Category Archives: Festivals

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2017 Sundance Film Festival – Short Film Lineup!

This week, the Sundance Institute in Park City Utah will be presenting sixty-eight (68) short films that will compliment the feature length line-up at the 2017 Sundance Film Festival running January 19-29, 2017.

Media Inc Magazine will be reporting LIVE via TWITTER and FACEBOOK LIVE  throughout Park City interacting with filmmakers and bringing you daily/hourly updates on news and exclusive interviews with some of the worlds most talented creatives making the cut this year in all categories.  Our coverage this year will include some of the 40 featured length films Written and/or Directed by #WomenInFilm.  Over 175 total films (shorts, docs, animation and features) will be showcased at one of the worlds most prestigious film festivals over the course of 10 days.

To give you an idea how competitive the selection process was this year,  there were over 8000 films submitted!  With only 68 Shorts and 110 features (including docs) making the final cut.  Roughly 1 in every 40 films submitted got an invitation.

Sundance has been best known as the crown jewel of indie film festivals that have helped discover some of the greatest filmmakers now working in Hollywood over the last 35 years.

With more than 9,000 playwrights, composers, digital media artists, and filmmakers served through the Sundance Institute programs over the last 35 years, the Sundance community of independent creators is more far-reaching and vibrant than ever before.

If you have been selected for any Institute lab program or festival, you are a member of this community. Sundance alumni receive support throughout their careers, including access to tools, resources and advice as well as artist gatherings and more. Alumni are also encouraged to actively contribute to the Institute’s creative community and to our mission to discover and develop work from new artists.

The Institute’s support for short films extends internationally and year-round. Select Festival short films are presented as a traveling program at over 50 theaters in the U.S. and Canada each year, and short films and filmmakers take part in regional Master Classes geared towards supporting emerging shorts-makers in several cities. Sundance Institute’s Documentary Film Program, supported by the John D. and Catherine T. MacArthur Foundation and in partnership with The Guardian and The New York Times’ Op-Docs, provides grants to makers of documentary shorts around the world, including new filmmakers in Cuba featured in a Special Event program at this year’s Festival.

Mike Plante, Senior Programmer for the Sundance Film Festival, said, “Each year we see more short films from around the country and from more regions around the world, which is exciting as we want to discover new voices to support. This year’s crop captures the full spectrum of what short films can be: emotional, hilarious, horrifying and touching — sometimes all at once.”

Among the shorts the Festival has shown in recent years are World of Tomorrow, Thunder Road, Whiplash, The Tsunami and the Cherry Blossom, Gregory Go Boom and Edmond.

The Short Film program is presented by YouTube.

U.S. NARRATIVE SHORT FILMS

American Paradise / U.S.A. (Director and screenwriter: Joe Talbot) — A desperate man in Trump’s America tries to shift his luck with the perfect crime in this story inspired by true events.

Cecile on the Phone / U.S.A. (Director: Annabelle Dexter-Jones, Screenwriters: Annabelle Dexter-Jones, Ellen Greenberg) — Overwhelmed by doubt and confusion after her ex-boyfriend’s return to New York, Cecile embarks on a series of telephone conversations that serve only to distract her from the one conversation she really needs to have.

Come Swim / U.S.A. (Director and screenwriter: Kristen Stewart) — This is a diptych of one man’s day, half impressionist and half realist portraits.

GOOD CRAZY / U.S.A. (Director and screenwriter: Rosa Salazar) — A complex chick deals with a vanilla beau, a shitty brunch and a dead coyote all in a Los Angeles day. There’s batshit crazy and then there’s good crazy—she fits somewhere in between.

Hardware / U.S.A. (Director: Stephen Jacobson, Screenwriters: Ellen Stringer, Stephen Jacobson) — An amateur electronic-drum enthusiast travels to a housewares trade show looking to strike up the perfect business partnership. When things don’t go as planned, he finds himself at the mercy of the electronic drumbeat playing in his head.

Hold On / U.S.A. (Director and screenwriter: Christine Turner) — Family bonds are tested when a young man is left to care for his grandmother one morning.

Hot Seat / U.S.A. (Director and screenwriter: Anna Kerrigan) — Teenaged Andrea uses a male stripper to gain the respect and admiration of cool girl Daphne in this exploration of coming-of-age sexuality and teen girls’ complex relationships, based on a true story.

I Know You from Somewhere / U.S.A. (Director and screenwriter: Andrew Fitzgerald) — A young woman incurs the wrath of the internet after she inadvertently becomes a viral sensation.

Kaiju Bunraku / U.S.A. (Directors: Lucas Leyva, Jillian Mayer, Screenwriter: Lucas Leyva) — Here’s a day in the life of a husband and wife living in a world of giant monsters.

Laps / U.S.A. (Director and screenwriter: Charlotte Wells) — On a routine morning, a woman on a crowded New York City subway is sexually assaulted in plain sight.

LostFound / U.S.A. (Director: Shakti Bhagchandani, Screenwriters: Shakti Bhagchandani, Emre Gulcan) — This story portrays a day in the life of a woman in the Nation of Islam.

Lucia, Before and After / U.S.A. (Director and screenwriter: Anu Valia) — After traveling 200 miles, a young woman waits out Texas’s state-mandated 24-hour waiting period before her abortion can proceed.

New Neighbors / U.S.A. (Director and screenwriter: E.G. Bailey) — How far will a mother go to protect her children?

Night Shift / U.S.A. (Director and screenwriter: Marshall Tyler) — Get a glimpse into a day in the life of a bathroom attendant in a Los Angeles nightclub.

Rubber Heart / U.S.A. (Director: Lizzy Sanford, Screenwriters: Lizzy Sanford, Anna Cordell) — After a painful dry spell, a woman attempts to have a one-night stand.

Shinaab / U.S.A. (Director and screenwriter: Lyle Mitchell Corbine Jr.) — A young Anishinaabe man struggles with his place in the inner city of Minneapolis.

Toru / U.S.A. (Directors and screenwriters: Jonathan Minard, Scott Rashap) — An infant’s life is transformed by a new technology.

INTERNATIONAL NARRATIVE SHORT FILMS

5 Films About Technology / Canada (Director and screenwriter: Peter Huang) — Take a satirical look at the dumber side of technology.

And so we put goldfish in the pool. / Japan (Director and screenwriter: Makoto Nagahisa) — One summer day, 400 goldfish were found in the swimming pool of a secondary school. This is a story about the four 15-year-old girls who put them there.

And The Whole Sky Fit In The Dead Cow’s Eye / Chile, U.S.A. (Director and screenwriter: Francisca Alegría) — Emeteria is visited by the ghost of her patrón, Teodoro. She believes he has come to take her to the afterlife—but he has more devastating news.

Dadyaa — The Woodpeckers of Rotha / Nepal, France (Directors and screenwriters: Pooja Gurung, Bibhusan Basnet) — Atimaley and Devi’s village is haunted by memories. When a dear friend leaves the village without saying goodbye, the old couple faces a dilemma: keep living with the memories or leave the village for good?

Dawn of the Deaf / United Kingdom (Director and screenwriter: Rob Savage) — When a strange sound wipes out the hearing population, a small group of deaf people must band together to survive.

Dear Mr. Shakespeare / United Kingdom (Director: Shola Amoo, Screenwriter: Phoebe Boswell) — An exploration of Shakespeare’s intentions when writing Othello explores the play’s racial themes in historical and contemporary settings, and draws wider parallels between immigration and blackness in the UK today.

The Geneva Convention / France (Director and screenwriter: Benoit Martin) — As Hakim is waiting for the bus after class, he is caught in a vendetta between teenagers. He’s not exactly keen to be involved, but can he avoid it?

HEAT / Poland (Directors and screenwriters: Agata Trzebuchowska, Mateusz Pacewicz) — A young boy does an unusual favor for a friend, assuming his identity to visit his senile grandmother. The woman takes him for a walk, and tells him about the biggest mystery of her life.

Kao Shi (A Test) / China (Director and screenwriter: Zuxiang Zhao) — In a small-town high school, days before the college entrance exam, teacher Chen Jun finds out that the father of his most promising student has died in a mining accident. Telling him—or not—bears heavy consequences.

MappaMundi / Luxembourg, Austria (Director and screenwriter: Bady Minck) — Through the eyes of cosmic cartographers, the viewer takes a voyage through 950 million years of Earth history and 15,000 years of cartography. This accelerated journey visualizes the change in our world—a change unnoticeable in a single lifetime.

Mare Nostrum / France, Syrian Arab Republic (Directors: Rana Kazkaz, Anas Khalaf, Screenwriter: Rana Kazkaz) — On a Mediterranean shore, a Syrian father makes a decision that puts his daughter’s life at risk.

Pedro / Portugal (Directors and screenwriters: André Santos, Marco Leão) — Pedro gets home at dawn. Before the young boy falls asleep, his lonely mother drags him to the beach.

Slapper / Australia (Director: Luci Schroder, Screenwriters: Luci Schroder, Sam West) — A broke and rebellious teen navigates a suburban wasteland, hustling money for the morning-after pill—before it’s too late.

What Tears Us Apart / France (Director and screenwriter: Wei Hu) — A Chinese couple visits the daughter they gave up for adoption 30 years ago. While meeting the French adoptive parents, language barriers become apparent and the birth mother’s hidden emotions rise to the surface.

DOCUMENTARY SHORT FILMS

Alone / U.S.A. (Director: Garrett Bradley) — This investigation into the layers of mass incarceration and its shaping of the modern black American family is seen through the eyes of a single mother in New Orleans, Louisiana.

Bayard & Me / U.S.A. (Director: Matt Wolf) — Walter Naegle’s boyfriend, Bayard Rustin, was a famous civil rights activist 30 years Walter’s senior. In the 1980s, Bayard decided to adopt Walter for legal protection. This love story is about a time when gay marriage was inconceivable.

Close Ties / Poland (Director: Zofia Kowalewska) — Barbara and Zdzislaw will soon celebrate their 45th anniversary—despite their constant bickering, and the fact that Zdzislaw spent eight of those years living with another woman. This is a portrait of a relationship that, somewhat inexplicably, perseveres.

Deer Squad: The Movie / U.S.A. (Directors: Pipus Larsen, Kenneth Gug, Scott J. Ross) — Kelvin Peña, a charismatic 17-year-old from rural Pennsylvania, shares his story of going viral after befriending a group of wild deer in his backyard.

The Diver / Mexico (Director: Esteban Arrangoiz) — Julio César Cu Cámara is the chief diver in the Mexico City sewer system. His job is to repair pumps and dislodge garbage that flows into the gutters to maintain the circulation of sewage waters. THE NEW CLIMATE

Fish Story / United Kingdom (Director: Charlie Lyne) — Behind a fishy tale lies this search for the truth.

Hairat / Ethiopia (Director: Jessica Beshir) — One man’s nightly ritual brings solace to the lovelorn of Harar.

Legal Smuggling with Christine Choy / U.S.A. (Director: Lewie Kloster) — Academy Award–nominated documentary filmmaker Christine Choy undergoes an adventure of wild proportions when she accidentally smuggles cigarettes.

My Father’s Tools / Canada (Director: Heather Condo)— Stephen continues producing traditional baskets to honor his father and thus finds peace in his studio as he connects with the man who taught him the craft.

Project X / U.S.A. (Directors: Laura Poitras, Henrik Moltke) — A top secret handbook takes viewers on an undercover journey to the site of a hidden partnership. Based on NSA documents, this film reveals the inner workings of a windowless skyscraper in Manhattan.

The Rabbit Hunt / U.S.A. (Director: Patrick Bresnan) — On the weekends during the harvest season, 17-year-old Chris and his family hunt rabbits in the sugarcane fields of the Florida Everglades.

Ten Meter Tower / Sweden (Directors: Maximilien Van Aertryck, Axel Danielson) — People who have never been up a 10-meter diving tower must choose whether to jump or climb down in this entertaining study of people in a vulnerable position.

Tough / United Kingdom (Director: Jennifer Zheng) — New light is shed on childhood cultural misunderstandings when a Chinese mother and her British-born daughter speak as adults for the first time. Some things can only be understood with maturity.

Visions of an Island / U.S.A. (Director: Sky Hopinka) — Indigenous and foreign presences coexist on an Alaskan island in the center of the Bering Sea. THE NEW CLIMATE

Waiting for Hassana / Nigeria (Director: Ifunanya Maduka) — In 2014, 276 teenage girls came together for exams in Chibok, Nigeria—by dawn, nearly all had disappeared, and their school was burned to the ground. Jessica, an escapee, shares her haunting account of a friendship violently interrupted by Boko Haram.

White Riot: London / United Kingdom (Director: Rubika Shah) — In 1977, immigration divides Britain. What happens when a punk fanzine challenges the status quo?

MIDNIGHT SHORT FILMS

Do No Harm / New Zealand (Director and screenwriter: Roseanne Liang) — 3:00 a.m., 1980s Hongjing: In an aging private hospital, a single-minded surgeon is forced to break her physician’s oath when violent gangsters storm in to stop a crucial operation.

Fucking Bunnies / Finland (Director: Teemu Niukkanen, Screenwriters: Antti Toivonen, Teemu Niukkanen) — Raimo’s comfortable, middle-class bubble is burst when a Satan-worshipping sex cult moves in next door.

Hot Winter: A film by Dick Pierre / U.S.A. (Director: Jack Henry Robbins, Screenwriters: Jack Henry Robbins, Nunzio Randazzo) — One of the first films in American cinema to address climate change, Hot Winter: A film by Dick Pierre, was also a hardcore porno. All sex scenes have been removed as to not distract from the conscious message. THE NEW CLIMATE

A Nearly Perfect Blue Sky (Un ciel bleu presque parfait) / France (Director and screenwriter: Quarxx) — You might think that Simon lives a monotonous life, but you would be wrong—contrary to appearances, he doesn’t live alone among the ruins of an old farm. Between kidnapper and guardian angel, he never takes his eyes off his roommate.

Pussy / Poland (Director and screenwriter: Renata Gasiorowska) — Alone at home one evening, a young girl decides to have a solo pleasure session—but not everything goes according to plan.

The Robbery / U.S.A. (Director: Jim Cummings, Screenwriters: Jim Cummings, Dustin Hahn) — Crystal robs a liquor store—it goes pretty OK.

Summer’s Puke Is Winter’s Delight / Japan (Director and screenwriter: Sawako Kabuki) — Painful events become memories over time. Still, we vomit and eat again. Life is eco.

ANIMATED SHORT FILMS

The Bald Future / France (Director and screenwriter: Paul Cabon) — Being a bald man sucks. Knowing you’ll become one is worse.

Black Holes / U.S.A., France (Directors and screenwriters: David Nicolas, Laurent Nicolas) — Dave is about to lead the first mission to Mars when he’s teamed up with a sentient melon, who claims to be the reincarnation of a fashion designer, upstaging his big moment and driving him to the brink of madness.

Broken – The Women’s Prison at Hoheneck / Germany (Directors: Volker Schlecht, Alexander Lahl, Screenwriters: Alexander Lahl, Max Mönch) — This animated documentary about Hoheneck, the main women’s prison in former East Germany, is based on original interviews with former inmates. It’s a film about political imprisonment, forced labor and enormous profits on both sides of the Iron Curtain.

Drawn & Recorded: Teen Spirit / U.S.A. (Director: Drew Christie, Screenwriters: Drew Christie, Bill Flanagan) — This is the story behind one of the most iconic songs ever written, animated in the style of a pop-up book.

How’s your prostate? / France (Directors: Jeanne Paturle, Cécile Rousset, Screenwriters: Jeanne Paturle, Cécile Rousset, Cécile Mille) — One friend tells the other about the very strange time when, beside a swimming pool, she learned about her father’s prostate, his erectile function and his nighttime fantasies.

It’s a Date / U.S.A. (Director and screenwriter: Zachary Zezima) — This film explores miscommunication, perceptions and vulnerability in the modern world. Everyone is an alien at first.

Jonas and the Sea / Netherlands (Director: Marlies Van der Wel, Screenwriters: Ruben Picavet, Marlies Van der Wel) — Jonas has dreamed of living in the sea all his life, but it’s impossible. Or is it?

The Laughing Spider / Japan (Director: Keiichi Tanaami) — The early childhood memory of aerial attacks leaves a lasting impression, with strong stimulus and disquiet.

LOVE / France, Hungary (Director and screenwriter: Réka Bucsi)— Abstract haiku-like situations reveal the changing atmosphere on one planet caused by a meteoric impact in a distant solar system. Inhabitants on this pulsing planet become one with each other, in various ways, in this three-chapter exploration of affection.

Nighthawk / Slovenia, Croatia (Director: Špela Čadež, Screenwriters: Gregor Zorc, Špela Čadež) — Attempting to remove an unresponsive badger from a dark road, a police patrol soon realizes that the animal is not dead but rather dead drunk. Things take an even stranger turn when the creature wakes up.

Nutag — Homeland / Canada (Director and screenwriter: Alisi Telengut) — This hand-painted visual poem explores the ideas of diaspora, homeland and the mass deportations of the Kalmyk people during World War II.

Summer Camp Island / U.S.A., South Korea (Director and screenwriter: Julia Pott) — Oscar and his best friend, Hedgehog, just got dropped off at summer camp. Once the parents leave the island, the strangeness lurking beneath the surface is revealed—aliens exist, horses become unicorns and there are monsters under the bed.

Trumpet Man / Hong Kong (Director and screenwriter: Emily Wong) — A turntable springs out a woman named Avocado; her instinct creates a man called Soul. Passion swings both, and an uncertain madness strikes Soul heavily. Seeds of passion breed conflict among five men, eventually leading Soul to a deeper understanding of life.

Victor & Isolina / U.S.A. (Director: William Caballero) — Creatively visualized through 3D printing, two elderly Latinos embark on a resonating he said/she said account of the events that led them to live separately after more than 50 quirky and stressful years together.

One film announced today was funded through a Kickstarter campaign: Black Holes.

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Super Size Me, Dope, Little Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth, Precious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. 2017 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire®, and Canada Goose; Leadership Sponsors – Adobe, AT&T, DIRECTV, and YouTube; Sustaining Sponsors – American Airlines, Canon U.S.A., Inc., Francis Ford Coppola Winery, GEICO, Google VR, The Hollywood Reporter, IMDb, Jaunt, Kickstarter, Omnicom, Stella Artois® and the University of Utah Health. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Sponsor seal at their venues at the Festival. sundance.org/festival

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

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Women In Film at 16th Annual Whistler Film Festival!

As the 16th annual Whistler Film Festival kicks off this weekend high in the Canadian Mountains, MEDIA INC MAGAZINE continues their coverage and support of #WomenInFilm who’s creative vision behind the camera gives hope and inspiration to the next generation and of younger feamale filmmakers.

“With 15 feature films in our lineup directed by women and over half of the participants in our talent programs being women, the Whistler Film Festival is committed to ensuring that their stories have the best opportunity for success.”, said Co-Founder and Festival Executive Director Shauna Hardy Mishaw.   “The industry is calling for change and WFF is behind the movement to ensure that it happens. This year, we’re putting women at the top of our agenda and our mountain.”

Media Inc Magazine is proud to introduce each of these women and thier spectacular works of art as a collective celebration of thier hard work and passion to level the playing field with the boys enhancing gender equality in the workplace.  Now let’s meet this years WFF Women In Film! (Not in any specific order)

The Will to Fly – Australia | 95min | Canadian Premiere | 2016 | English | English Sub.
Screening Times:  Dec 3rd @5pm and Dec 4th @ 3:30pm – Maury Young Arts Centere
**Media Inc’s #1 Documentary Pick! **
An extraordinary sports biography of Australian Olympic ski jumper Lydia Lassila as she trains to become the first woman to ever successfully complete a quadruple, twisting triple somersault jump, a move that combines skiing prowess and gymnastic ability. This Film is a story about resilience, dreams and fulling one’s destiny in life!  *Sports Documentary and Women Empoerment *
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Thee Death (and life) of Carl Narrdlinger – Canada | 92min | World Premiere | 2016 | English
Writer / Directer: Katherine Schlemmer
One of Five films selected by Telecanada for funding ($100,000).  A very original comedy about a double Doppelganger. Police come to the door looking for a man with the same oddball name as our hero, only to discover that the man has a brother who is his identical twin.
Shades of Winter: Between
Austria | 96min | Canadian Premiere | 2016 | English | English Sub.
December 4th – 6:30pm and 9:30pm – Rainbow Theater
*Women Empowerment and Sports Documentary*
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Austrian filmmaker and extreme sports enthusiast Sandra Lahnsteiner takes us on a global celebration of female athleticism as we travel from New Zealand to Austria, through Canada searching for the biggest waves and the best ski runs for her merry band of all-female adventure-seekers to conquer. Beautifully shot and duly inspiring for thrill seekers.
Hunting Pignut – Canada | 95min | Western Canadian Premiere | 2016 | English
Writer/Director: Martine Blue
Bernice, a 15 year old misfit runs away from her rural Newfoundland community in search of Pignut, a tormented and violent gutter punk, after he steals her father’s ashes right out of his urn.

Before the Streets – Canada | 97min | Western Canadian Premiere | 2016 | Atikamekw | English Sub.
Saturday Dec 3rd 8:30pm – Village 8 Cinema
Writer/Director:  Chloe Leriche
This film celebrates a revival of native culture and its traditions, as embodied by the very actors who participated in the film. The first dramatic feature shot in the native language of atikamekw, the film boasts a cast composed almost entirely of non-professionals living and working in the villages where the film was shot. The story takes place in Manawan, the First Nations reserve on the south-western shores of Lake Métabeskéga in the Lanaudière region of Quebec, Canada.
The Space Between – Canada | 90min | Western Canadian Premiere | 2016 | English
Writer/Director: Amy Jo Johnson
December 4th 10:30am – Squamish Lil’Wat Cultural Center
**Media Inc Magazine TOP Comedy pick **
Amy Jo Johnson (Felicity and MM Power Rangers) presents her directorial debut heartfelt comedy feature film about a proud new father who learns that his wife took his infertility into her own hands with a 19-year old university student and sets out on a journey to find the biological baby-daddy.  Brilliant cast including Michael Ironside (Top Gun), Julia Sarah Stone, David Peatkau (FlashPoint TV Series and Crimminal Minds) and Sonya Salomma (Flashpoint TV Series).  EPIC soundtrack including three songs written and performed by Canadian Award Nominated Lead actor Michael Cram.
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The Sun at Midnight – Canada | 93min | Western Canadian Premiere | 2016 | English
Writer/Director: Kirsten Carthew
The adventure/drama tells the story of Lia, a troubled teenager from Montreal who is sent to live with her grandmother in Ft. McPherson. Desperate to get back to the city, she flees into the wilderness and finds a world of danger and vulnerability. She meets Alfred, a caribou tracker, who reluctantly takes her under his wing. When Alfred is severely wounded in a bear attack, their roles reverse and Lia must fight to save both their lives.
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Actress Devery Jacobs as LIA – The Sun at Midnight

Anatomy of Violence – Canada – 93min – Western Canada Premier – Hindi – English Sub

Director:  Deepa Mehta

Trailer HERE

Deepa Mehta takes an innovative docudrama approach to analyzing the rape culture that exists in India. She specifically workshopped six character backgrounds to depict the infamous rapists of a young woman on a decommissioned bus. Grinding poverty, deep-rooted misogyny and a sense of male entitlement are explored to great effect.

Broken – Canada – 68min – Western World Premier – English

Director: Lynne Spencer

Ballet BC’s prima ballerina Simone Orlando overcomes a career threatening injury in this intimate portrait of what happens to an artist (or athlete) who has devoted their life to a single pursuit when personal injury threatens that very way of life. Orlando is now CEO of Ballet Kelowna.

Sled Dogs – Canada – 82min – World Premier – English

Director: Fern Levitt

A provoking expose of the cruelty to dogs that permeates the commercial dog sled operations that supply sled dogs for such famous races as the Iditarod in Alaska. The film addresses the sled dog cull that occurred in Whistler and the attempts by locals to run an ethical puppy farm in its stead.

Melody Makers: Should’ve Been There
Director: Leslie Ann Cole
Canada | 95min | World Documentary Premiere | 2016 | English
A behind the scenes peek at all the rock ‘n roll legends of the 70s, as director Leslie Ann Coles guides us through the ribald history of the influential British rock magazine Melody Makers, featuring unseen photographs of all the greats by Barrie Wentzell.
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From the Land of the Moon
Director: Nicole Garcia
France, Belgium | 121min | Western Canadian Premiere | 2016 | French | English Sub.
Marion Cotillard is mesmerizing in her role as a small-town girl who refuses to accept a loveless marriage and is treated as having a mental illness because she dares to hold out hope for true love, which she finds in the form of a young injured veteran. Subtitled.

Going Furthur
Director: Lindsay Kent
Canada, United States | 99min | Canadian Premiere | 2016 | English
December 4th – 9pm – Meury Young Arts Centre
The psychedelic counterculture movement is alive and well today. Fifty years after Ken Kesey and his Merry Pranksters’ first acid-laced bus trip, his son Zane has taken his Dad’s bus on a 15,000 mile, 75 day tour of music festivals, tribal gatherings, and happenings, man. Enjoy the trip!

Below Her Mouth
Writer/Director: April Mullen

Canada | 92min | British Columbia Premiere | 2016 | EnglishDecember 4th – 10:15pm – Village 8 Cinema

A woman who is engaged to be married succumbs to the lesbian advances of an attractive roofer, and her life is turned upside down with newfound desire. A very adult film with the rare distinction of having been made by an all-female crew. April Mullen directs.

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Whistler Film Festival primed for EPIC winter showcase!

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Scott A. Capestany Editor In Chief

Whistler, BC – Winter 2016

The 16th Annual Whistler Film Festival (WFF) will kick offs this week welcoming cinema fans and filmmaker creatives  to the winter wonderland playground of Whistler Blackcomb Resort packed with new films, VIP guests,  panel discussions and industry events. The Whistler Film Festival will feature an international  film competition with a industry summit of events devoted to the collaborative process of movie making in the 21st century digital age.

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WFF combines an esteemed film competition with an intimate industry Summit that in 2015 attracted 13,332 attendees including 855 industry delegates. To recognize the vitality of the art form, WFF 2016 will feature ten juried competitive sections with 15 awards and one audience award selected from up to 1,000 submissions. Approximately 90 films from Canada and around the world (including 45 features and 45 shorts) will be presented.

Oscar-winning filmmaker John Madden is poised to receive the Maverick Award for directing during the festival.  His recognition takes place as he brings his latest film, Miss Sloane, starring Jessica Chastain, to the festival.  Madden is best known for his 1999 best picture Oscar winner Shakespeare in Love.

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Director John Madden

Madden will join a talent lineup in Whistler that includes Alan Thicke, who is bringing his latest movie, It’s Not My Fault and I Don’t Care Anyway; Middle Man’s Jim O’Heir; Amy Jo Johnson, director of The Space Between; and Menorca star Tammy Gillis.

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Oscars Best Picture favorite this year La La Land, starring Emma Stone and Ryan Gosling, will open the Festival on November 30th.

Over the years, WFF has established an impressive track record for launching new films and filmmakers, and has earned a reputation as a ‘filmmakers festival’ through its coveted competitions and non-competitive sections that celebrate the best in independent Canadian and world cinema. Did you know that WFF features the second largest cash and commission festival prize for a Canadian film in the country? Over $150,000 in Cash and prizes will go out in 2016!

The Whistler Film Festival has been recognized as ‘Canada’s coolest film festival’, ‘one of the top 30 film festivals in the world’ by Variety, ‘Whistler’s Best Arts & Cultural Event of 2013 & 2014’ by Whistler’s Pique News magazine, and is consistently rated as one of the top film festivals in the country by film fans and filmmakers alike.

WFF’s full schedule and guest lineup are now available at whistlerfilmfestival.com. Festival’s online box office at TICKETS and PASSES is now open for VIP patron passes, industry passes, ticket packages, and festival credentials.  The festival box office is now open for phone sales (1-877-838-FILM) and on Nov. 25 for walk-up sales.

Media Inc Magazine is honored to partner with one of Whistler’s leading hotel properties The Aava Whistler Hotel  during the 2016 Whistler Film Festival this year.  We are honored to have them host our Whistler Filmmaker reception Friday night.  The Aava has received a certificate of excellence from TRIP ADVISOR and voted by ‘real people’ as a top destination hotel at Whistler for from 2012-2016.  Guests of the Hotel have access to their complimentary GoPro Hero 4 HD cameras to capture their holiday on video and images while in Whistler.

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Filmmakers with festival badges and their guests can RSVP HERE.  ** Limited Capacity **

Event is presented by WHISTLER BREWING ,  WHISTLER BUNGEE and Canadian Wilderness Adventures.  Come enjoy some ice cold Canadian Beer, win some door prizes  and view some of the #WFF2016 Trailers!  Follow us on Twitter @MediaInMag for daily details on #WFF2016 and their high altitude events!

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The Aava Whistler Hotel

The US Dollar is the strongest it’s been in over a decade meaning American’s visiting Canada can experience awesome savings!  Check out the current EXCHANGE RATE courtesy of Whistler Blackcomb.

VANCOUVER CANUCKS NHL HOCKEY!

If you are planning on heading up to the film festival early, might consider attending the Tuesday November 29th home hockey game at ROGERS ARENA in downtown Vancouver.  We had the opportunity to take a full tour of the facility and took in two very exciting overtime hockey games!  The experience was one of the most impress professional sporting events we’ve ever attended. Tickets can be purchased here Vancouver CANUCKS.  Heading back from Whistler, you also could catch legendary multi-platinum, Grammy® Award Winning-music icon STEVIE NICKS December 9th.

The Whistler Film Festival and Summit are supported by Telefilm Canada, the Province of British Columbia, the Resort Municipality of Whistler, the Whistler Blackcomb Foundation and the American Friends of Whistler, funded by the Government of Canada through Western Economic Diversification, and is sponsored by Creative BC, Variety, The Harold Greenberg Fund, Cineplex, Tourism Whistler, Whistler Blackcomb, Gibbons Whistler and the Westin Resort & Spa Whistler.

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Seattle Shorts Film Festival a Fall spectacle this year!

press_scottcapestany_mediaincmagazineBy Scott A. Capestany – Editor-In-Chief

This years 2016 sixth annual Seattle Shorts Film Festival presented by Media Inc Magazine recently wrapped up after three solid days of impressive screenings, panels, parties and awards.  With exciting plans for 2017 already now confirmed, this year marked the final year for the festival hosting their venue at the SIFF Film center.   For 2017, plans to move the festival to the larger multi-screen SIFF UPTOWN theater already has Executive Director/Found Daniel Hoyas excited. “We’re so grateful to have completed a great six year run at SIFF Film center with a one of our busiest festivals to date this year.” Said Hoyas.  Now moving our festival to the Uptown in 2017, we’ll be able to screen more films, host more events and screen more films in the future.”

Special VIP guests this year included FATIMA PTACEKfatima-and-brenden-1 best known as the voice for Nickelodeon’s Dora The Explorer.   Her brilliant performance in the 2014 film short ‘Curfew’ earned the film an Academy Award Oscar win for best short in 2012.  The feature length adaptation ‘Before I disappear’ was this weekends  opening night film which drew a fully packed house followed by a Q&A by both her and producer BRENDEN HUBBARD.   “It was such a great experience attending Seattle Shorts Film Festival where I was able to connect with wonderful independent filmmakers and Washington-based actors who are so passionate about their craft.” Said Ptacek.  “We bonded over our love of storytelling and shared lots of laughs. I really enjoyed visiting Seattle and my visit to the Seattle Space Needle was especially memorable.”

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King 5 Morning news broadcast. Executive Director/Founder of SSFF Daniel Hoyos (L) and Editor-In-Chief Scott A. Capestany (R) Watch clip here:  KING5

Founder and Executive Director DANIEL HOYOS, who has been the mastermind behind the evolution and growth of the festival over the years, sat down with Media Inc Magazine to share more about his endeavor.

Media Inc: Congratulations on another great year!  How many submissions did you have this year that made up the final 48 films?

DH: This year we had around 1300 submissions from all over the world that also included over 35 filmmakers in attendance.

MI: Tell us more about your 2017 approval by The Seattle International Film Festival partnership you have moving your festival to the uptown theater next year.

DH:  We have been strategically working with SIFF over the years in preparation to move our festival from the Film Center to the Uptown theater.  Turns out 2017 will usher in a new looks and feel our festival.  The move will expand our operational space to multiple theater screens and give filmmakers a wonderful theater venue to showcase their films in.

MI: Where can filmmakers submit for 2017?

DH:  Filmmakers can submit via Without A Box, Film Freeway and also directly on our website. www.seattleshorts.org  Filmmakers registered at an accredited college can submit for as little as $10 while other filmmakers submit throughout the year between $20-35 depending on the month they submit leading up to festival.  We also pride ourselves on keeping our submission fees very low compared to other festivals encouraging more people to explore our festival.    Submission can be made here begining NOW for 2017!  SSFF 2017 Submissions

MI: Tell us how your programming selection process works.

DH:  As submissions come in, we have a team of around 15 screeners throughout the year watch our films and suggest films to both myself and festival coordinator Marissa Huntley for final decision to be included.  Our screening blocks this year allowed for us to showcase films from a diverse group of filmmakers from a variety of genres.  These blocks included “Women In Film” (Women Directors/Leads), Musical Cinema” (Music Videos), Raising Awareness” (Global issues), “Made in Washington” (Locally produced films from WA State) and a few other blocks that featured films of highly impressive cinematic art. 

MI: Tell about other activities filmmakers can expect while attending your film festival.

DH:  This year we hosted a Saturday night Dance party for filmmakers, an opening night feature film that was based on the 2012 Academy Award Winning short ‘Curfew’ called ‘Before I disappear’ that included a Q&A with celebrity guest Fatima Ptacek and a few industry panels.

MI:  What kind of awards and door prizes do filmmakers receive from the Seattle Shorts Film festival .

DH:  All of our winners receive very unique and special ‘etched in glass’ award trophies.  We were very grateful to partner with the Youth Actor Theater Camp this year in which we nominated four young bright actors Rachelle Henry, Belle Shouse, Hannah Ord, and Connor Muhl to be eligible for a tuition free scholarship to attend the Winter 7 day or Summer 11 day camps.  Local Actress RACHELLE HENRY won the award this year.   Filmmakers were given discounts or a variety of activities, transportation and food offerings close to the festival that included partnerships with LYFT (car rides) and our hotel sponsors THE MARQUEEN and MEDITERRANEAN INN

One of the biggest highlights and moving events was the Youth Talent panel hosted by SAG-AFTRA Seattle Actress ASHLEY CORZINE. The panel featured both local Pacific Northwest Guests Rachelle Henry and CONNOR MUHL and special Hollywood guests Fatima Ptacek and star of ABC TV Series Blackish MARSAI MARTIN.  Martin, only 12 years old, empowered the crowd and brought tears to many with her heart felt talk on equality and what it means to be an actor in the industry.  “I want to be known as  strong person, not just a little black girl in the business”, She said.

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L-R Ashley Corzine, Rachelle Henry, Marsai Martin and Fatima Ptacek

Award Winning Seattle Actor and filmmakers Rachelle Henry had this to say about the festival this year; “I had a wonderful time at Seattle Shorts Film Festival getting to support two films I’m in and asked to be on the Breaking Into The Business: Young Actors panel.  I met some amazing filmmakers! It was so exciting to have “Creased” be chosen for the Grand Jury Award. A highlight for me personally. Most importantly honored and grateful to have been chosen to receive a scholarship to YATC! Special thanks to Shawn Ryan, John Ainsworth, Young Actors Theater Camp and Seattle Shorts Film Festival for this honor!”

Winners of the 2016 Seattle Shorts Film Festival:

Grand Jury Prize – Creased – Directed By Jade Justad
Best Director-Last Night in Edinburgh – Directed By Bita Shafipour
Best Actor – Kristoffer Polaha (Frontman AFI Thesis Film)
Best New Talent – Alexandra Turshen (Behind the Wall)
Best Cinematograhy – Vemon Thearpy 
Best College Student Short – Bunee: The Boy Constanta
Best Animation – The Wishgranter
Best Documentary –  Bunee: The Boy Constanta
Best Music Video – Cupido

 

 

 

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2016 AFM Kicks off this week in Santa Monica!

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By Editor-In-Chief:  SCOTT A. CAPESTANY

This week in Santa Monica, one of the worlds most EPIC and engaging film markets opens up.  Since attending this event since 2001, it has lead to more contacts and creative business deals, contacts and insight than any other event I’ve attended in the world.

Each year over 8000 industry professionals from 80+ countries around the globe converge at the beautiful SANTA MONICA LOEWS HOTEL at 1700 Ocean Avenue to interface with international buyers, distributors, financiers and top decision makers in Hollywood and around the world.

Aside from the amazing event itself and the many years I have attended, I’ve always been impressed with  how both the AFM and hotel staff treats everyone with dignity, class and professional demeanor throughout the entire property.  They respect that we are all there to bring our “A game”.  Even the Executive Director of the entire AFM Jonathan Wolf had a few moments to answer my personal questions over the years. A total professional!

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I had the honor of being selected a handful of years ago to “pitch” one my own feature film projects “My Silent Voice” as an emerging producer and creator to a massive ball room full of international press and over 1000 industry folks. 2013-11-09-13-03-15 WOW! What a rush! Around 15 or so were selected from around the world representing around 7-8 countries as I recall.  One of the worlds leading experts in interfacing filmmakers with TOP Hollywood decision makers STEPHANIE PALMER from GOOD IN ROOM, hosted the pitch conference.  She was exceptionally insightful, engaging and most of all a kind PRO there to help producers like me present our masterpieces to the world.

We each were given 3 minutes to pitch our project and get feedback from some of the panelists.  Just moments after, I was approached by a number of financiers and buyers on the floor surrounding me interested in helping guide my magical story of a young deaf girl and her journey to the winners circle with her equine pal.  Ironically, since that time, family films have now been a very HOT ticket item of content and huge commodity for buyers and distributors.  For me, I was grateful to be in the right place at the right time and those 3 minutes forever changed the my filmmaking career. hiest-of-hidden-cove That same week I meet whom now has become one of my closest and trusting producing partners and consultants on most all of my projects.  And a member of the Producers Guild of America to boot!  My pitch went well enough to catch her eye and personally approach me to offer working together with me.  A moment I will never forget.

I just couldn’t fathom where I would be today in my career, if I didn’t pony up the resources, submit my pitch video and board the plane that cold rainy Fall morning in November.

I strongly encourage  filmmakers from around the world to attend this awesome event to connect, engage, pitch, network and interface with folks that can literally change your career and life course!

If you live in LA, you can head down to the Santa Monica (few door down from the Pier) to register any day of the market on-site to buy a badge ranging from appx. $400 to $1500 for most every event and any single conference. Money WELL worth it’s weight in gold!  Visit their website here to engage in your own destiny!  AMERICAN FILM MARKET (AFM) Follow them on Twitter (@AFMOfficial) for daily updates on what’s going on and also recommend downloading their handy APP.

 

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SIFF Chief Curator and Festival Director Carl Spence Steps down

 

SEATTLE – October 4, 2016 – SIFF announced today that Carl Spence will begin transitioning out of his role as Chief Curator and Festival Director.  He will continue to serve SIFF in an advisory capacity through Spring 2017.
Spence began his career at SIFF in 1994, helping SIFF co-founders Darryl Macdonald and Dan Ireland grow the Festival to become one of the largest in North America.  For the past 13 years Spence has led the organization’s artistic and educational programs, first as SIFF’s Artistic Director and then more recently as its Chief Curator and Festival Director.  Spence also held curatorial leadership positions at the Palm Springs International Film Festival during this time and also helped launch the Orcas Island Film Festival in 2014.

“When I started at SIFF in 1994 on a three-month contract for the Festival’s 20th anniversary edition, I had no idea that it would turn into a journey of more than two decades,” said Spence.  “I’m so proud of the work we’ve done together, transforming SIFF from a single major annual event into a vibrant year-round arts organization.  I salute my colleagues at SIFF for their unwavering dedication to this aim and most importantly to the thousands of artists involved in the craft of filmmaking along with our film partners who have helped me provide films and experiences to millions of film lovers in Seattle.”

Under Spence’s leadership, SIFF built its flagship film center under the shadow of Seattle’s iconic Space Needle, saved and revived two historic neighborhood cinemas (SIFF Cinema Uptown in Queen Anne and SIFF Cinema Egyptian in Capitol Hill) and supported SIFF’s transition into a major arts and cultural force for all things film. His deep passion and love for film will be his most beloved legacy and lasting gift to the organization and Seattle.

“SIFF’s major expansion has occurred concurrently with Carl curating outstanding film-centered experiences that bring people together to discover extraordinary films from around the world, while also building a world class programming team with a depth and breadth that rivals that of the top festivals in the world,” said Brian LaMacchia, SIFF Board President.  “SIFF’s current success as a year-round film organization is due in large part to Carl’s passion and vision.”

Spence continued, “My career at SIFF has been filled with many exciting opportunities and it’s been a monumental journey to nurture and guide our exponential growth.  But it’s time to start my next story in the arts.  My favorite place in the world will continue to be the back of a completely full theatre as I watch an audience experiencing something awe-inspiring, funny, eye-opening, informative, and entertaining for the very first time.”

SIFF Festival Director of Programming Beth Barrett (Far left) has been appointed Interim Artistic Director. siff-leadership Barrett has worked for SIFF since 2003 and has been responsible for managing all aspects of film programming, the staff of film programmers, and securing films and guests for the Festival.  Barrett has also been instrumental in the programming and management of SIFF Cinema and SIFF’s other year-round programs.  An aficionado of short films, she helped secure SIFF’s status as an Academy Award® qualifying festival in 2008.

Over the past year the SIFF Board has been conducting a search for a new Executive Director, and hopes to announce one shortly.  SIFF is committed to continuing Spence’s progress finding new ways to bring extraordinary films from around the world to SIFF in Greater Seattle and beyond.

 Spence was instrumental in leading SIFF’s transformation from annual film festival to vibrant year-round arts organization

About SIFF
Founded in 1976, SIFF creates experiences that bring people together to discover extraordinary films from around the world with the Seattle International Film Festival, SIFF Cinema, and SIFF Education.  Recognized as one of the top film festivals in North America, the Seattle International Film Festival is the largest, most highly attended film festival in the United States, reaching more than 150,000 annually.  The 25-day festival is renowned for its wide-ranging and eclectic programming, presenting over 450 features, short films, and documentaries from over 80 countries each year.  The 43rd annual Seattle International Film Festival will be held May 18 through June 11, 2017.  SIFF Cinema exhibits premier theatrical engagements, repertory, classic, and revival film showings 365 days a year on five screens at the SIFF Cinema Uptown, SIFF Cinema Egyptian, and SIFF Film Center, reaching more than 175,000 attendees annually.  SIFF Education offers educational programs for all audiences more than 13,000 students and youth in the community with free programs each year.

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ORCAS ISLAND Film Festival kicks off Oct 7-10!

PRESS – For immediate Release

The 3rd Annual ORCAS ISLAND FILM FESTIVAL kicks off this weekend in WA State’s San Juan Islands!  This 4 day spectacle will feature some of the most impressive Indie films on the circuit including a lineup of over 30 stellar and intriguing films from regional and international filmmakers.  OIFF is sponsored by Orcas Open Arts and the Seattle International Film Festival (SIFF).  SIFF is recognized as one of the top film festivals in North America.

The OIFF features a selection of critically acclaimed films and audience favorites direct from their debut at the world’s greatest film festivals, including Cannes, Venice, Berlin, Telluride, Toronto, New York and Seattle.  Many of these films are bound to be award contenders at the Oscars as they show up in cinemas this fall and over the Thanksgiving and Christmas movie-going season. The Orcas Island film festival provides an intimate and arts-rich setting in which these films can be seen  before their official theatrical release.

Located in the tiny village of Eastsound on Orcas Island,  the festival can be reached only by sea, air or boat.  Taking the Antecortes ferry (1.5 hours North of Seattle) directly to the island is the best this time of year.  The ferry ride in the Fall is well worth the trip with all the vibrant Autumn colors seen along the way.

OIFF each year donates three (3) $3500 grants to filmmakers as part of a unique filmmaker event to shoot a short film in San Juan county in the Spring/Summer before their Fall festival.  Grant winners films will be juried by the audience and the winner will have the honor of having their film screened in the 2017 Seattle International Film Festival in May.

Opening night gala begins Friday at the ORCAS CENTER @5:30pm.

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Director Jean-Marc Vallee

This years festival will again feature a STAR studded line-up of Award Winning Producers, Directors, Writers and Actors from highly acclaimed films.  Canadian Director Jean-Marc Vallet will be in attendance for a Q&A following some of his recent work.  His most notable films include DALLAS BUYERS CLUB (Starring Award Winning Actors Jared Leto and Matthew McConaughey) and also Directed WILD (Starring Award Winning Actress Reese Witherspoon).

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Matthew McConaughey (left) and Jared Leto (right)

Reese Witherspoon (left) and director Jean-Marc Vallee (right) filming on location for WILD.

Reese Witherspoon (left) and director Jean-Marc Vallee (right) filming on location for WILD.

Here’s the FULL SCHEDULE AND TICKETS for this years festival!

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Orcas Open Arts has supported arts education on Orcas Island for over a decade and is the host of the the OIFF.  Seattle International Film Festival (SIFF) is the worlds largest and longest running International film festival in the world and leading 501(c)(3) non-profit arts organization in our region.  SIFF reaches over 250,000 annually with both SIFF Cinema and SIFF Education.

For OIFF  Press inquiries, contact sara@orcasfilmfest.com

Website:    www.orcasislandfilmfest.com

TWITTER: @OrcasFilmFest

 

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HollyShorts Film Festival welcomes Pacific Northwest Alliance!

Award Winning Seattle Filmmakers set to showcase films at the 2016 LA Hollyshorts Film Festival!

Seattle, WA — Media Inc has partnered with Hollyshorts Film Festival as their official press affiliate this year covering the events from the iconic TCL Theater and the Roosevelt Hotel on Hollywood Boulevard Aug 11-20.

HollyShorts Film Festival announced last week the 3rd annual inclusion of  the “WA State Film Showcase” for their line-up of special film short screenings.  Hosted at the iconic Grauman’s  Chinese Theater on Hollywood Boulevard and other LA venues (The Roosevelt Hotel, Harmony Gold Theater, OHM Nighclub, Ignited Spaces, Avenue 17 Studios, 33 Taps and Redbury Hollywood), the 12th annual Hollyshorts Film Festival will be featuring works from 400+Indie Film shorts from around the world during a week long odyssey between Aug 11-20 packed with of screenings, conferences, parties, panels, workshops and special events.  Nearly 3000 films from every continent were submitted this year.

Ben Andrews and David S. Hogan

Ben Andrews and David S. Hogan

Pacific NW production companies Evil Slave (ES), Abundant Productions (AP), Mighty Tripod Productions (MTP), Modern Motion (MM) and Capestany Films (CF) will be featuring works from PNW Filmmakers.    Headlining the showcase will be the World Premier of 2015 Award Winning Hollyshorts screenplay “The Lunchbox Brigade”.  Produced  collectively by Lorraine Montez, Ben Andrews, David S. Hogan, Marissa Fujimoto, Ryan Wagenhauser and Christopher Meuer,  this warm and adventurous coming of age tale featured over WA state with a cast and crew filmed entirely in the Evergreen State.

The Lunchbox Brigade follows a neighborhood squadron of kids that discovers their brother-in-arms, Johnny, has gone to camp for the summer. They determine a rescue is in order, and together they embark on an antic-filled plan to infiltrate enemy territory (aka summer camp) and free their friend. But when their leader, Teddy, discovers that Johnny actually wants to be at camp, he must lead the Lunchbox Brigade in a touching tribute to the loss of one of theirown.Media Inc Roosevelt party banner

Casted by David S. Hogan of Mighty Tripod Productions, the local talent included Kyan Zielinski as Teddy, Forrest Campbell as Bugsy, Malakai James as Logan, Kristoffer Holtan as Clyde, Eden Campbell as Sue and Alex Silva as Johnny.  “I had a great time casting the talent for this great film.  The amount of talent we saw during the auditions was very impressive.  The kids that were ultimately cast are some of the region’s best young performers I’ve seen,” said Hogan.   

Hollyshorts is listed by MovieMaker Magazine as one of the “top 25 festivals worth the entry fee,” HollyShorts awards the winner of the screenplay competition with an automatic entry in the following year’s festival.

Seattle-based producer and filmmaker Ben Andrews, creative director of Evil Slave, recognized an opportunity to create a strong alliance of filmmakers from Seattle, Tacoma and Los Angeles when he met the HollyShorts leadership early in 2014 at SXSW. “It happened pretty quickly,” said Andrews. “I discussed the need to highlight Washington filmmakers and they discussed the need to expand and further their outreach.”

“It’s truly an honor to see our dreams becoming a reality, having our esteemed HollyShorts Screenplay competition winner Kyle Thiele get his short made via our partners Evil Slave, Abundant Productions and Mighty Tripod Productions along with Shoreline Community College’s Filmmaking Department,” said Theo Dumont and Daniel Sol, HollyShorts co-founders. “This alliance truly signifies the new pathway between the Pacific Northwest and Hollywood, a bridge that creates incredible opportunities across the board for filmmakers everywhere and we are delighted to be involved.”

Lorainne Montez

Lorainne Montez

Pacific Northwest producer Scott A. Capestany, Creative Director at Capestany Films, has sponsored and supported this new alliance and movement since its inception. “We are proud sponsors of the HollyShort film festival each year in support of Ben Andrews’ efforts in helping bridge the gap between the L.A. indie film market and our local market,” he said. “His resilient efforts have helped open up new relationships between Puget Sound businesses and Hollywood decision makers that support the growth of our Washington State economy and our vibrant film/TV local industry.”ATP Blue poster_HS laurel

Capestany’s latest film “Across The Pond” starring University of Washington alum and now Hollywood writer/producer/actor PARIS DYLAN, was selected to screen during this years WA Film showcase.  “It was an honor and privilege to have worked with such a great team on this film. Pulp Digital Productions really pulled out all the stops and delivered an impressive film.   Rene (Bourke) really worked hard leading us all for over a year to make this film come to reality,” Dylan said.  “I’m so proud of our amazing team, Pulp Digital Productions, Paris Dylan, and special mention to Capestany Films for their consulting, guidance, and marketing expertise to see this film through to showcased in the worlds entertainment capital of Hollywood at this prestigious Hollyshorts Film Festival.” Said Executive Producer and lead actress Renee Bourke.  Also supporting the 2016 Hollyshorts Alliance are industry leaders Terri Morgan of TCM MODELS and Peter Barnes of  CLATTER & DIN, Inc.Hollyshorts 2016

“I’m honored to be the winner of the 2015 Screenplay competition with HollyShorts and am impressed with the professional caliber of the Pacific Northwest filmmakers producing the short,” said Thiele, writer and director of The LunchBox Brigade.

The 12th Annual HollyShorts Film Festival and Film Conference/Film Market is scheduled for August 11-20, 2016 at the world famous TCL Chinese Theatres.  The WA State Film Showcase will take place August 14, 2016 from 10am-2pm followed by an Abundant Playhouse special screenwriting event.   MEDIA INC MAGAZINE will host a special kickoff event at the Hollywood Roosevelt Hotel Saturday August 13th from 7-10pm. RSVP HERE.  Visit www.hollyshorts.com for more information. Hollyshorts on Twitter and Instagram

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NFFTY – National Film Festival for Talent Youth – Celebrates 10th year!

Filmmaker Celia Jensen poses with her friends on the Opening Night red carpet at the Seattle Cinerama during NFFTY 2014. Photo by Mark Malijan

Filmmaker Celia Jensen poses with her friends on the Opening Night red carpet at the Seattle Cinerama during NFFTY. Photo by Mark Malijan

Press Release provided by NFFTY 

Congrat’s to NFFTY (pronounced ‘nifty’, standing for the National Film Festival for Talented Youth) for turning 10 years old this past 2016 year! In addition to inspiring us to present another great festival in 2017,  this years anniversary also gives us a chance to look back at the many highlights of the past decade.

NFFTY was founded by Seattle native Jesse Harris, who, after producing and distributing his feature film Living Life as a college student, realized there was no festival specializing in presenting the work of young people. He teamed up with Jocelyn R.C. and Kyle Seago, and in 2007 the first ever NFFTY took place as a one-night event, showing work from around the country.

By 2008 the festival was a three-day affair, with a full program of screenings, panels and two concerts. In 2009 we began accepting international submissions, making the festival a truly worldwide event. By 2010 the now four-day festival included 190 films representing 33 states and 16 countries, and in 2011 NFFTY was officially the world’s largest film festival for emerging filmmakers.

Over the years we’ve featured the work of some truly tremendous talents, and we couldn’t be more proud of our alumni. Former NFFTY filmmakers are now working for prestigious companies such as The Weinstein Company, Pixar, and Trigger Street Productions, including Kevin Klauber who edited the Academy Award-winning documentary 20 Feet From Stardom.

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Seattle Channel ‘Art Zone’ Hostess Nancy Guppy (w/ mic) interview 2016 NFFTY filmmakers.

Though our founder Jessie Harris has since moved on to pursue his own film projects, the festival now boasts award-winning producer and nonprofit executive Stefanie Malone as the manager of the organization.

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Executive Director Stefanie Malone (L) and Shannon Snider (R) + Family. Photo By NFFTY

Under her leadership beginning  in 2014, NFFTY created our Young Women in Film initiative, a year-round effort to support young female filmmakers around the world. NFFTY also formally launched an in-house production company known as NFFTY Creative with the mission of connecting sponsors and brands with the festival’s most promising alumni to work on original branded content projects. The first major project, “A Supporting Role,” has earned multiple accolades including ADDY Awards and a Telly Award.

Hollywood producer Dana Brunetti (House of Cards, The Social Network, Fifty Shades of Grey) speaks on the keynote panel during NFFTY 2011. Photo by Bobby Bonsey

Hollywood producer Dana Brunetti (House of Cards, The Social Network, Fifty Shades of Grey) speaks on the keynote panel during NFFTY.  Photo by Bobby Bonsey

And we haven’t stopped growing! 2015 had a record-breaking 248 films representing 30 states and 25 countries. The festival continued to support female filmmakers with a closing night screening called “Femme Finale.” Forty-eight percent of the films screened at the festival were directed by young women, a major accomplishment compared to Hollywood where women direct less than nine percent of films.

NFFTY now looks toward its 11th year taking place again in Seattle, WA  April 27 – 30,  2017.  Over 1,000 emerging filmmakers from around the globe submitted their work for consideration this past year reaching a major milestone of the festival’s history.

We are now taking 2017 Submissions! Read more HERE!

Visit our website www.nffty.org for more information.

The staff of Three Dollar Bill Cinema with Maureen Bradley, director of the 2015 Best Narrative Feature, Two 4 One.

THE 2016 TRANSLATIONS

The staff of Three Dollar Bill Cinema with Maureen Bradley, director of the 2015 Best Narrative Feature, Two 4 One.

The staff of Three Dollar Bill Cinema with Maureen Bradley, director of the 2015 Best Narrative Feature, Two 4 One.

Seattle Transgender Film Festival is a constellation of shining stars & original stories

By Sam Berliner Festival Director
Photos courtesy of Three Dollar Bill Cinema

The 2016 edition of Translations: Seattle Transgender Film Festival is all about connecting audiences with stars and stories. This year we are excited to celebrate some of the champions who have led the way for transgender communities and highlight connections through an array of voices and perspectives.

One of the most visible and highly acclaimed transgender-centered series is the groundbreaking Transparent. Join us during this year’s festival for an exciting discussion with some of the remarkable talent behind the making of this captivating show, including pioneering star Alexandra Billings—the first openly trans woman to have played a transgender character on television back in 2005. Our guests will share some inside scoop, thoughts on the broader implications of the show’s success, reflections on what it means being transgender both in front of and behind the camera, and where they see trans representation going in the future.

Festival director Sam Berliner

Festival director Sam Berliner

We’re incredibly excited for the Northwest premiere of Major! about Miss Major Griffin-Gracy, the 73-year-old Black transgender woman who has fought for the rights of trans women of color for over 40 years. From the 1969 Stonewall Rebellion to the Transgender
Gender Variant Intersex Justice Project (TGIJP), Miss Major’s life is a testament to the fierce survivalism, resilience and celebration of a community that has been historically traumatized and marginalized. The film, which recently sold out its San Francisco premiere at the historic Castro Theatre, shows one woman’s journey, a community’s history, and how caring for each other can be a revolutionary act.

And when it comes to unique stories, Suited fits to a tee. This documentary—fresh from its Sundance premiere and produced by Lena Dunham—tells the story of Bindle & Keep, a Brooklyn tailoring company that makes custom suits for gender -nonconforming and transgender clients. Among the people on the gender spectrum sharing their stories are a trans boy preparing for his Bar Mitzvah, a New York City cab driver, a young Southern law student and a trans man preparing for his wedding. At its heart, the film is an intimate journey of coming into a new identity, accepting difference and living bravely in one’s own skin. It’s another Northwest premiere!

Co-directors of last year's Best Documentary Short Film, Passing, Lucah Rosenberg Lee (left) and J. Mitchel Reed (right).

Co-directors of last year’s Best Documentary Short Film, Passing, Lucah Rosenberg Lee (left) and J. Mitchel Reed (right).

Translations: Seattle Transgender Film Festival is not only a groundbreaking film festival that provides the Pacific Northwest with a venue for films by, for, and about transgender people and the issues facing the transgender community, but one of only a few transgender film festivals in the world. The goal of the event is to place emphasis on visibility and positive representations. Join us for four days of shining stars and exciting stories from our community.

Translations takes place May 12-15 at the Northwest Film Forum and 12th Ave Arts. To read more or purchase tickets, visit www.translationsfilmfest.org and www.threedollarbillcinema.org.