeles, a screenplay option deal with book author Kevin Bruce.  Bruce, whose father J. Campbell Bruce penned the original book “Escape from Alcatraz” that was converted into a movie starring Clint Eastwood in 1979, recently completed his screenplay adaptation and became a 2015 Cannes Film Festival screenplay finalist in competition.

Capestany Films has been gaining much attention with numerous industry insiders over the last few years involving their aggressive campaigns designed to bring new large scale Film/TV productions to the Pacific Northwest.  Capestany has been strategically positioning his companies IP that includes current projects in development and production mirroring the efforts of Washington Filmworks who have been fighting to restructure the current film incentive program.  Currently, the incentive program ranks at the bottom of over 30 States in the union whom offer spectacular and appealing rebates and tax incentives for producers filming in their regions.

At this years 2016 Seattle International Film Festival, Executive Director Amy Lillard accepted an award for Washington Filmworks’ hard work over the years and helping to restore WA State as a premier filming location that could offer better incentives for their filmmakers which in turn positively impact the States local economies.

“It’s always been a cornerstone of Capestany Films to help enhance the number of commercially sound feature films and TV productions that can be filmed in our State without losing high concept global appeal and avoiding big budgets”, Capestany said.   “The digital revolution now allows quality feature films to be made in the $1-5M range that now carry  lucrative box-office revenue potential around the world”, he added.  “We commend the efforts of Washington Filmworks in helping us filmmakers in this regard.  However, WA state lawmakers need to re-examine the colossal positive economic impacts these films and TV productions make in our communities and the contributions they make among the overall economic vitality of the region.” ONE SHEET Revised_Alcatraz_Jpeg

With their new project ‘After Alcatraz – Surviving the Escape’, Capestany and his team plans on bringing  a large portion of the film to a small Pacific Northwest community that will feature a magnificent 1960s production design, theme and one of the most popular prison escape stories of all time to Washington State.  “Having watched Scott work tirelessly over the years, re-opening the Alcatraz mystery – so to speak – and bringing this tale of intrigue and history to the Evergreen State soil could be the kind of film that helps put Washington State back on the map as a prime and economically viable filming destination.”, said local production designer Aaron John III.

The producers did not comment on or speculate if Clint Eastwood would reprise his role of the aged 85 year old escape Frank Morris or speculate the possibilities of Scott Eastwood to play the lead part of the younger Frank Morris in this film.

Scilla Andreen

WA State’s Most Influential Women in Film, TV and new Media

Scott A. CapestanyBy Scott A. Capestany Editor-In-Chief

Over the past few years, a growing band of Pacific Northwest talented and fierce female creatives have taken the regional community of independent film, TV, media and music by storm. This two-part cover story takes us into the hearts and minds of some of Washington’s and Oregon’s most admired and influential women who have helped pave the way on how we consume media, create films/music, produce visual art (films) and empower others through their creative and artistic talents. Their work today continues to push the limits of innovativeness by contributing to the ever-growing and quickly-evolving landscape of our region’s multi-media sector. We are proud to call these women ‘our own.’ But most importantly, so very grateful for what they do for others through their leadership, inspiration and love within our communities.

For part one of this cover story, we are honored and excited to commemorate the careers and achievements of 18 unique and fascinating women from Washington State within the world of film, TV, media and creativity. Highlighting their profound and worthy contributions is just one factor we took into consideration. The other, which is equally important throughout the process of creative collaboration, is the leadership and teamwork skills that each of them have so admirably displayed over the years. Our selection is not in any order of significance, but rather a collective equal presentation celebrating women pioneers that have fought hard in their professions, stepped outside the box, made their voices heard and, most importantly, become game-changers that continue to push for equality and women empowerment around our region.

Congratulations to these outstanding women from Washington State, and be sure to look for part two of this story, which will feature women from Oregon, in the next issue of Media Inc.

SCILLA ANDREEN, co-founder and CEO of Seattle-based IndieFlix, has truly become one of the most iconic empresses of women empowerment and influence within the world of indie filmmaking.

Scilla Andreen

Scilla Andreen

What Variety magazine calls ‘the Netflix of indie films,’ IndieFlix is now the world’s premier online indie film streaming service that specifically provides a platform for content representing independent thinkers, offering a unique and never-before-seen distribution and revenue model for filmmakers. Content that is featured on the IndieFlix platform allows filmmakers to get paid through metrics involving ‘minutes viewed’ and most recently can now access all their films’ data of their actual viewing audience.

“We created IndieFlix with the filmmaker in mind first that offered more than just a platform for showcasing their finished films,” Andreen said. Currently now in beta  testing, IndieFlix filmmakers can for the first time have access to all the necessary data as to who, where, and how consumers are viewing their content, which she believes is a game-changer in the industry.

As a veteran entrepreneur, Andreen’s work over the past two decades as an Emmy-nominated costume designer, award-winning filmmaker, producer, popular speaker, international film festival juror and dedicated advocate of independent film has helped open up doors and inspired millions of creative artists, both in front of and behind the camera. Her recent empowerment documentary project run through her IndieFlix foundation, which highlights ordinary women doing extraordinary things, recently returned home to Washington State after making a national tour around the country featuring a band of young female filmmakers interviewing and highlighting other women’s empowering stories. The documentary now is being screened at hundreds of schools across the nation. Her current project Screenagers is a fascinating look into today’s youth and their usage of digital technology, directed by Seattle physician and award-winning filmmaker Delaney Rustin. Visit www.indieflix.com and www.screenagersmovie.com for more.

Having made five of her six feature films in Washington State, our next featured woman of influence likely doesn’t need a formal introduction. If you have your eye on Pacific Northwest filmmaking or have attended any major local film festival or event, writer/director LYNN SHELTON has essentially embodied what women in film and Washington State filmmaking have become. Along with her good friend and Seattle producer Mel Eslyn, Shelton feels there needs to be a greater effort by Washington State legislation to see the value and benefit of making films and TV shows in Washington.

“The thing about the Motion Picture Competitiveness Program is that it’s so beautifully engineered and designed to benefit the Washington State economy and professional filmmakers,” said Shelton. “In fact, Washington State was the first state ever to create a film incentive that included union standards, like pension health benefits.”

Lynn Shelton

Lynn Shelton

Spending half her time in L.A., Shelton works both as a writer and director for a number of well-known network and studio projects. Her work has been seen on Netflix, Showtime, Fox and 20th Century TV in episodes of series such as Mad Men, Shameless, Master of None, Fresh Off the Boat, New Girl and Maron.

Shelton also feels that it is a very unique time for women in film. “I believe that we as women are upon a very special moment that I hope is not wasted,” she said. “A moment of opportunity… that I hope is not wasted.” Now that the conversation of women in film and the lack of gender diversity among directors in Hollywood has been brought to the forefront of the media, Shelton senses a much more profound willingness and actual  desire of women wanting to change the pattern by hopefully enhancing the numbers of women directors at large in the workplace. Shelton is actively pushing to bring her next feature to the Evergreen State, produced with our next featured woman of influence and her good friend, Mel Eslyn.

One of the most decorated and hard-working independent film producers from Washington State is MEL ESLYN. Having begun working on movie sets at the age of 14, Eslyn’s resilient and admirable work ethic has spanned two decades, leading her to producing over 15 films, including 3 of Lynn Shelton’s 6 major feature films. Over the last handful of years, she has produced a series of feature films that have screened at some of the world’s top film festivals, including Sundance, Toronto, Tribeca and SXSW. She recently won the prestigious Piaget Producers Award at the 2016 Film Independent Spirit Awards that honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality independent films. The annual award includes a $25,000 unrestricted grant funded by Piaget.

Mel Eslyn

Mel Eslyn

“One of the biggest hurdles for me as a producer has been my ability to bring more of my films to Seattle. Once projects reach a certain budget, a state film incentive comes into play quite significantly as to where the film is made,” Eslyn said. “It’s my goal in the next year to bring at least one, if not two, feature films to our market that in turn will help bring more awareness to legislation to see the huge benefits a feature film has on impacting local community’s business and economy.” One of Eslyn’s biggest contributions to the Washington State film scene over the years has been her loyalty to her crew and co-workers. Although a number of her films have been filmed outside of Washington State, she brings along many local crew people to work alongside her.

When it comes to connecting the Pacific Northwest’s growing pool of talented actors, casting director NIKE IMORU, CSA, is the one woman who not only gets the job done, but is counted on by the leading producers throughout Washington and now in Los Angeles to find the most talented performers in film and TV. Nike, pronounced “Nee-Kay,” has been a professional casting director in Washington for over 10 years and currently is the lead casting director for the state’s largest recurring cable TV series, Z Nation.

Nike Imoru

Nike Imoru

“It’s been my goal ever since I began casting to offer more to actors during the casting process than what typically they would get during an audition,” Imoru said. Known around the region as a true “actors coach,” she is a classically trained professional theater actor herself who hails from the U.K., where she also taught acting at a few prestigious schools before becoming a full-time CSA. She recently opened up a state-of-the-art casting studio facility in West Seattle, where she will be spending most of 2016 casting and supporting Z Nation. Visit www.nikeimorucasting.com or find Nike Imoru Casting on Facebook: ‘Act with Inspiration.’

With approximately 45 film festivals and competitions each year for filmmakers and folks to attend around the state, STEFANIE MALONE, executive director of the world’s largest youth film festival NFFTY, helms a quite impressive and quickly growing international festival in downtown Seattle each spring. Now in its 10th year, NFFTY (National Film Festival for Talented Youth) receives over 950 submissions from over 20 countries around the world made by youth filmmakers between the ages of 5 and 25.

Stefanie Malone

Stefanie Malone

An Emmy Award-winning producer herself, Malone’s work in the PBS arena for many years led her to Seattle, where she became the community engagement and education director for Seattle’s local PBS affiliate, KCTS. Although her full-time commitment to NFFTY year-round occupies most of her bandwidth, her ongoing relationship with KCTS and WETA (the Washington, D.C. PBS affiliate) allows her to pursue her true passion and love for developing and producing documentaries. “It’s hard to leave PBS entirely after being with them so long, so I’m grateful I can continue to work within that space where I still think it is an excellent platform for filmmakers to showcase their films and TV shows,” Malone said. Her team of likeminded leaders and growing numbers of supporting staff at NFFTY has allowed the festival to expand its annual events and festival offerings to the public. Visit www.nffty.org.

Working for the City of Seattle as executive director for the Film+Music Office, KATE BECKER leads a staff of seven who oversee a multitude of resources and permitting activities that help facilitate filmmakers, musicians and special events. Whether it be a feature film, TV series, commercial or new media production that involves city parks or hundreds of locations run by the city, Becker’s team truly is the ‘one-stop shop’ for the professional filmmaker. Each year, the city issues over 400 film permits for projects filmed in and around the city.

Prior to working with the city, Becker served in leadership roles at Kate BeckerSeattle Theatre Group, Art Share L.A. in Los Angeles, and the New Art Center in Newton, Massachusetts. She co-founded Seattle’s Vera Project and the Old Fire House, nonprofit art- and music-based all-ages venues that have helped build Seattle’s creative economy talent pipeline. Becker has also produced more than 1,000 all-ages shows and numerous major fundraisers and galas. Talking about women in film, Becker said, “I’m so happy to work in a market (WA State) where so many talented women are leading our local industry by producing and creating exceptional content which is a true feather in our cap.”

Becker also works quite diligently as one of Washington State’s top interactive advocates for helping bring new filmmakers to the state from around the world while attending national and international festivals and markets. “We are excited the members of the film industry are actively convening in pursuit of a production facility to be located in Seattle,” she said. “Something like this could do wonders for the film/TV and media landscape.” Visit www.seattle.gov/filmandmusic.

As co-founder and owner of Mighty Tripod Productions (MTP), one of Seattle’s most respected actor development, management and indie production companies, ANGELA DiMARCO truly has become an empowering woman of influence, both in front of and behind the camera. With a genuine heart to help others (she is known as ‘Mama DiMarco’ among her circle), she helps mentor and prepare actors for the rigorous road of working in the business.

Angela DiMarco

Angela DiMarco

“MTP is an evolution of who I was, growing up without having quality training and mentorship that I believe is a major cornerstone of becoming a professional artist,” said DiMarco, who runs the company with her talented and award-winning husband David Hogan, who himself has over two decades of theater, film, TV and talent leadership under his belt.

“David and I wanted to create a platform in Mighty Tripod Productions for Northwest actors taught by Northwest actors, available to all ages to hone their craft, build their confidence and, most of all, be mighty,” she added. You can find DiMarco on all social media channels under Mighty Tripod Productions, her own hashtag #dontwaitcreate and at www.mightytripod.com.

Once a creative artist decides he or she wants to take the plunge into the world of acting or modeling in the Seattle area, TERRI MORGAN’s TCM Models and Talent Agency would be considered by many one of the most well-known and reputable agencies in the state. Starting up in 1979 as a modeling agency over in Eastern Washington, Morgan decided to take her love for helping others within the industry to Seattle and opened up a new location downtown in 1990, where they remain today. By 1998, her well-seasoned staff established a new talent division that has provided actors opportunities in commercials, feature films, TV series and new media requiring on-camera talent.

Terri Morgan

Terri Morgan

“Coming from a modeling background myself, I know how hard it can be to break into the business not knowing how to navigate the oftentimes intimidating and rigorous demand of the business or how the auditioning and selection process works,” she said. “TCM specializes in counseling and advising talent by offering a well-developed road map for actors and models to utilize if they choose to enhance their careers.” Visit TCM at www.tcmmodels.com.

One of Washington State’s best known features is its rich and vibrant Native American culture and history. Our next woman of influence has spent over a decade developing an awareness  and sensitivity to the power of media and film as a modern storytelling tool for local communities, primarily the indigenous people of the region. As co-founder and executive director of Longhouse Media, now in their 11th year, TRACY RECTOR (Choctaw/Seminole Tribe) has produced over 350 film shorts, worked with over 40 tribes from around the United States, and has served over 3,000 youths by bringing filmmaking tools to tribal students from around the country to help them tell their own stories. Her work has been featured by Cannes Film Festival, ImagineNative and National Geographic’s All Roads Film Project, while also leading the first filmmaking team from Seattle to have a documentary on PBS’ Independent Lens and appearing in the Smithsonian’s Museum of the American Indian. Not to mention, she’s a recent Sundance Film Institute Lab fellow participant and Tribeca Film Festival all-access grantee to boot.

Tracy Rector

Tracy Rector

Aside from being an award-winning director/producer and advocate, Rector developed and launched the quite successful educational program ‘SuperFly,’ a program that challenged students to create 5 films in 36 hours, which then screened in conjunction with the Seattle International Film Festival (SIFF).

“SIFF’s decade-long collaborating with Tracy on ‘SuperFly’ was an exceptional opportunity that not only provided exemplary training and experience to youth across cultures, but built bridges between the Native community and their neighbors from cities across the USA. Today, Tracy’s new ‘4th World’ program continues that depth of intent, as we are proud to be working with her to fill the need for additional training for up-and-coming Native filmmakers,” said Dustin Kaspar, education director at SIFF.

Rounding off her admirable leadership throughout the communities of the Puget Sound, Rector currently sits as City of Seattle Arts Commissioner.

“My vision is to bring traditional and contemporary education together on a foundation based in environmental stewardship,” said Rector. As a monthly series, her ‘Indigenous Showcase’ program at the Northwest Film Forum also blends culture with community. She added, “The Indigenous Showcase program screens films made by Native Americans or in part supported by the Native American community.” Read more about Rector at www.longhousemedia.org and www.clearwaterstories.org.

Abby Dylan

Abby Dylan

With the growing number of actors and performers living and arriving to Seattle, ABBY DYLAN is a woman whose lengthy multi-decade experience in the industry has landed her passionate voice for actors at the top of the most prestigious organizations in show business. Dylan is an elected member of the SAG-AFTRA Board, where she serves as the National Chairman of the SAGIndie Committee and ViceChair of the Legislative Committee. In addition, she is also a director of the SAG-AFTRA Foundation Board, and was appointed to serve on the Board of Washington Filmworks by both Governor Christine Gregoire and Governor Jay Inslee. In 2016, Dylan also was appointed to the Board of the SAG Foundation as their new secretary. For more, visit www.sagaftra.org, www.sagindie.org, and www.washingtonfilmworks.org.

Every spring, Seattle ushers in one of the biggest and longest-running city-wide events, the Seattle International Film Festival (SIFF). Ranked as one of the top film festivals in the world, SIFF showcases over 450 films, shorts and documentaries from over 80 countries throughout a 25-day odyssey. BETH BARRETT, director of programming, spearheads the division along with her team of staffers and volunteers that help formulate the line-up and presentation of films each year. Barrett has been with SIFF since 2003, joining as an intern in communications and quickly moving along into the programming division. Over the course of her tenure, she has watched SIFF grow from 5 staff to now over 25 full-time staffers.

Programming essentially works with the incoming filmmakers each Beth Barrettyear, streamlines communication between programmers and watches hundreds of films leading up to the festival with the objective of bringing the best films they can find from around the world and our own region to screen in Seattle. To help local filmmakers from Washington State showcase their films on an international platform, SIFF offers a unique ‘Northwest Connections’ showcasing. “The program is designed to help elevate local filmmakers to international attention that essentially represent a microcosm of the work being done by Pacific Northwest artists with projects of all types of films, genres, styles and lengths,” Barrett said.

Her commitment to bring some of the best films from around the world made by women is a top priority while paying close attention to her final design of the festival’s programming. “It’s really important to me to have women from all around the world represented here at SIFF on an equal footing every year,” said Barrett.

Be sure to mark your calendars for May for this spectacular presentation of world cinema right here in Seattle by visiting www.siff.net for all the events, parties and screenings.

Recently winning the ‘Best TV Personality’ award put on by KING 5 in 2015, ANNY HAVLAND has been making a huge splash in the world of online empowerment through her uplifting reality TV/Web series called Talk It Up TV. Originally from Bellingham, Havland came to Seattle to explore more opportunities using her magical gift of connecting and inspiring others. In 2010, she co-founded and now produces her own series that boasts over 5,000 YouTube subscribers from all around the world.

Anny Havland

Anny Havland

Talk It Up TV is a new style of media that is reality TV at its best with a positive twist. Instead of reporting and highlighting negative tragedies, we share these real-life stories with our viewers and create a positive ending to each story with a shocking act of kindness that are unforgettable,” Havland said. Each episode is lined with a powerful, very uplifting and heartfelt message that offers a life-changing experience for the individual. Visit Havland online at www.talkituptv.com or by using the hashtag #tiuarmy.

One of Seattle’s most dynamic documentary filmmakers is ROSALIE MILLER. Her handful of films she has produced in just the last five years have screened at over 100 film festivals worldwide under her own banner, Wanderhouse Productions. Her independent production company focuses on producing micro-budget narrative and documentary projects with an emphasis on digital media production. The Wanderhouse website boasts: “We are dedicated to creative collaboration, compelling storytelling, and subject matter intended to inspire others.”

Rosalie Miller

Rosalie Miller

Miller’s resilient and fierce approach to the filmmaking process radiates wherever she goes with quite vocal and well-developed skills in pitching, fundraising and audience engagement. Her feature-length documentary Personhood (now in post-production), which documents the burgeoning personhood movement and the far-reaching impact of laws designed to protect the fetus, won both the Women in Film Seattle Professional Grant and the 2015 American Documentary Film Fund.

Aside from her work behind the camera, Miller is a member of SAG-AFTRA and is a well-known actress who has appeared in dozens of feature-length films, shorts, commercials and TV series in Washington State. Miller is currently in production on her next documentary, an intimate portrait piece about Seattle-based dance artist and drag queen, Jody Kuehner (aka Cherdonna Shinatra). Visit www.wanderhouseproductions.com and www.personhoodmovie.com for more.

Producer LEAH WARSHAWSKI has over a decade of experience in film and TV production. Warshawski has worked on some of TV’s biggest series, including Lost, Survivor and Alias. She recently wrapped her own feature-length documentary Big Sonia, which in 2015 won the prestigious $50,000 film grant award given annually by True Productions in partnership with the Seattle International Film Festival.

Leah Warshawski with her doc subject and grandmother, Sonia.

Leah Warshawski with her doc subject and grandmother, Sonia.

“The process of documentary filmmaking is becoming more about the films’ campaigns than just about the actual movie being made,” Warshawski said. “Big Sonia has been a story I’ve always wanted to tell about my own grandmother. So we decided early on to develop a nationwide campaign for major cities that would also educate and involve local communities around the country surrounding her story.”

Warshawski also is currently working with local filmmakers Jo Ardinger and Rosalie Miller on the doc Personhood as producer. “When Jo approached me to join the team, I just couldn’t say no because of the impact I knew this film would make on our communities and country,” she added. Her current projects can be found at www.bigsonia.com.

RYAN DAVIS is a professional film publicist, communications specialist and co-founder of Seattle’s Smarthouse Creative. With over 30 years of combined experience in film marketing, publicity, distribution, programming and exhibition, Smarthouse Creative helps filmmaking teams find their audiences and bring attention to their work during all phases of their projects, from fundraising to festivals to distribution. They also work with select film festivals, non-profits and startups to deliver digital strategy, publicity and audience engagement services to position clients at the forefront of their respective industries.

Ryan Davis

Ryan Davis

For over a decade, Davis has worked in nearly every aspect of the film business including documentary film producing, film festivals, distribution, exhibition and sales. She and Smarthouse have placed multiple projects on media platforms such as HBO, CNN, The
New York Times, newspapers and local radio. Independent film projects that Smarthouse has run PR/marketing on have screened all over the world. Prior to Smarthouse, Davis served as a marketing leader for multiple non-profit arts groups and organizations including the Northwest Film Forum and Northwest Folklife.

Smarthouse Creative gets Media Inc.’s vote for best local indie film PR & marketing firm! Visit  www.smarthousecreative.com.

If there is one woman creative in Seattle that personifies the fastest and hardest-working bird on earth—the hummingbird—it most certainly is producer/actor LORRAINE MONTEZ. For over a decade, Montez has appeared in over 20 films as an actress and over a dozen films as producer. She is known widely in the local film community for her unlimited amount of energy and drive she pours into her daily routine as a filmmaker, educator, mentor and actor.

Lorainne Montez

Lorainne Montez

After noticing that fewer roles were being offered in film and TV to more mature women as a performer in the local market, she took the initiative to begin writing and soon formed her own production company, Abundant Productions. “I strongly believe in the laws of attraction,” Montez said. “I wanted to create a company that would attract goodness, abundance and creativity.” A recent feature film she produced under her Abundant flagship, The Hollow One, was acquired by Raven Banner Entertainment for international and domestic distribution.

Montez has been a vocal and active member of Women in Film for many years and recently served as the marketing and communication chairwoman for WIF Seattle. As a producer who feels there needs to be a bigger pool of well-educated filmmakers in the art of marketing and producing skills, Montez also instructs a marketing and producing class at Shoreline Community College. She also heads up a monthly workshop called Abundant Creative Playground, a platform where writers and professional actors come together in an interactive creative setting to enhance literary material. It’s a process she calls “disrupting the writing process in a productive and unique way.” Find out more at www.abundantproductions.net.

Award-winning journalist MAUREEN FRANCISCO is a woman whose journey into the world of TV and media has been quite unique. After arriving from the Philippines as a young girl to Federal Way, Washington, she learned to speak English by watching the nightly news. Fascinated by The Oprah Winfrey Show, Francisco was quickly inspired to pursue a career in journalism, which led her to an early career working for major network affiliates (CBS, NBC, ABC and FOX) around the country as a news reporter after graduating from Pacific Lutheran University. Upon her return to the Puget Sound in 2004, Francisco continued her work in TV at Northwest Cable News.

Maureen Francisco

Maureen Francisco

By 2013, she joined her husband as co-executive producer of NW Productions. Their company produces live shows, including the Pacific Northwest qualifying events for the Miss USA and Miss Teen USA pageants from Idaho, Montana, Oregon and Washington
States. “We coordinate and produce all of the events for both pageants in our region including doing the PR for our title holders and contestants under a separate division of NW Productions,” Francisco said. “We are in charge of procuring sponsors, selecting judges, screening contestants for eligibility requirements and finding our host venues.”

NW Productions also produces red carpet events, women empowerment workshops, and reality/talk show programming throughout the Puget Sound. Visit www.maureenfrancisco.com.

With 1 in every 10 Americans now using online dating services, the number of people looking for love online has never been greater. SUSIE LEE, CEO and founder of the dating app Siren, took things into her own hands a few years ago by creating an entirely new approach to the virtual world of online dating. “Our members set the tone of our community; we focus on connections that matter in a respectful space,” said Lee. “Siren is a platform where wit and personality shine.” Lee’s brainchild won the App of the Year by GeekWire in 2015, and recently landed an additional $500,000 in funding to help expand their 20,000 membership base and operations.

Susie Lee

Susie Lee

The app works quite differently than most apps, in that members receive a “Question of the Day” asked by artists and other types of creatives in the local community. The questions ignite conversations, which in turn promote members to uncover their true personalities organically, rather than with a generic profile and photo.

A graduate of Yale, Columbia and UW with degrees in molecular biophysics and biochemistry, science education, and art, Lee uses her skills as a social sculptor to amplify humanity in technology. Her work has been collected by numerous institutions including the Denver Art Museum, Mitchell Center for the Arts, Frye Art Museum, and Crystal Bridges Museum of Art. For more, go to www.susiejlee.com.

We invite you to learn more about the women of influence within TV, film and media as we continue our coverage in our next issue, which will feature women from the state of Oregon.

Features writer Scott A. Capestany is an award-winning producer, educator and advocate for women in film. Visit him at www.capestanyfilms.com and all social media platforms @capestanyfilms. Email producer@capestanyfilms.com.

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HollyShorts Film Festival welcomes Pacific Northwest Alliance!

Award Winning Seattle Filmmakers set to showcase films at the 2016 LA Hollyshorts Film Festival!

Seattle, WA — Media Inc has partnered with Hollyshorts Film Festival as their official press affiliate this year covering the events from the iconic TCL Theater and the Roosevelt Hotel on Hollywood Boulevard Aug 11-20.

HollyShorts Film Festival announced last week the 3rd annual inclusion of  the “WA State Film Showcase” for their line-up of special film short screenings.  Hosted at the iconic Grauman’s  Chinese Theater on Hollywood Boulevard and other LA venues (The Roosevelt Hotel, Harmony Gold Theater, OHM Nighclub, Ignited Spaces, Avenue 17 Studios, 33 Taps and Redbury Hollywood), the 12th annual Hollyshorts Film Festival will be featuring works from 400+Indie Film shorts from around the world during a week long odyssey between Aug 11-20 packed with of screenings, conferences, parties, panels, workshops and special events.  Nearly 3000 films from every continent were submitted this year.

Ben Andrews and David S. Hogan

Ben Andrews and David S. Hogan

Pacific NW production companies Evil Slave (ES), Abundant Productions (AP), Mighty Tripod Productions (MTP), Modern Motion (MM) and Capestany Films (CF) will be featuring works from PNW Filmmakers.    Headlining the showcase will be the World Premier of 2015 Award Winning Hollyshorts screenplay “The Lunchbox Brigade”.  Produced  collectively by Lorraine Montez, Ben Andrews, David S. Hogan, Marissa Fujimoto, Ryan Wagenhauser and Christopher Meuer,  this warm and adventurous coming of age tale featured over WA state with a cast and crew filmed entirely in the Evergreen State.

The Lunchbox Brigade follows a neighborhood squadron of kids that discovers their brother-in-arms, Johnny, has gone to camp for the summer. They determine a rescue is in order, and together they embark on an antic-filled plan to infiltrate enemy territory (aka summer camp) and free their friend. But when their leader, Teddy, discovers that Johnny actually wants to be at camp, he must lead the Lunchbox Brigade in a touching tribute to the loss of one of theirown.Media Inc Roosevelt party banner

Casted by David S. Hogan of Mighty Tripod Productions, the local talent included Kyan Zielinski as Teddy, Forrest Campbell as Bugsy, Malakai James as Logan, Kristoffer Holtan as Clyde, Eden Campbell as Sue and Alex Silva as Johnny.  “I had a great time casting the talent for this great film.  The amount of talent we saw during the auditions was very impressive.  The kids that were ultimately cast are some of the region’s best young performers I’ve seen,” said Hogan.   

Hollyshorts is listed by MovieMaker Magazine as one of the “top 25 festivals worth the entry fee,” HollyShorts awards the winner of the screenplay competition with an automatic entry in the following year’s festival.

Seattle-based producer and filmmaker Ben Andrews, creative director of Evil Slave, recognized an opportunity to create a strong alliance of filmmakers from Seattle, Tacoma and Los Angeles when he met the HollyShorts leadership early in 2014 at SXSW. “It happened pretty quickly,” said Andrews. “I discussed the need to highlight Washington filmmakers and they discussed the need to expand and further their outreach.”

“It’s truly an honor to see our dreams becoming a reality, having our esteemed HollyShorts Screenplay competition winner Kyle Thiele get his short made via our partners Evil Slave, Abundant Productions and Mighty Tripod Productions along with Shoreline Community College’s Filmmaking Department,” said Theo Dumont and Daniel Sol, HollyShorts co-founders. “This alliance truly signifies the new pathway between the Pacific Northwest and Hollywood, a bridge that creates incredible opportunities across the board for filmmakers everywhere and we are delighted to be involved.”

Lorainne Montez

Lorainne Montez

Pacific Northwest producer Scott A. Capestany, Creative Director at Capestany Films, has sponsored and supported this new alliance and movement since its inception. “We are proud sponsors of the HollyShort film festival each year in support of Ben Andrews’ efforts in helping bridge the gap between the L.A. indie film market and our local market,” he said. “His resilient efforts have helped open up new relationships between Puget Sound businesses and Hollywood decision makers that support the growth of our Washington State economy and our vibrant film/TV local industry.”ATP Blue poster_HS laurel

Capestany’s latest film “Across The Pond” starring University of Washington alum and now Hollywood writer/producer/actor PARIS DYLAN, was selected to screen during this years WA Film showcase.  “It was an honor and privilege to have worked with such a great team on this film. Pulp Digital Productions really pulled out all the stops and delivered an impressive film.   Rene (Bourke) really worked hard leading us all for over a year to make this film come to reality,” Dylan said.  “I’m so proud of our amazing team, Pulp Digital Productions, Paris Dylan, and special mention to Capestany Films for their consulting, guidance, and marketing expertise to see this film through to showcased in the worlds entertainment capital of Hollywood at this prestigious Hollyshorts Film Festival.” Said Executive Producer and lead actress Renee Bourke.  Also supporting the 2016 Hollyshorts Alliance are industry leaders Terri Morgan of TCM MODELS and Peter Barnes of  CLATTER & DIN, Inc.Hollyshorts 2016

“I’m honored to be the winner of the 2015 Screenplay competition with HollyShorts and am impressed with the professional caliber of the Pacific Northwest filmmakers producing the short,” said Thiele, writer and director of The LunchBox Brigade.

The 12th Annual HollyShorts Film Festival and Film Conference/Film Market is scheduled for August 11-20, 2016 at the world famous TCL Chinese Theatres.  The WA State Film Showcase will take place August 14, 2016 from 10am-2pm followed by an Abundant Playhouse special screenwriting event.   MEDIA INC MAGAZINE will host a special kickoff event at the Hollywood Roosevelt Hotel Saturday August 13th from 7-10pm. RSVP HERE.  Visit www.hollyshorts.com for more information. Hollyshorts on Twitter and Instagram

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Anne Marie Gillen joins MI as associate editor

Media Inc Magazine welcomes Award Winning Producer Anne Marie Gillen (Producers Guild of America) as Associate Editor to compliment the publications efforts of increasing its global  outreach and engagement  within the independent film arena.  She will help oversee coordinating National and International press, PR and industry event editorial coverage.

As former COO of Morgan Freeman’s production company ‘Revelation Entertainment’, Gillen’s work as a Producer, Consultant, Lecturer and Corporate/Executive Coach has spanned the elite levels of motion picture development and financing business for over 25 years.  Her work as Executive Producer on Universal Studios feature film ‘Fried Green Tomatoes’ paved the way for  global box-office success grossing over $110M.  As an expert in film finance, distribution, digital media and film development, Gillen also brings a plethora of top tiered industry relationship to Media Inc Magazine’s network.  She is the co-author of the 3rd edition of The Producer’s Business Handbook – published by Focal Press and co-branded by Variety. Her second book The Business of Show Business for Creatives has also been published by Focal Press and co-branded by American Film Market (AFM). The AFM is produced by the Independent Film & Television Alliance®  She is the CEO and President of ‘The Gillen Group, LLC’ whom specializes in working with ‘IndieFilm’ producers realize their projects.  Anne Marie can be reached at  amgillen@gillengroupllc.com 

Keep Film in WA

Attendees of the Keep Film in WA campaign launch in Spokane, Bellingham and Seattle listened to Amy Lillard (Filmworks executive director) and Don Jensen (Filmworks board chair) speak about the upcoming legislative session. Photos by Joe Flores.

Attendees of the Keep Film in WA campaign launch in Spokane, Bellingham and Seattle listened to Amy Lillard (Filmworks executive director) and Don Jensen (Filmworks board chair) speak about the upcoming legislative session. All photos by Joe Flores.

The Washington film industry is battling for its future as the 2016 legislative session rolls on.

Flanked by a strong coalition of film industry allies, Washington Filmworks is leading a campaign to fight for the future of production in the state.

Specifically, Filmworks and its “Keep Film in WA” campaign partners are rallying behind House Bill 2542 (HB 2542), which, if signed into law, would increase funding for the production incentive program and extend its sunset date.

Credit Joe Flores 3

Amy Lillard

Prime sponsored by Representative Marcus Riccelli (D-3), the bill doubles the size of the Motion Picture Competitiveness Program fund to $7 million over two years and increases the fund incrementally until it reaches $10 million by the year 2020. The bill will also extend the sunset date of the program to December 31, 2023.

With its current film incentive fund of just $3.5 million per year, the state has had to turn away millions of dollars in business. In 2015, Washington State lost out on $65 million in economic activity after Washington Filmworks exhausted its fund by March. By increasing the fund’s cap to $7 million, and eventually $10 million, HB 2542 would make Washington more competitive when it comes to drawing production from outside the state.

Credit Joe Flores 2

Don Jensen

Washington Filmworks urges film industry professionals to help the campaign by signing the Keep Film in WA petition (KeepFilminWA.com) and by contacting their local legislators to not only provide them with facts and data about the incentive program, but to also share their personal stories of why film is important in Washington State.

Additionally, on January 21, Filmworks organized Film Day in Olympia. Over 200 film professionals and supporters from around the state showed up to lobby their legislators in support of the bill. Campaigners were able to organize and execute over 100 meetings with legislators and got great feedback and insight from the attendees who took the meetings.

Following Film Day, on January 22, was the Hearing in front of the House Finance Committee, during which 9 members of the film community testified on behalf of HB 2542. According to Filmworks, a total of 35 people signed in to support the bill that morning—an amazing show of support.

Stay tuned to www.washingtonfilmworks.org as the legislative session progresses to find out what you can do to Keep Film in WA!

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Shokrian Leads the OMPA

By Mary Erickson Associate Editor
Photo by Owen Carey

Janice Shokrian has worked around the film industry for years. Now she’s firmly embedded within the industry as the new head of Oregon’s industry association, the Oregon Media Production Association (OMPA).Janice

After Tom McFadden resigned his post as Executive Director in February 2015, the OMPA has been in the interim hands of Nathaniel Applefield. The OMPA’s Board of Directors conducted a search to find McFadden’s replacement, and selected Shokrian to lead the OMPA in December 2015.

Ever since, Shokrian has been hitting the ground running. She’s traveled around the state, familiarizing herself with the myriad of individuals involved in Oregon’s media industry. Also on the agenda: getting familiar with the SourceOregon Directory and determining how to maximize its impact, particularly with regards to state incentive programs.

“The directory isn’t just a place to have your name. It has a greater purpose. It’s also a show of force for legislators,” Shokrian comments. “This message needs to resonate more fully.”

Shokrian brings a trove of arts management experience, having worked in volunteer management and marketing over the course of her career. She most recently served as the Executive Director of the Portland Actors Conservatory, and she also ran a boutique marketing company for 12 years, working with a Grammy Award-winning musician, an opera singer, and other clients from the nonprofit arts world. “I’ve always wanted to work in the nonprofit world,” says Shokrian. “It’s important that I have a cause and a drive to my work.”

Although she hasn’t been directly involved much in the film industry prior to her appointment with the OMPA, Shokrian is committed to understanding the dynamics within the organization and around the state. “I’m looking at the OMPA from a 30,000 feet viewpoint…this perspective allows me to look at our work from a different vantage point.”

She’s excited to be a champion for the industry and to provide support, especially working within Oregon’s film community. “I feel proud of our state. It’s not pretentious. Everybody stands shoulder-to-shoulder. There’s a real giveback sense in the community.” Shokrian hopes to continue that sense of involvement in the community while building the OMPA’s membership, which currently stands at roughly 800 members. Shokrian will also work with organizations around the state, such as Southern Oregon Film and Media (SOFaM), to ensure that the sense of community is supported and sustained throughout Oregon.

“We represent the whole state, not just Portland,” she says. “We’re Oregon-centric.”

Film Incentive Bill Killed in Washington

In early March, Washington Filmworks announced that House Bill 2542, which would have increased and extended Washington’s Motion Picture Competitiveness Program, did not move forward for a vote in this year’s legislative session, effectively killing the bill.

As written, the bill would have doubled the size of the Motion Picture Competitiveness Program fund to $7 million over two years and increased the fund incrementally until it reached $10 million by the year 2020. The bill would have also extended the sunset date of the program to December 31, 2023.

According to Filmworks, the bill could not overcome political hurdles in Olympia, nor could it overcome the revenue forecast, which indicated another $68 million budget shortfall this year and an even more significant budget shortfall for the next biennium.

Although the outcome for HB 2542 was disheartening for Washington’s production industry, it comes on the heels of a tremendous effort from the community, which organized a Keep Film in WA campaign to inform legislators of the incentive program’s benefits and raise the profile of the industry. In January, the campaign also organized Film Day in Olympia, where over 200 film professionals and supporters from around the state showed up to lobby their legislators in support of the bill.

“The fact of the matter is that everyone that took part in any aspect of the Keep Film in WA campaign did a tremendous job at raising the profile and visibility of the state-wide film industry,” said Filmworks in a statement. “It was a banner year in terms of the amount of support we received from legislators—with 33 sponsors of our bill from both political parties and representing every corner of the state. These figures, along with the feedback we received from legislators and lobbyists alike, demonstrates that we actually were wildly successful, despite not achieving our final goals.”

Washington Filmworks held debriefing sessions in Seattle on March 29 and Spokane on March 31 to discuss the campaign and its many accomplishments. As for the future of the state’s production industry, Filmworks is currently strategizing to determine their next steps in order to ensure that film stays in Washington.

Meanwhile, the film incentive program is not scheduled to sunset until June 30, 2017, so projects will still be able to take advantage of the incentive, and business is continuing as usual for Washington Filmworks. Visit www.washingtonfilmworks.org for more.

Oregon Film Tax Credit Raised Over Two Years

The Librarians star Christian Kane sits down for a one-on-one interview as part of Film Day. Photo courtesy of Nebcat Photography

The Librarians star Christian Kane sits down for a one-on-one interview as part of Film Day. Photo courtesy of Nebcat Photography

Oregon Senate Bill 1507 enjoyed a unanimous victory on February 24, raising the annual cap on the state’s film and video tax credit. Currently at $10 million, the cap will rise to $12 million this year and $14 million in 2017.

Senate Majority Leader Ginny Burdick (D-Portland) commended the impact of the raised cap, noting, “This bill encourages investment in this state by members of this vibrant industry.” Senator Mark Hass (D-Beaverton), who carried the bill on the Senate floor, concurred with Burdick. “It was important to the committee that we protect film and television jobs,” Hass said.

The Oregon Media Production Association (OMPA) rallied its members, along with other representatives from the Oregon media industry, two weeks earlier to attend Industry Day in Salem. This effort drew over 70 volunteers to lobby for increasing the Oregon Production Investment Fund (OPIF). The Capital was abuzz with OMPA members and other industry workers who met with Senators, Representatives and the Speaker of the House.

Salem Industry Day. Photo courtesy of Nebcat Photography

Salem Industry Day. Photo courtesy of Nebcat Photography

Legislators also had the opportunity to visit the Gallery where the Oregon Film Office and OMPA arranged for interactive displays to demonstrate the quality and depth of opportunities available in the industry. Legislators sat down with The Librarians star Christian Kane for a one-on-one interview, and Grimm’s Danny Bruno visited legislators’ offices and conducted impromptu on-camera interviews.

Janice Shokrian, Executive Director of the OMPA, cheered the Senate’s support of the industry. “We are cautiously optimistic as our legislators see the film incentive as a sound return on Oregon’s investment,” she said. “The economic impact has a broad reach that positively impacts many vendors and local businesses.”

Parts of this article are reprinted with permission from OMPA.

Now Hiring: Filmmaker-in-Residence

Steve & Kate’s Camp is looking for a filmmaker-in-residence for the summer.

Here is a brief description of the job:

You will be on set for an approximate 11-week shoot, producing, directing, and maybe even co-starring in videos destined for viral greatness… at least, in the homes of our campers. You are not limited by format or genre. Comedy, action, documentary — you do it all. You have an eye for catching the film-worthy moments of everyday life and want to help inspire our future filmmakers (aka our campers).

Dates: June 20-August 19, 2016 (at both the Seattle and Bellevue locations) with some training before the camp session

The work is full-time for the duration of the season.

Click this link to apply: https://steveandkatescamp.com/jobs/summer-jobs/

Please complete the application under the heading “Summer Jobs” and indicate that you’d like to be the filmmaker.