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GAPF BEST1

The 2017 Great American PitchFest June 23-25 | Announces Line-up + Schedule!

One of the most highly anticipated Hollywood screenwriting events is returning this year – The 2017 Great American Pitch Fest at the Los Angels Marriot Burbank Airport location June 23-25, 2017.

Entering their 14th year, this epic screenwriter event brings together some of the industries TOP production companies, agents, managers, financiers and decision makers looking to option, buy and/or hire as writers.  Nearly 2,000 writers travel from around the world each year to participate in ScriptFest and the Great American PitchFest which also have events held in Canada and the UK. The upcoming event in Los Angeles is the largest event of its kind, specifically for screenwriters, and anyone can attend.

ScriptFest and the Great American PitchFest were created by writers for writers.  The event started in Canada with the first Great Canadian PitchFest in 2003.  Fourteen years later, the event has expanded to Los Angeles, California and London, England.  The event has helped thousands of writers from around the globe to connect with industry decision makers.

ScriptFest, the ScriptFest Master Series, and the Great American PitchFest were started as a way to help other writers move their careers forward, and make ‘finding the door’ just a little bit easier.  Writers who have attended the event have been hired for writing assignments, signed with agents or managers and have had their screenplays optioned.  In a business that is defined primarily through the relationships creatives have with one another, thousands of writers that have attended one of their events  have helped launch their careers.

MEDIA INC MAGAZINE this year is honored to be a media sponsor by continuing  their global support of indie filmmaking and creatives in the industry.

We got a chance to catch up with the leadership team of SIGNE OLYNYK (Co-Founder) and BOB SCHULTZ (President) to share with us  more about their upcoming event.

MEDIA INC MAGAZINE:  Tell us about GAPF and why it’s been such a big draw for screen writers over the years?

Bob: When Signe started the event 14 years ago in Canada (I joined the organization with the first American event), she already had the magic formula: We are writers ourselves, so any questions about what we should do or offer should always be seen through that prism. We believe in the importance of writing. And we always remember that improving the quality of spec screenwriting overall will result in more opportunities for spec screenwriters individually. We offer the best classes, the best panels, the most pitching opportunities. We are grateful to all the writers who have come to our event over the years. We couldn’t do it without them.

MI:  How do screenwriters prepare for this event?  What should they bring? 

We interview all of our executives about what types of material they are looking for, whether a writer needs an agent or manager to approach them, stars or directors they have relationships with, advice for new writers – all sorts of questions like that.  And then we publish this information on our website, and as a booklet that is distributed at the event. We try to do this research for our writers so they can really pinpoint who is the best fit for their various projects, and that way, they can hone their pitches to make sure they are pitching their work to the executive who is the best fit.  If anyone wants to see what these various companies are looking for, they just need to click on the various companies who are attending, and read their profiles. 

As far as what a writer needs to bring to the event, I recommend that they have two hard copies of their script available to them at all times – one on them, and one in an easily accessible place, such as a car or hotel room.  The reason I suggest this is because if an execs requests a copy of the script and prefers a hard copy, it’s great if you are able to hand it to them on the spot.  It shows you are ready, serious, and that you have it ready to go.  It is not uncommon to see execs reading hard copies of scripts during the break. 

Now, most execs tend to prefer an electronic copy.  But if one asks for a hard copy, it’s great to be able to have one available right away to give to them.  I also recommend having a USB drive with you at all times with the latest versions of your script so you can send a copy electronically, immediately following the meeting.

The other thing that I recommend is a one-sheet, which is essentially a flyer for your script – a visual representation of your story.  They need to have your name, contact information, title, tagline, and a brief logline or synopsis.  They aren’t essential, but they are a very helpful selling tool.  And once the exec goes back to the office, it can assist them with re-pitching it to others who they work with. I also recommend bringing mints, bottled water, comfortable shoes to wear, and business cards.

Companies attending in 2017 HERE!

Q:  Do writers and attendees need to have a literary agent to pitch the executives?

A very successful strategy that many of our writers have used to get an agent or manager at the event is to use the morning pitchfest to meet with production companies and distributors.  Once they have a number of script requests, they can then use the afternoon to meet with the agents and managers.  In those meetings, they can talk about the various script requests, and how they now need an agent or manager to send those script requests out. 

When a writer is pitching an agent or manager, they want to pitch differently than if they are pitching to a production company.  Production companies will want to know the log-line, and will be thinking about the story, budget, packaging it with talent, directors, and other production details.  But an agent or manager will be thinking about those things AND whether they can represent you and your script.  They want to know that you can write to deadline, that you generate a lot of excellent material, that you are a solid writer, that you pitch well, are good in a room, and that you can hustle and get your script out there.  A great writer will tailor their pitch so that it suits the person they are pitching, and fits with what they are looking for.

MI: Tell us about the panels and your special guests this year. 

We are thrilled to be offering classes to help writers improve their creativity, their characters, and their story arcs. We have plenty of pitch classes and classes on writers’ legal rights and strategies for them to market themselves.

 And, of course, we are honored to have working screenwriters join us. Steve Oedekerk (Jimmy Neutron: Boy Genius, Bruce Almighty, Kung Pow: Enter The Fist) will be there to talk about his career in comedy and animation, and Oscar Winner Dustin Lance Black will be joining us as well.  

CLASSES + GUESTS + PANELS HERE!

MI:  You also have a LONDON GAPF.  Can you tell us about that event and how it works.

The Great British PitchFest is part of the London Screenwriters’ Festival. The market for screenplays – the film industry as a whole, really – is a global phenomenon. Our mission to help writers means ALL writers. Not just American writers, and not just writers of a certain age or financial status. Our outreach includes scholarships to high school writers from low-income areas, special rates for veterans. We have taught screenwriting all over the world: The USA, Canada, Sweden, Romania… the list goes on.

The GAFP can be followed on TWITTER and IG while passes can be purchased at their website www.scriptfest.com

 

The Big Swim

SHORT FILM SPOTLIGHT – Writer/Director Kat Green’s ‘THE BIG SWIM’

The Big Swim presentation copyWe recently got a chance to sit down with LA based writer, director and singer/songwriter KAT GREEN at the Hollywood Roosevelt to talk about her extraordinary and quite brave journey in the making of her first short film THE BIG SWIM.

Screening at the 2017 IFS Independent Film Festival this weekend on May 7, 2017 @ 7:15pm at the Beverly Hills Music Hall,  the film is about a young women Rachel (Kimberly Leemans) who finds out she might have terminal breast cancer and sets our on an adventure to Cozumel Mexico to face her fears of swimming with sharks and inevidably learning that sharks are not as frightening as falling in love.

After vacationing in Cozumel Mexico, Green was inspired by how beautiful and relatively cheap shooting what would become her first film as writer/director, could be.  Having rallied up a group of mostly unknowns to her in the business with the exception of one dear friend JARED DAY who helped with casting and also appeared in the film as an actor, Kat set out to produce a film that not only offered  an impressive and stunning underwater filming sequence using real live wild sharks, no stunt people or FX, but also did a great job telling an engaging message of hope and courage.

Q: Congrat’s on your success your film The Big Swim! What inspired you to write this story?

A: Well, I knew I wanted to make a romance because that’s what I”m naturally connected to, but I wanted to not just make a fluffy love story but rather make a movie that had something to say.  Something that was inspirational, that had a message and something unique and close to me — fear of sharks and the topic of breast cancer woven together.   I’ve always had a fear of the critters in the ocean and JAWS was one of my favorite movies that scared the heck out of me as a little girl.  I’ve also had a many friends effected by breast cancer over the years and a dear friend in particular that lost her mother to the disease seemed to resonate with me when developing this story.

The Big Swim1

Actress Kimberly Leemans as RACHEL on location in Cozumel, Mexico

Q: Tell us about the casting process.

A:  I asked a dear friend of mine JARED DAY, who also is talented actor (NCIS: New Orleans), to help me cast the film.  We specifically wanted to find our lead actors that both had diving experience.  We read many great actors, but when KIMBERLY LEEMANS (Walking Dead) came in, Jared really liked how she might be a great fit for the part.  When I saw her demo reel she really was a very talented woman and could be a great fit for the lead part. Ironically, she told us that diving with sharks was on her bucket list which also resonated with the actual story.  After we signed Kimberly, we proceeded to build the rest of the cast around her.  Originally the male lead of Luca we were looking for was Mexican and had to have dive experience.  But we didn’t have much luck in LA merging those two and had to reach out to the pool in Mexico City.  But we just didn’t like what we saw in those casting tapes.   Then  Kimberly actually recommend her boyfriend FALK HANTSCHEL who actually was a real life certified dive master and not to mention an incredible actor (Agents of S.H.I.E.L.D and The Flash)   So it happened to work out just right casting both these amazing actors.

Q: You filmed most of the film on location in Mexico. What was your biggest challenge you faced?

A: With filming in Cozumel, we knew we needed to hire someone on the ground that would be out condiut with gear rental understands the filmmaking logistics with permits, etc. , customs and language.  So we found someone that fit the bill, but sadly ended up going MIA before shooting began. So we quickly had to spring into action and become very creative on how we were going to do all this.  We winded up bringing all our gear in multiple suitcases down to film.  In fact, we had to get much of the crew business class seats because they could bring more bags without additional baggage fees. Speaking of  keeping the challenges under control, we really were blessed to have producer MEGAN WOEPPLE on our team.  She truly was one of the production teams biggest assets.  Not only has she been dive certified since she was 12, but she was a total pro with everything and a brilliant problem solver.     

Q: What kind of camera did you shoot the film on?

A:  Because we needed to be very moblie and low profile, we shot on the A7S Mark ii camera.  Our DP FIORELLA OCCHIPINTI was brought onto the project because her impressive work particularly he awesome ‘run and gun’ style of shooting.  

Q:  What’s the message you are in hopes the audience will walk away with after watching your film.

A:  Don’t wait until it’s too late to live your life–BE BRAVE! Life is about love, relationships and sometimes facing the fear to press on after heartbreaking life experiences.   Don’t be afraid to fall in love.

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KAT GREEN also wrote and performed the films song BREATHE ME IN. Her music can be heard HERE

She also partnered with both the NATIONAL BREAST FOUNDATION and SHARK STEWARDS by donating proceeds from the film to these charities.

She can be found on INSTAGRAM and FACEBOOK

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SIFF2017 Banner best

Seattle International Film Festival (SIFF) announces 2017 Line-up!

SEATTLE — May 3, 2017 — SIFF Press

The Seattle International Film Festival, the largest and most highly attended festival in the United States, announced today the complete lineup of films, guests, and events for the 43rd annual 25-day Festival (May 18 – June 11, 2017).

This year, SIFF will screen 400 films representing 80 countries and will include: 161 features (plus 4 secret films), 58 documentaries, 14 archival films, and 163 shorts. The lineup includes 36 World premieres (14 features, 22 shorts), 34 North American premieres (22 features, 12 shorts), and 20 U.S. premieres (11 features, 19 shorts).

SIFF2017 LArge poster1

Opening night kicks off Friday, May 18 with The Big Sick from Amazon Studios. Starring and written by Kumail Nanjiani (Silicon Valley) along with his wife Emily V. Gordon, the film promises to electrify audiences with the smart and complicated romantic story based on the beginnings of their relationship. Nanjiani will be in attendance at the Seattle premiere and Opening Night Gala, along with co-writer Emily V. Gordon and director Michael Showalter (Hello, My Name is Doris and Wet Hot American Summer). Closing this year’s Festival is the North American premiere of The Young Karl Marx, directed by Raoul Peck (I Am Not Your Negro). The story follows 26-year-old Karl Marx (August Diehl) and his wife Jenny in exile in Europe, where they meet a man who provides them with the final piece needed for the foundation of Marxist theory.

At the annual Centerpiece Gala, SIFF will travel to 1990s Manhattan in the slice-of-life comedy, Landline. Director Gillian Robespierre brings back actress-comedienne Jenny Slate following their SIFF 2014 run of Obvious Child. Slate, Robespierre, and new-coming actress Abby Quinn are all scheduled to attend the Seattle premiere taking place on Saturday, June 3.

The World premiere of Theresa Rebeck’s Trouble will screen at Seattle’s historic SIFF Cinema Egyptian as SIFF honors the film’s executive producer and star, Anjelica Huston, with the Career Achievement in Acting Award. In addition to the award presentation and screening, the acclaimed actress is also slated for an on-stage interview at the Wednesday, June 7 event.

Also scheduled is An Afternoon with Sam Elliott, where the festival will pay tribute to the all-American actor. Along with his iconic voice, Elliott makes his way to SIFF on Saturday, May 27th for the Seattle premiere of his newest film The Hero following an onstage discussion that afternoon.

Receiving raving reviews following its’ world premiere at SXSW is Seattle native S.J. Chiro’s first full-length feature, Lane 1974. Drawing off of Chiro’s own childhood experiences as well as those described in Clane Hayward’s memoir “The Hypocrisy of Disco”, SIFF is thrilled to present this 1970s coming-of-age narrative.

One of several interactive events features Rumble: The Indians Who Rocked The World, a documentary by Catherine Bainbridge celebrating the achievements and contributions of Native Americans in modern American music. Along with the screening of the film, guests will also enjoy Indigenous Centered Perspectives, an exhibit showcasing works by four indigenous artists at the Paramount Theater. The Friday, May 26 event is hosted by SIFF in collaboration with Amazon Video Direct, STG, and Longhouse Media.

“This year’s robust line-up includes a wide variety of programs ranging from heartfelt features from comedy favorites to thought-provoking documentaries, as well as once in a lifetime conversations with Hollywood legends,” says Interim Artistic Director Beth Barrett. “We are thrilled to jump into our 43rd edition and introduce spectacular programming from across the world to over 150,000 film enthusiasts in Seattle over the course of 25 days.”

The 2017 Seattle International Film Festival is presented by SIFF, the non-profit arts organization that reaches more than 350,000 annually through SIFF Cinema, SIFF Education, and the annual flagship Festival.

Festival Box office opens May 4 online at www.siff.net and in person at any SIFF venue box office.

View the full public program Here:  https://www.siff.net/festival

GALAS

Opening Night Gala
The Big Sick
Director Michael Showalter, co-writer / actor Kumail Nanjiani, and co-writer Emily V. Gordon scheduled to attend

The hilarious, romantic, and moving true story of the cross-cultural courtship between Pakistan-born comedian Kumail Nanjiani (“Silicon Valley”) and his wife Emily (Zoe Kazan) comes to life in this utterly delightful comedy from director Michael Showalter and producer Judd Apatow.
(d: Michael Showalter c: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher, USA 2017, 119 min)

Centerpiece Gala
Landline
Director Gillian Robespierre and stars Jenny Slate and Abby Quinn scheduled to attend

The director and star of Obvious Child reunite for this uproarious slice-of- life story about two sisters (Jenny Slate and breakout star Abby Quinn) in pre-cell-phone 1990s Manhattan who discover that their father is having an affair, and conspire to expose him. (d: Gillian Robespierre c: Jenny Slate, John Turturro, Edie Falco, Abby Quinn, Jay Duplass, Finn Wittrock, USA 2017, 93 min)

Closing Night Gala
The Young Karl Marx
North American Premiere

Director Raoul Peck (I Am Not Your Negro) presents a lush period drama that joins 26-year- old Karl Marx (August Diehl) and his wife Jenny in exile in Europe, where they meet Friedrich Engels, who provides the final piece needed for the foundation of Marxist theory. (d: Raoul Peck
c: August Diehl, Stefan Konarske, Vicky Krieps, Hannah Steele, Olivier Gourmet, France/Germany/ Belgium 2016, 118 min)

SPECIAL GUESTS

OUTSTANDING ACHIEVEMENT IN ACTING AWARD
Anjelica Huston
Featuring Trouble
Plus screenings of The Grifters and The Witches

Anjelica Huston is a powerhouse of a woman whose career has spanned over 50 years:
through modeling, film, television, and on the page. Born into the family of renowned
film director John Huston and legendary grandfather Walter Huston, Anjelica was sure
to make a splash in the industry with both her unique beauty and strong presence.
Her penchant for and exquisite skill in portraying tenacious, crafty, emotionally strong
women has undoubtedly made her among the greatest actresses of our time.

Past honorees of the SIFF Outstanding Achievement in Acting Award include Laura Dern, Chiwetel Ejiofor, Viggo Mortensen, Kyle MacLachlan, Sir Ben Kingsley, Kevin Bacon, Edward Norton, Sissy Spacek, Joan Allen, and Anthony Hopkins amongst others.

AN AFTERNOON WITH
Sam Elliott
Featuring The Hero

He of the gruff baritone voice and the luxuriant mustache, Sam Elliott is the quintessential portrait of the American cowboy, a quality he’s drawn on since he first appeared onscreen in the 1969 Oscar® winner Butch Cassidy and the Sundance Kid. From Tombstone to Gettysburg, The Big Lebowski to Mask, Road House to Thank You for Smoking, ad campaigns for Coors and the American Beef Council, and TV work ranging from “Mission: Impossible” to “Justified,” his rugged, commanding presence is an unmistakable gift to American pop culture and any genre lucky enough to have him.

FEATURE FILM PREMIERES

World (14)

Crazywise (d: Phil Borges, Kevin Tomlinson f: Adam Gentry, Ekhaya Esima, Angeles Arrien, Phil Borges, Carroll Dunham, USA 2017, 82 min)

Entanglement (d: Jason James c: Thomas Middleditch, Jess Weixler, Diana Bang, Canada 2017, 85 min)

Escape Room (d: Will Wernick c: Evan Williams, Annabelle Stephenson, Elisabeth Hower, Dan J. Johnson,  John Ierardi, Kelly Delson, Billy Flynn, USA 2017, 81 min)

Fermented (d: Jonathan Cianfrani f: Edward Lee, USA 2017, 67 min)

Kakehashi: A Portrait of Chef Nobuo Fukuda (d: Andrew Gooi f: Nobuo Fukuda, Sarah Fukuda, Kazuko Fukuda, Japan 2017, 46 min)

Lives with Flavor (d: Pablo Gasca Gollas f: Ricardo Muñoz Zurita, Marco Beteta, Martha Ortiz, Israel Ronzon, Mexico 2017, 52 min)

Rocketmen (d: Webster Crowell c: Alycia Delmore, Basil Harris, Christopher Dietz, Ian Fraser, Ben Laurance, USA 2017, 67 min)

Say You Will (d: Nick Naveda c: Travis Tope, Katherine Hughes, Michelle Forbes, Sam Trammell, Israel Broussard, Adam Hagenbuch, Morgan Krantz, USA 2017, 97 min)

The Fabulous Allan Carr (d: Jeffrey Schwarz f: Allan Carr, Robert Osborne, Maxwell Caulfield, Steve Guttenberg, Randal Kleiser, USA 2017, 90 min)

The Feels (d: Jenée LaMarque c: Constance Wu, Angela Trimbur, Jenée LaMarque, Lauren Parks, Ever Mainard, Josh  Fadem, Kárin Tatoyan, Doug Purdy, USA 2017, 90 min)

Time Trap (d: Ben Foster c: Cassidy Gifford, Reiley McClendon, Brianne Howey, Olivia  Draguicevich, Max Wright, Andrew Wilson, USA 2017, 90 min)

Trouble (d: Theresa Rebeck c: Anjelica Huston, Bill Pullman, David Morse, Julie Stiles, Jim Parrack, Brian d’Arcy James, USA 2017, 90 min)

Wallflower (d: Jagger Gravning c: David Call, Atsuko Okatsuka, Conner Marx, USA 2017, 84 min)

North American (22)

7 Minutes (d: Michele Placido c: Ottavia Piccolo, Ambra Angiolini, Cristiana Capotondi, Fiorella Mannoia, Maria Nazionale, Violante Placido, Italy 2016, 92 min)

The Bloom of Yesterday (d: Chris Kraus c: Lars Eidinger, Adèle Haenel, Jan Josef Liefers, Hannah Herzsprung, Germany 2016, 125 min)

Borders (d: Apolline Traoré c: Amelie Mbaye, Naky Sy Savane, Burkina Faso 2017, 90 min)

Chameleon (d: Jorge Riquelme Serrano c: Gastón Salgado, Paula Zúñiga, Paulina Urrutia, Alejandro Goic, Chile 2016, 81 min)

Come, Together (d: SHIN Dong-il c: LEE Hye-eun, IM Hyeong-gook, CHAE Bin, KIM Jae-rok, HAN Kyung-hyun, South Korea 2016, 122 min)

The Door (d: LIANG Dong c: JIANG Wu, JIANG Qingin, ZHU Xu, FU Ying, LI Naiwen, China 2017, 104 min)

God of War (d: Gordon Chan c: Sammo Hung, Vincent Zhao, Regina Wan, Yasuaki Kurata, Keisuke Koide, China 2017, 130 min)

Have a Nice Day (d: Liu Jian c: Yang Siming, Cao Kou, Ma Xiaofeng, Zhu Changlong, China 2017, 77 min)

The Inland Road (d: Jackie Van Beek c: Gloria Popata, David Elliot, Chelsie Preston Crayford, New Zealand 2017, 79 min)

I Was a Dreamer (d: Michele Vannucci c: Mirko Frezza, Alessandro Borghi, Vittorio Viviani, Milena Mancini, Ivana Lotito, Ginevra De Carolis, Italy 2016, 100 min)

In Syria (d: Philippe Van Leeuw c: Hiam Abbass, Diamand Abou Abboud, Juliette Navis, Mohsen Abbas, Moustapha Al Kar, Alissar Kaghadou, Ninar Halabi, Mohammas, Jihad Sleik, Lebanon 2017, 85 min)

Investigating Paradise (d: Merzak Allouache f: Salima Abada, Younès Sabeur Chérif, France 2017, 135 min)

Ivan (d: Alyona Davydova c: Kirill Polukhin, Polina Gukhman, Anastasia Melnikova, Russia 2017, 94 min)

Paris Prestige (d: Hamé Bourokba c: Reda Kateb, Slimane Dazi, Yassine Azzouz, Elisa Bachir Bey, Mylene Bude, France 2016, 106 min)

Pavlensky – Man and Might (d: Irene Langemann, Germany 2016, 99 min)

Roberto Bolle – The Art of Dance (d: Francesca Pedroni f: Roberto Bolle, Nicoletta Manni, Melissa Hamilton, Eric Underwood, Matthew Golding, Jiři and Otto Bubeníček, Anna Tsygankova Maria Kochetkova, Joan Boada, Alexandre Riabko, Italy 2016, 105 min)

The Smuggler and Her Charges (d: Michaël Prazan, France 2016, 81 min)

Those Shocking Shaking Days (d: Selma Doborac c: Steve Crilley,  Paul Kraker, Austria 2016, 88 min)

Those Who Remain (d: Eliane Raheb f: Haykal Mikhael, Lebanon 2016, 95 min)

Two Irenes (d: Fabio Meira c: Priscila Bittencourt, Isabela Torres, Marco Ricca, Inês Peixoto, Brazil 2017, 89 min)

The Young Karl Marx (d: Raoul Peck c: August Diehl, Stefan Konarske, Vicky Krieps, Hannah Steele, Olivier Gourmet, France 2016, 118 min)

U.S. (11)

Becoming Who I Was (d: MOON Chang-yong c: Angdu Padma, Rigzin Urgain, South Korea 2016, 95 min)

Close Relations (d: Vitaly Mansky, Germany 2016, 114 min)

Devil’s Freedom (d: Everardo González, Mexico 2017, 74 min)

Emma’ (Mother) (d: Riri Riza c: Cut Mini, Christoffer Nelwan, Arman Dewarti, Jajang C. Noer, Indonesia 2016, 77 min)

Ghost Hunting (d: Raed Andoni c: Nakhane Mahlakahlaka, Niza Jay Ncoyini, Bongile Mantsai, Palestine 2016, 90 min)

Quit Staring at My Plate (d: Hana Jušić c: Mia Petričević, Nikša Butijer, Arijana Čulina, Zlatko Burić, Croatia 2016, 105 min)

Small Town Killers (d: Ole Borndal c: Ulrich Thomsen, Nicolas Bro, Lene Mara Christiansen, Mia Lyhne, Denmark 2017, 90 min)

Suffering of Ninko (d: Norihiro Niwatsukino c: Masato Tsujioka, Miho Wakabayashi, Hideta Iwahashi, Yukino Arimoto, Japan 2016, 70 min)

Susanne Bartsch: On Top (d: Anthony Caronna c: Susanne Bartsch, USA 2017, 84 min)

The Song of Cotton (d: ZHU Yuancheng c: YAN Bingyan, WANG Deshun, China 2016, 90 min)

Vampire Cleanup Department (d: YAN Pak Wing c: CHOI Babyjohn,  LIN Min Chen, CHIN Siu Ho, NG Richard, Hong Kong 2017, 94 min)

COMPETITIONS

Official Competition
Juried by a team of international industry members, the Official Competition recognizes distinct and resonant voices in filmmaking from around the world. The Grand Jury Prize Winner will receive a $5,000 cash prize.

2017 Entries:
7 Minutes (d. Michele Placido, Italy/France/Switzerland 2016, North American Premiere)
Bad Influence (d: Claudia Huaiqimilla, Chile 2016)
Beach Rats (d: Eliza Hittman, USA 2016)
Have A Nice Day (d: LIU Jian, China/Hong Kong 2017, North American Premiere)
Hedi (d: Mohamed Ben Attia, Tunisia/Belgium/France/Qatar/Uae 2016)
My Happy Family (d: Nana Ekvtimishvili, Simon Gross, Georgia/Germany/France 2017)
Sami Blood (d: Amanda Kernell, Sweden/Norway/Denmark 2016)
Zoology (d: Ivan I. Tverdovsky, Russia/France/Germany 2016)

New Directors Competition
Festival programmers select 10 films remarkable for their original scripts, innovative cinematography, and unique insights into people, places, and story. To be eligible, films must be a director’s first or second feature and without U.S. distribution at the time of their selection. The Grand Jury Prize Winner will receive a $5,000 cash prize.

2017 Entries:
Anishoara (d: Ana-Felicia Scutelnicu, Germany 2016)
Boundaries (d: Chloé Robichaud, Canada (Québec) 2016)
Diamond Island (d: Davy Chou, France 2016)
The Inland Road (d: Jackie Van Beek, New Zealand 2017, North American Premiere)
I Was A Dreamer (d: Michele Vannucci, Italy 2016, North American Premiere)
Kati Kati (d: Mbithi Masya, Kenya 2016)
The Man (d: Charlotte Sieling, Denmark 2017)
Paris Prestige (d: Hamé Bourokba, Ekoué Labitey, France 2016)
Quit Staring at My Plate (d: Hana Jušić, Croatia 2016)
Struggle for Life (d: Antonin Peretjatko, Belgium 2016)

Ibero-American Competition
The Ibero-American Competition selects 8 outstanding films from Latin America, Spain, and Portugal to highlight the increasing power, creativity, and influence of storytelling in the region. To be eligible, films must be making their U.S. premiere at the Festival and be without U.S. distribution at the time of their selection. The Grand Jury Prize Winner will receive a $5,000 cash prize.

2017 Entries:
Chameleon (d: Jorge Riquelme Serrano, Chile 2016, North American Premiere)
Devil’s Freedom (d: Everardo González, Mexico 2017, US Premiere)
May God Save Us (d: Rodrigo Sorogoyen, Spain 2016)
Pendular (d: Julia Murat, Brazil/Argentina/France 2017)
Santa & Andres (d: Carlos Lechuga, Cuba/Colombia/France 2016)
Two Irenes (d: Fabio Meira, Brazil 2017, North American Premiere)
The Winter (d: Emiliano Torres, Argentina/France 2016)
Woodpeckers (d: José María Cabral, Dominican Republic 2017)

New American Cinema Competition
Each of these films has found a champion in the SIFF programming team and was selected for its potential to capture the hearts of audiences looking to explore the exciting vanguard of New American Cinema. Jury is comprised of 3 members from the International Federation of Film Critics (FIPRESCI). The Grand Jury Prize Winner will receive a $5,000 cash prize.

2017 Entries:
American Folk (d: David Heinz, USA 2017)
Columbus (d: Kogonada USA 2017)
Dara Ju (d: Anthony Onah, USA/Nigeria 2017)
The Feels (d: Jenée Lamarque, USA 2017, World Premiere)
In The Radiant City (d: Rachel Lambert, USA 2016)
The Landing (d: Mark Dodson and David Dodson, USA 2016)
Lane 1974 (d: SJ Chiro, USA 2017)
Say You Will (d: Nick Naveda, USA 2017, World Premiere)

Documentary Competition
For the documentarian, the world around us provides a seemingly inexhaustible source of material. From the ridiculous to the sublime and everything in between, documentary art is about showing the world how it is, how it was, and how it could be. The Grand Jury Prize Winner will receive a $5,000 cash prize.

2017 Entries:
Becoming Who I Was (d: Moon Chang-Yong, Jeon Jin, South Korea 2016, US Premiere)
Close Relations (d: Vitaly Mansky, Germany/Latvia/Estonia/Ukraine 2016, US Premiere)
The Farthest (d: Emer Reynolds, Ireland 2017)
Ghost Hunting (d: Raed Andoni, Palestine/France/Switzerland 2016 US Premiere)
The Reagan Show (d: Pacho Velez, Sierra Pattengill, USA 2017)
Roberto Bolle ― The Art Of Dance (d: Francesca Pedroni, Italy 2016, North American Premiere)
Those Who Remain (d: Eliane Raheb, Lebanon/Uae 2016, North American Premiere)
What Lies Upstream (d: Cullen Hoback, USA 2017)
Winnie (d: Pascale Lamche, France/Netherlands/South Africa 2017)

Shorts Competition
All short films shown at the Festival are eligible for both the Golden Space Needle Audience Award and Jury Award. Jurors will choose winners in the Narrative, Animation, and Documentary categories. Each jury winner will receive $2,500 and winners in any of the three categories may also qualify to enter the respective Short Film category of the Academy Awards® for the concurrent season without the theatrical run.

Golden Space Needle Awards
For the past 30 years, SIFF has celebrated its most popular films and filmmakers with the Golden Space Needle Audience Award. Awards by Festival audiences are given in five categories: Best Film, Best Documentary, Best Director, Best Actor, and Best Short Film.

SPECIAL PRESENTATIONS

CABARET: AN EVENING OF CABARET WITH ROBBIE TURNER
Wednesday ∙ May 24 ∙ 7:00 PM
SIFF Cinema Egyptian

Life is a cabaret, old chum! Dress in your finest Cabaret-style duds and join us for an evening inside the fabled Kit Kat Klub as Seattle drag icon Robbie Turner (“RuPaul’s Drag Race”) presents an original Cabaret-inspired revue followed by a screening of Bob Fosse’s Academy Award®- winning 1972 film.
(d: Bob Fosse c: Liza Minnelli, Joel Grey, Michael York, Helmut Griem, 1972, 124 min)

THE ‘80S TEEN MOVIE HIGH SCHOOL REUNION
Friday ∙ May 26 ∙ 9:00 PM – 1:00 AM
The Neptune

Join us for this epic party celebrating a “totally rad” decade! Show off your ‘80s duds, compete
in our Yearbook Challenge, sing along to the decade’s best movie anthems, laugh along with staged recreations of classic scenes performed by Ian Bell’s Brown Derby Series, and dance the night away with live music from ‘80s Invasion.

RUMBLE: THE INDIANS WHO ROCKED THE WORLD
Friday ∙ May 26 ∙ 7:00 PM
The Paramount
Repeat Screening:
Saturday ∙ May 27 ∙ 11:30 AM
SIFF Cinema Uptown

The contributions of Native Americans in modern American music―from Link Wray to Robbie
Robertson, Charlie Patton to Buffy Sainte-Marie―get a much-deserved showcase in this celebratory exposé of the indigenous influence on the soundtrack of popular culture.
(d: Catherine Bainbridge f: Robbie Robertson, Buffy Sainte-Marie, Martin Scorsese, Tony Bennett, Steven, Tyler, Iggy Pop, Canada 2017, 103 min)

PUGET SOUNDTRACK PRESENTS PROM QUEEN
Thursday ∙ June 1 ∙ 7:00 PM
The Triple Door

The dark-surf, girl-group noir sounds of Seattle’s Prom Queen meets some of our favorite visuals from the catalogue of beloved exploitation film archivists Something Weird video, creating a unique new experience of B-movie indulgence. Co-presented by Northwest Film Forum’s Puget Soundtrack series and Capitol Hill Block Party.

BRAINSTORM
Monday ∙ June 5 ∙ 6:30 PM
SIFF Cinema Egyptian

In visionary effects artist Douglas Trumbull’s utterly mind-bending 1983 film, a pair of scientists (Louise Fletcher and Christopher Walken) invent an experimental brain-recording alternate-reality device and must fight to keep it out of the hands of the military. Post-screening discussion to follow.
(d: Douglas Trumbull c: Christopher Walken, Natalie Wood, Louise Fletcher, Cliff Robertson, USA 1983, 106 min)

LOVE AND DUTY
Tuesday ∙ June 6 ∙ 6:00 PM
SIFF Cinema Uptown

Chinese silent film icon Ruan Lingyu, frequently called the Greta Garbo of Shanghai, stars in this newly restored edition of one of the biggest films of early Chinese cinema, a decades-spanning romantic drama about a woman who pays dearly for following her heart. With live accompaniment by Donald Sosin.
(d: Bu Wancang c: Chen Yen Yen, Jin Yan, Ruan Lingyu, China 1931, 153 min)

DR. JEKYLL AND MR. HYDE
With live soundtrack by The Invincible Czars 

Thursday ∙ June 8 ∙ 7:00 PM
The Triple Door

After more than a decade of silent film scores that beautifully blend rock and orchestral music, Austin band the Invincible Czars now unleash their spooky sonic reimagining of the classic silent adaptation of Robert Louis Stevenson’s iconic tale starring the legendary John Barrymore.
(d: John S. Robertson c: John Barrymore, Brandon Hurst, Martha Mansfield, Charles Lane, Cecil Clovelly, USA 1920, 79 min)

FILMS WITH PARTIES

Opening Night Gala
The Big Sick

THURSDAY, MAY 18, 7:00 P.M.
Party to follow screening
FILM: MARION OLIVER MCCAW HALL
PARTY: FISHER PAVILION

The hilarious, romantic, and moving true story of the cross-cultural courtship between Pakistan-born comedian Kumail Nanjiani (“Silicon Valley”) and his wife Emily (Zoe Kazan) comes to life in this utterly delightful comedy from director Michael Showalter and producer Judd Apatow.
(d: Michael Showalter c: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher, USA 2017, 119 min)

Centerpiece Gala
Landline

SATURDAY, JUNE 3, 5:30 P.M.
FILM: SIFF CINEMA EGYPTIAN
PARTY: DAR RAINIER CHAPTER HOUSE

The director and star of Obvious Child reunite for this uproarious slice-of-life story about two sisters (Jenny Slate and breakout star Abby Quinn) in pre-cell-phone 1990s Manhattan who discover that their father is having an affair, and conspire to expose him.
(d: Gillian Robespierre c: Jenny Slate, John Turturro, Edie Falco, Abby Quinn, Jay Duplass, Finn Wittrock, USA 2017, 93 min)

Closing Night Gala
The Young Karl Marx
North American Premiere

SUNDAY, JUNE 11, 6:00 P.M.
FILM: CINERAMA
PARTY: MUSEUM OF HISTORY AND INDUSTRY (MOHAI)

Karl Marx and Friedrich Engels meet and talk and lay the foundation for political revolution, compellingly, in Raoul Peck’s follow-up to his Oscar®-nominated doc I Am Not Your Negro.
(d: Raoul Peck c: August Diehl, Stefan Konarske, Vicky Krieps, Hannah Steele, Olivier Gourmet, France/Germany/ Belgium 2016, 118 min)

Saturday Film and Party #1
The Trip to Spain

SATURDAY, MAY 20, 7:00 P.M.
FILM: PACIFIC PLACE CINEMAS
PARTY: SIFF LOUNGE

Steve Coogan and Rob Brydon reunite with director Michael Winterbottom for another chapter in their hilarious road-trip series. This time, on a tour through picturesque Spain, Coogan and Brydon trade comic observations on fame and friendship as dry as the finest Spanish wine.
(d: Michael Winterbottom c: Steve Coogan, Rob Brydon)

Saturday Film and Party #2
The Little Hours

SATURDAY, MAY 27, 7:00 P.M.
FILM: PACIFIC PLACE CINEMAS
PARTY: SEATTLE ART MUSEUM

Aubrey Plaza, Alison Brie, and Kate Micucci star as a group of hilariously profane and emotionally unstable nuns all competing to seduce the convent’s virile new servant (Dave Franco) in this bawdy, subversive comedy that turns the Middle Ages upside down.
(d: Jeff Baena c: Alison Brie, Dave Franco, Kate Micucci, Aubrey Plaza, John C. Reilly, Molly Shannon, Fred Armisen, Nick Offerman, USA/Italy 2017, 90 min)

Kirkland Opening Night
Footnotes

THURSDAY, JUNE 1, 8:00 P.M.
PARTY AND FILM: KIRKLAND PERFORMANCE CENTER

La La Land meets Norma Rae with a pinch of Jacques Demy in this toe-tapping working-class musical comedy with a social conscience about a young woman who gets her dream job at a luxury shoe factory, only to become enmeshed in a labor strike.
(d: Kostia Testut, Paul Calori c: Pauline Etienne, Olivier Chantreau, Francois Morel, France 2016, 90 min)

Gay-La
Susanne Bartsch: On Top

THURSDAY, JUNE 8, 7:00 P.M.
FILM: SIFF CINEMA EGYPTIAN
PARTY: BALTIC ROOM

Meet the irrepressible driving force behind New York City’s nightlife scene for the past 30 years: event promoter and muse Susanne Bartsch, whose lavish, theatrical, trend-setting parties have embraced all walks of life and attracted a who’s-who of the fashion underground.
(d: Anthony Caronna, Alexander Smith f: Susanne Bartsch, USA 2017, 84 min)

AFRICAN PICTURES

African Pictures showcases the best filmmaking happening in and about Africa today. This is a not-to-be-missed opportunity to experience innovative and inspiring filmmaking from across the continent.

Borders (d: Apolline Traoré c: Amelie Mbaye, Naky Sy Savane, Burkina Faso 2017, 90 min, North American Premiere)

Hedi (d: Mohamed Ben Attia c: Majd Mastoura, Rym Ben Messaoud, Sabah Bouzouita, Hakim Boumessoudi, Ombia Ben Ghali, Tunisia 2016, 89 min)

Investigating Paradise (d: Merzak Allouache c: Salima Abada, Younès Sabeur Chérif, France 2017, 135 min, North American Premiere)

Kalushi (d: Mandla Dube c: Thabo Rametsi, Thabo Malema, Welile Nzuza, Jafta Mamabolo, Pearl Thusi, Gcina Mhlophe, South Africa 2016, 107 min)

The Nile Hilton Incident (d: Tarik Saleh c: Fares Fares, Mari Malek, Mohamed Yousry, Yasser Ali Maher, Ahmed Selim, Hania Amar, Sweden 2017, 106 min)

The Wedding Party (d: Kemi Adetiba c: Adesua Etomi, Richard Mofe-Damijo, Banky Wellington, Nigeria 2016, 110 min)

Winnie (d: Pascale Lamche, France 2017, 98 min)

Wùlu (d: Daouda Coulibaly c: Ibrahim Koma, Inna Modja, Ismael Ndiaye, Jean-Marie Traore, Dembele Habib, Mariame Ndiaye, Quim Gutierrez, Oliver Rabourdin, France 2016, 95 min)

CHINA STARS

SIFF is proud to present the second year of our China Stars Showcase series during the 43rd annual Seattle International Film Festival, with support from WASA North America Group and Hainan Airlines.

Collaborating with WASA North America Group to foster cross-cultural exchange and artistic vision, we are pleased to present 10 feature films from mainland China. SIFF also reached out to the Beijing Film Academy, and we are thrilled to present five short films from BFA students. These films will play prior to the Chinese feature films, and we know you will enjoy the creativity of the student filmmakers.

This year we are pleased to announce our inaugural China Stars awards. On Friday, June 9 at the Pan Pacific Hotel, SIFF will honor the talented Qin Yi with a Lifetime Achievement Award; we will present the Director of The Door, Dong Liang, with our China Stars Emerging Artist Award, and SIFF will present the China Stars Film Award to Wanda Film Group.

The SIFF China Stars showcase series is curated in part by Mr. Eugene Zhang of WASA North America Group.

The Beautiful Kokonor Lake (d. XING-HAO Shen c: Qin Yi, Jiang Ping, Jennifer Shu Chang. Huang Hong, Tony Rui-Xin, China 2017, 98 min)

The Door (d. XING-HAO Shen c: JIANG Wu, JIANG Qingin, ZHU Xu, FU Ying, LI Naiwen, China 2017, 98 min, North American Premiere)

Free and Easy (d. JUN Geng c: ZU Gang, ZHANG Zhiyong, XUE Baohe, WANG Xuxu, GU Benbin, ZHANG Xun, YUAN Liguo China 2016, 99 min)

God of War (d. Gordon Chan c: Sammo Hung, Vincent Zhao, Regina Wan, Yasuaki Kurata, Keisuke Koide, China 2017, 130 min)

Have a Nice Day (d. LIU Jian c: Yang Siming, Cao Kou, Ma Xiaofeng, Zhu Changlong, China 2017, 77 min)

Knife in the Clear Water (d. WANG Xuebo c: YANG Shengcang, ZHOU Jinhua, YANG Fan, YANG Xue, China 2016, 93 min, US Premiere)

Love and Duty (d. WANCANG Bu c: RUAN Lingyu, JIN Yan, China 1931, 153 min)

The Song of Cotton (d. ZHU Yuancheng c: YAN Bingyan, WANG Deshun, China 2016, 90 min)

Soul on a String (d. ZHANG Yang c: Kimba, Quni Ciren, Siano Dudiom Zahi, Solange Nima, China 2016, 142 min)

Tea Pets (d. Gary Wang v: SHI Lei, YUAN Zeyu, JI Guanlin, China 2017, 93 min)

Short films from the Beijing Film Academy:
Bloom (d. SUN Yiran and XU Jiyao c: Yiran SUN, Jiyao XU, China 2017, 8 min)
Elephant King (d. FU Yan and FU Chao c: Wang Naizhen, Fan Meng, Fu Yan, Fu Yongcha, China 2017, 11 min)
Free Throw Line (d. ZHANG Yixin China 2017, 7 min)
I Come From Prairie (d. Nuhan Arisbek, China 2017, 8 min)
The Sea (d. LI Yifan, China 2017 c: Jinshan Wang Feiyu Chen, Yihao Qian, 7 min)

CULINARY CINEMA

Popcorn is no longer king as the phenomenon of food culture has exploded into cinema. We’ve selected some extraordinary films that explore different aspects of taste and the senses for the cinematically inclined.

Cook Up a Storm (d: Raymond Yip Wai Man c: Alberto Calvet Gonzalez, You Ge, Yong-hwa Jung, Barbora Mottlová, Yan Tang, USA 2017, 97 min)

Fermented (d: Jonathan Cianfrani c: Edward Lee, USA 2017, 67 min, World Premiere)

Food Evolution (d: Scott Hamilton Kennedy c: Neil deGrasse Tyson, Bill Nye, Michael Pollan, Charles Benbrook, USA 2016, 92 min)

Kakehashi: A Portrait of Chef Nobuo Fukuda (d: Andrew Gooi c: Nobuo Fukuda, Sarah Fukuda, Kazuko Fukuda, Japan 2017, 46 min, World Premiere)

Lives with Flavor (d: Pablo Gasca Gollas c: Ricardo Muñoz Zurita, Marco Beteta,Martha Ortiz,Israel Ronzon, Alberto Albarran, Patricia Muñoz Zurita, Salomé Freixas, Gonzalo Serrano, Mexico 2017, 52 min, World Premiere)

New Chefs on the Block (d: Dustin Harrison-Atlas c: Frank Linn,  Aaron Silverman, Kate Diamond, Michel Richard, Danny Meyer, Mike Isabella, Tim Carman, Emily Sprissler, USA 2016, 96 min)

The Turkish Way (d: Luis Gonzalez c: Joan Roca, Josep Roca, Jordi Roca, Sabiha Apaydin,  Maksut Askar, Mehmet  Gurs, Sina Sucuka, Spain 2016, 120 min)

FACE THE MUSIC

Four out of five SIFF programmers agree that regular exposure to music and film are essential to your overall well-being. With that in mind, this year’s Face the Music program has been specifically designed to provide a holistic regimen for your audio-visual health.

Behind the Curtain: Todrick Hall (d: Katherine Fairfax Wright f: Todrick Hall, Teresa Stanley, Wayne Brady, Chester Lockhart, Jesse Pattison, Brenda Cornish, Vonzell Solomon, Jenni Thomasson, Jazlyn Nicole Miller, USA 2017, 105 min)

Bill Frisell, A Portrait (d: Emma Franz f: Bill Frisell, Paul Motian, Jim Hall, Mike Gibbs, Jason Moran, Jim Woodring, Joey Baron, Tony Scherr, Kenny Wollesen, John Zorn, Australia 2017, 114 min)

Chavela (d: Catherine Gund f: Chavela Vargas, Pedro Almodóvar, USA 2017, 90 min)

Dr. Jekyll and Mr. Hyde with live soundtrack by The Invincible Czars (d: John S. Robertson c: John Barrymore, Brandon Hurst, Martha Mansfield, Charles Lane, Cecil Clovelly, USA 1920, 79 min)

Give Me Future (d: Austin Peters, USA 2017, 85 min)

A Life in Waves (d: Brett Whitcomb f: Suzanne Ciani, Robert Aiki Aubrey Lowe, Kitaro, Peter Baumann, Dorit Chrysler, Sarah Davachi, Don Buchla, USA 2016, 75 min)

On the Road (d: Michael Winterbottom f: Wolf Alice, James McArdle, Leah Harvey, Swim Deep, Bloody Knees, United Kingdom 2016, 112 min)

The Paris Opera (d: Jean-Stéphane Bron f: Stéphane Lissner, Benjamin Millepied, France 2016, 110 min)

NORTHWEST CONNECTIONS

Seattleites see more films per capita than the residents of any other American city, and a growing number of these selections have their roots in the fertile Pacific Northwest film community. Each year, SIFF honors the many ways in which the Puget Sound region contributes to the world of cinema, whether as an evocative location for outside filmmakers or as inspiration for local filmmakers ready to strut their stuff.

The Cage Fighter (d: Jeff Unay f: Callie Carman, Joe Carman, Delanee Carman, Vernon Beach, USA 2017, 83 min)

Crazywise (d: Phil Borges, Kevin Tomlinson f: Adam Gentry, Ekhaya Esima, Angeles Arrien, Phil Borges, Carroll Dunham, USA 2017, 82 min, World Premiere)

Dirtbag: The Legend of Fred Beckey (d: Dave O’Leske, USA 2017, 96 min)

Lane 1974 (d: SJ Chiro c: Sophia Mitri Schloss, Katherine Moennig, Annette Toutonghi, Sara Coates, USA 2017, 80 min)

Pow Wow (d: Robinson Devor, USA 2016, 75 min)

Rocketmen (d: Webster Crowell c: Alycia Delmore, Basil Harris, Christopher Dietz, Ian Fraser, Ben Laurance, USA 2017, 67 min, World Premiere)

Wallflower (d: Jagger Gravning c: David Call, Atsuko Okatsuka, Conner Marx, USA 2017, 84 min, World Premiere)

360˚/VR STORYTELLING POWERED BY WONDERTEK

360˚/VR STORYTELLING POP-UP, POWERED BY WONDERTEK LABS 
Weekends from Friday, May 19 – Saturday, June 10
Passholder Happy Hours and Festival Forums times
SIFF Lounge, presented by Vulcan Productions

While the emerging tech behind-the-scenes of virtual reality and 360˚ have been evolving over the past few years, 360˚ filmmakers and VR content creators have been organically evolving a new language and tools for storytelling in this space. WonderTek Labs has curated a selection of some of the best in 360˚ storytelling from creators from the Seattle region and around the globe, showcased on Google Daydream headsets, that highlight a spectrum of where 360˚ storytelling is today.

Selections will include a work-in-progress cut of Seattle-based Mechanical Dreams’ Potato Dreams, the VR companion to SIFF’s short-film selection Little Potato; a reprise presentation of “The Stranger” Genius Award winner Tracy Rector’s Eagle Bone; Madrid-based Future Lighthouse’s groundbreaking branded storytelling piece Beefeater XO (a top-10 finalist for the Tribeca X Prize); an interactive VR episode for Spanish hit television series “El Ministerio Del Tiempo”; a selection of the best work to come out of the four SIXR Cinematic VR Hackathons; and other content TBD.

360˚/VR STORYTELLING PLAYTANK
Saturday, June 10 8:30 AM – 1:00 PM
SIFF Film Center

Are you a filmmaker who wants to learn more about transitioning to 360˚/VR, or a VR dev who wants to connect with filmmakers? Do you have a 360˚ or VR project in mind and want to connect with other folks interested in working on projects? Do you have expertise to share, or things you want to learn? The 360˚/VR Storytelling PlayTank is a hand-on, interactive event intended to bring together the Seattle 360˚/VR and filmmaking communities for a morning of topical small-group breakout conversations, hands-on demos and workshops, and informal opportunities to connect like-minded creatives, show personal projects and demos, and learn about emerging technologies.

The PlayTank will kick off with a Geekout Breakout Session Breakfast, where participants will join small, mentor-facilitated, small-group breakout sessions on topics including Spatial Audio, 360˚ Production and Post Production, Branching Narrative in 360˚ Storytelling, 360˚ Documentary Storytelling, and Ethics in Developing 360˚/VR Content.

Mettle CEO Chris Bobotis will be on hand to present a hands-on workshop for Mettle’s 360˚ editing plug-ins for Adobe Premiere. Bring your laptop to participate (you must have Adobe Premiere; you can download a free 30-day trial version if you don’t own Premiere). Participants will receive a free temporary license to use Mettle’s products as a part of this workshop. Upstairs in the PlayTank, participants will explore hands-on demos and workshops, and grab another coffee and connect organically with others in the community. The PlayTank is an open and collaborative space. Participants are encouraged to bring their own laptops and demos to share.

SIFF EDUCATION

SIFF offers three programs during Festival: FutureWave, Films4Families, and Forums.

FUTUREWAVE AND FILM4FAMILIES
SIFF has programs curated to make the Festival more accessible to younger audiences. FutureWave features are a great place for our cinema-savvy teen audience to find their love of world cinema and Films4Families is the perfect way for younger children (and the young at heart) to have a fabulous experience at SIFF. Both programs also have Youth Juries comprised of youth from their age bracket to watch all the films and present the Youth Jury Award in their respective categories.

FORUMS & PANELS
Where audiences and filmmakers come together to learn about and experience making movies. Unless otherwise noted, Festival forums and panels are held at the SIFF Lounge, presented by Vulcan Productions. A complete list of this year’s forums and panels can be found here: www.siff.net/festival

VENUES

SEATTLE
SIFF Cinema Uptown, SIFF Cinema Egyptian, SIFF Film Center, AMC Pacific Place 11, McCaw Hall, Cinerama, Majestic Bay Theatres, Ark Lodge Cinemas, The Neptune, The Triple Door, The Paramount, and SIFF Lounge, presented by Vulcan Productions

BELLEVUE
Lincoln Square Cinemas

KIRKLAND
Kirkland Performance Center

RENTON
Renton IKEA Performing Arts Center

SHORELINE
Shoreline Community College

SIFF 2017 BY THE NUMBERS

400 Films
80 Countries
161 Features
58 Documentaries
14 Archival
163 Short Films
4 Secret Films
36 World Premieres (14 Features, 22 Shorts)
34 North American Premieres (22 Features, 12 Shorts)
20 US Premieres (11 Features, 9 Shorts)
50% 1st and 2nd time filmmakers
70% without US Distribution
30% Women Filmmakers (45% of Feature Competition films are Women directed)

Nic Novicki BEST header

Easterseals SoCal partners with Disability Film Challenge

press_scottcapestany_mediaincmagazine

By Scott A. Capestany – Editor In Chief

Hollywood, CA

In a move to support one of the most under represented groups in the entertainment industry, the Easterseals organization partnered with the LA based Disability Film Challenge founded by producer, actor, writer and stand up comedian Nic Novicki this Spring.

As we continue our coverage of the unique and diverse sectors within the entertainment industry, we got a chance to sit down with Novicki poolside at the Hollywood Roosevelt to learn more about his endeavor and recent premier affiliation with the Easterseals.

Q: Tell us about the evolution of the Disability Film Challenge and how the Easterseals got involved this year.

A:  A handful of years ago I came up with the idea to start the disability film challenge to help bring awareness and to support people in the entertainment industry whom have disabilities.  Over 56 million people in the US live with some form of disability.  My mission with this film challenge was designed to help these marginalized groups within the creative space have a platform to showcase their unique projects through This year we had more submissions in the four years of the challenge running while establishing wonderful sponsorships  and support allegiances with DELL, CBS Diversity and SAG-AFTRA.  

Q:  Tell us about your personal connection to this cause of disability performing artists in the industry?

Nic Novicki 1

Nic Novicki Founder of Easterseals Disability Film Challenge

A:  Being that I personally represent one of the many recognized disability groups in the US, I’ve always had to carve out my own path in this industry by creating my own roles and hustle harder than most.   I’ve had the privilege over the years to partner with so many talented people and organizations in the creative space over the course of career that all supported by vision by bringing the film challenge idea to reality in the last handful of years.  Becoming a mentor with CBS diversity not only has helped me in my own career as a performer with disabilities but more importantly has helped bring to light the lack of diversity at the studio level.    

Q:  How does the Easterseals Disability Film challenge work?

A: We just completed our fourth year this Spring.  People in the entertainment space with and without disabilities are encouraged to participate in our challenge. Each team produces a short film within 55 hours over the course of one full weekend lasting no more than five minutes showcasing at least one member of the cast or crew with a disability.  Prior to the challenge, each participating team is emailed a short list of elements involving a genre/theme, prop/locations that need to be included in the film.

Q: Tell us about the categories and prizes the winners receive.

A:  This year we partnered with DELL to offer our winners in four categories brand new computers.  We also partnered with Hollyshorts Film Festival (now an Oscar qualifying festival) to screen our winning films at the famous and iconic TCL Chinese theater on Hollywood Blvd in August.  We’ve got four unique achievement categories that filmmakers content for each year.  Best Film, Best Filmmaker, Best Actor and Best Promotional Campaign. Winners for 2017 will be announced in the coming weeks. 

Leaders from both Easter Seals and CBS Entertainment Diversity also shared with us more about their new partnerships with Nic’s endeavor.  Senior Vice President of Entertainment Diversity & Communications at CBS Entertainment Tiffany Smith-Anoa’i offered these remarks about their involvement.

 Q: Tell us about working with Nic Novicki and how CBS Entertainment Diversity supports his vision of the Easterseals Film Challenge.

A: Nic is a former participant of our annual Diversity Sketch Comedy Showcase. It was his undeniable talent and dedication to the program that paved the way for our continuous communication. When Nic presented his project to us we were thrilled. It is so rewarding to see former showcase participants take charge and continue to advocate for diversity in entertainment, especially on behalf of the largest and most underrepresented minority in the United States. Our support is beyond question.

Q: What type of support and scope of collaboration is involved with your sponsorship? 

A: In addition to judging the submissions, a major aspect of our collaboration is having the pleasure of spending time with the winners and mentoring them to help define the next step in their careers. It is essential for these creatives to continue to develop professional relationships not only with executives but among their peers to build a strong network with opportunities and resources.

Q: Tell us more about CBS Entertainment Diversity program/s

A: Along with our annual Diversity Sketch Comedy Showcase, our department manages five additional programs for writers, directors, actors and students that like the Easterseals film challenge, aim to showcase the talent of individuals with diverse backgrounds, both in front and behind the camera. These programs create a talent pipeline that CBS and other network counterparts can utilize. We are proud to say that every year we witness participants making headway in their careers.  More information on these programs can be found at www.cbsdiversity.com

Best Film: 2017 Winner Cory Reeder (“Best Friend”) – The Best Film award is presented to the leading producer based on the film’s incorporation of the required elements (theme, props and locations), production quality and plotline. PRIZE: The award recipient will receive a mentorship opportunity with Speechless creator Scott Silveri, one Dell mobile workstation and a spot to screen their film at the HollyShorts Film Festival at the TCL Chinese Theatres.

Best Filmmaker:  2017 Winner JONATHAN JOHNSON (“Sibings Liebencrantz”) -The Best Filmmaker award is presented to the director of the film with the most outstanding direction of acting, cinematography and storytelling. Dependent upon the genre/theme, judges base their decision on the director’s ability to evoke emotions in specific scenes as well as surrounding the overall film as appropriate. PRIZEThe award recipient will receive a mentorship opportunity with actor, writer, and director Randall Park, one Dell 2-in-1 computer and a spot to screen their film at the HollyShorts Film Festival at the TCL Chinese Theatres

Best Actor: 2017 Winner JAMIE BREWER (“Whitney’s Wedding”) – The Best Actor award is presented to the actor with the most memorable performance. Judges consider the complexity of the character and the actor’s ability to take on this challenging role. PRIZE: The award recipient will receive a mentorship opportunity with actress, writer, producer, and activist Amy Brenneman one Dell 2-in-1 computer and a spot to screen their film at the HollyShorts Film Festival at the TCL Chinese Theatres.

Best Awareness Campaign: The Best Awareness Campaign award is presented to the leading producer for the team that raises the most awareness for their film through marketing strategies. Judges will review the YouTube videos for number of overall views, shares, likes, and press coverage. PRIZE:  The award recipient will receive a mentorship opportunity with the Executive Vice President of Entertainment Diversity, Inclusion and Communications at CBS Entertainment, Tiffany Smith-Anoa’i.

Q: Tell us about the mentors and judges that are involved in the challenge.

A: The Easterseals Disability Film Challenge provides both an opportunity to hone filmmakers skills and the chance to interact with well seasoned entertainment industry professionals and have their work scrutinized and screened by some very well established filmmakers . We’re proud to work with producers, writers, directors, casting directors and other crew members in two ways. Our Mentors meet with each of our winners to give advice on building a career in “the business.”  All mentors and judges can be found on their website HERE. 

We also got a chance to connect with the MARK WHITLEYPresident and CEO of Easter Seals Southern California who shared with us some great insight on his organizations new sponsorship of the program.

Q: How is Easterseals Southern California working with Nic Novicki and supporting his vision?
A: “We are thrilled to be collaborating with Nic Novicki on this year’s Easterseals Disability Film Challenge — Nic has built the Challenge to be a premier annual event showcasing the power of diversity.  Through this partnership, we hope to continue Nic’s vision of encouraging and highlighting the tremendous talent and stories that exist within the disability community.”
Q: Tell us about the impact the sponsorship will have on Easterseals SC mission statement in supporting people with disabilities.
A: “We continually strive to change the way the world defines and views disability — storytelling through film is a unique and powerful way to continue the conversation and shift people’s perception.  The Challenge is a new opportunity to support and highlight the skills of individuals with disabilities.”
Q: How does the Easterseals Disability Film Challenge enhance your organizations directives?
“The Easterseals Disability Film Challenge enhances all of our various service areas — including Adult Day Services, Living Options, Employment Services, the Bob Hope Veterans Support Program, Child Development Services and our Autism Therapy Services — by telling stories that showcase a variety of individuals will all levels of ability, we can showcase the amazing ways individuals with disabilities contribute to society.”
4. Share with us the type of support you are now offering Nic with with endeavor. 
“We are supporting the Easterseals Disability Challenge in many ways.  We launched a completely redesigned website, did extensive traditional and social media outreach, implemented a targeted online and print advertising effort to encourage filmmakers to apply as well as created and distributed a variety of collateral materials to support the Challenge.” 
This year, the EASTERSEALS partnered with Novicki making his creation officially the “Easterseals Disability Film Challenge”.  We caught up with TIFFANY SMITH-ANOA’I – Senior VP CBS Entertainment & Communcatio.  Here’s what she said about the new partnership.
MEDIA INC: Tell us about working with Nic Novicki and how CBS Entertainment Diversity supports his vision of the Easterseals Film Challenge.

Smith – Anoa’i:  Nic is a former participant of our annual Diversity Sketch Comedy Showcase. It was his undeniable talent and dedication to the program that paved the way for our continuous communication. When Nic presented his project to us we were thrilled. It is so rewarding to see former showcase participants take charge and continue to advocate for diversity in entertainment, especially on behalf of the largest and most underrepresented minority in the United States. Our support is beyond question.

MI: What type of support and scope of collaboration is involved with your sponsorship?

S-A: In addition to judging the submissions, a major aspect of our collaboration is having the pleasure of spending time with the winners and mentoring them to help define the next step in their careers. It is essential for these creatives to continue to develop professional relationships not only with executives but among their peers to build a strong network with opportunities and resources.

MI: Tell us more about CBS Entertainment Diversity program/s

S-A: Along with our annual Diversity Sketch Comedy Showcase, our department manages five additional programs for writers, directors, actors and students that like the Easterseals film challenge, aim to showcase the talent of individuals with diverse backgrounds, both in front and behind the camera. These programs create a talent pipeline that CBS and other network counterparts can utilize. We are proud to say that every year we witness participants making headway in their careers.  More information on these programs can be found at www.cbsdiversity.com

You can follow Nic Novicki on TWITTER and INSTAGRAM and also read more about his career as a actor, producer, writer and comedian HERE on his IMDB page.

Click here for more about  EASTERSEALS Southern California 

Follow Easterseasls SC on TWITTER

 

 

 

 

LAAPFF Banner smallest BEST

LA Asian Pacific Film Festival 2017 Kicks off this week – WIF Showcased

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Opening night screening 7pm @ Egyptian Theater Hollywood!

By Scott A. Capestany @MediaIncMag 

Hollywood, CA

The 2017 LA ASIAN PACIFIC FILM FESTIVAL (#LAAPFF) kicked off Thursday night at 7pm with their opening night screening of Director JUSTIN LIN (Fast & Furious) latest endeavor BETTER LUCK TOMORROW and Festival Gala beginning at 9:30pm.

Hosted at the iconic Egyptian Theater in Hollywood (6712 Hollywood Blvd), Red Carpet arrivals begin at 6pm. Lin will be in attendance tonight along with his cast from the film.

The festival will run from April 27-May 4th. While also running in Orange County from May 5-11, 2017.

This weekend’s centerpiece screening of the film GOOK on Saturday night April 29th was the 2017 Sundance Film Festival Next Audience Award winner in Park City Utah.

As we continue to cover #WomenInFilm throughout the IndyFilm secor of the industry, here’s a complete list (updated throughout the festival) of films written, directed and/or produced by WOMEN IN FILM at the this years festival.

APRIL 28, 2017 – Special Screening – 4pm

RELOCATION ARKANSAS (Trailer link)

A look at the aftermath of the imprisonment of Japanese Americans in the deep south, the reality of prejudice, and the irony of identity, told through the words of one survivor, one rebel and one woman mayor. #WomenInFilm Showcase.

RElocation Arkansas

This powerful sophomore feature film by Justin Chon examines race and family set against the 1992 LA riots.  Just last week, Samuel Goldwyn Films announced the acquisition of the films North American rights. The film was both written and directed by JUSTIN CHON, and stars Chon, DAVID SO, Curtiss Cook Jr. and newcomer child actress SIMONE BAKER.

GOOK

Screenshot taken from Director Justin Chon’s Sophomore feature GOOK.

The LAAPFF is produced by the VISUAL COMMUNICATION Group. 

Visual Communications (VC) mission is to develop and support the voices of Asian American and Pacific Islander filmmakers and media artists who empower communities and challenge perspectives. VC  is the first non-profit organization in the nation dedicated to the honest and accurate portrayals of the Asian Pacific American peoples, communities, and heritage through the media arts.  VC was created with the understanding that media and the arts are important vehicles to organize and empower communities, build connections between peoples and generations through the development of AAPI film, video, and media. The organization has created award-winning productions, nurtured and given voice to our youth and seniors, promoted new artistic talent, presented new cinema, and preserved our visual history.

Aside from hosting the Los Angeles Asian Pacific Film Festival and their year‐round screenings and exhibitions, the VC Group also showcases the Armed With a Camera Fellowship for Emerging Media Artists; the Digital Histories media production and digital storytelling program for senior citizens; a Media Development Fund for independent filmmakers; and C3: The Conference for Creative Content.

Visual Communications is also home to the VC Archives, one of the largest photographic and moving image archives on the Asian Pacific experience in America. We see media as a powerful tool to create and share meaningful perspectives, and our programs ensure that the AAPI community has access to the resources tell their unique stories.

 

Tickets and information for this years LAAPFF:

LA Asian Pacific Film Festival

Follow them on TWITTER and INSTAGRAM

 

Scilla Andreen

WA State’s Most Influential Women in Film, TV and new Media

Scott A. CapestanyBy Scott A. Capestany Editor-In-Chief

Over the past few years, a growing band of Pacific Northwest talented and fierce female creatives have taken the regional community of independent film, TV, media and music by storm. This two-part cover story takes us into the hearts and minds of some of Washington’s and Oregon’s most admired and influential women who have helped pave the way on how we consume media, create films/music, produce visual art (films) and empower others through their creative and artistic talents. Their work today continues to push the limits of innovation by contributing to the ever-growing and quickly-evolving landscape of our region’s multi-media sector. We are proud to call these women ‘our own.’ But most importantly, so very grateful for what they do for others through their leadership, inspiration and love within our communities.

For part one of this cover story, we are honored and excited to commemorate the careers and achievements of 18 unique and fascinating women from Washington State within the world of film, TV, media and creativity. Highlighting their profound and worthy contributions is just one factor we took into consideration. The other, which is equally important throughout the process of creative collaboration, is the leadership and teamwork skills that each of them have so admirably displayed over the years. Our selection is not in any order of significance, but rather a collective equal presentation celebrating women pioneers that have fought hard in their professions, stepped outside the box, made their voices heard and, most importantly, become game-changers that continue to push for equality and women empowerment in the entertainment space.

Congratulations to these outstanding women from the Pacific Northwest, and be sure to look for part two of this story, which will feature women in film from Los Angeles, in the next issue of Media Inc.

SCILLA ANDREEN, co-founder and CEO of Seattle-based IndieFlix, has truly become one of the most iconic empresses of women empowerment and influence within the world of indie filmmaking.

Scilla Andreen

Scilla Andreen

What Variety magazine calls ‘the Netflix of indie films,’ IndieFlix is now the world’s premier online indie film streaming service that specifically provides a platform for content representing independent thinkers, offering a unique and never-before-seen distribution and revenue model for filmmakers. Content that is featured on the IndieFlix platform allows filmmakers to get paid through metrics involving ‘minutes viewed’ and most recently can now access all their films’ data of their actual viewing audience.

“We created IndieFlix with the filmmaker in mind first that offered more than just a platform for showcasing their finished films,” Andreen said. Currently now in beta  testing, IndieFlix filmmakers can for the first time have access to all the necessary data as to who, where, and how consumers are viewing their content, which she believes is a game-changer in the industry.

As a veteran entrepreneur, Andreen’s work over the past two decades as an Emmy-nominated costume designer, award-winning filmmaker, producer, popular speaker, international film festival juror and dedicated advocate of independent film has helped open up doors and inspired millions of creative artists, both in front of and behind the camera. Her recent empowerment documentary project run through her IndieFlix foundation, which highlights ordinary women doing extraordinary things, recently returned home to Washington State after making a national tour around the country featuring a band of young female filmmakers interviewing and highlighting other women’s empowering stories. The documentary now is being screened at hundreds of schools across the nation. Her current project Screenagers is a fascinating look into today’s youth and their usage of digital technology, directed by Seattle physician and award-winning filmmaker Delaney Rustin. Visit www.indieflix.com and www.screenagersmovie.com for more.

Having made five of her six feature films in Washington State, our next featured woman of influence likely doesn’t need a formal introduction. If you have your eye on Pacific Northwest filmmaking or have attended any major local film festival or event, writer/director LYNN SHELTON has essentially embodied what women in film and Washington State filmmaking have become. Along with her good friend and Seattle producer Mel Eslyn, Shelton feels there needs to be a greater effort by Washington State legislation to see the value and benefit of making films and TV shows in Washington.

“The thing about the Motion Picture Competitiveness Program is that it’s so beautifully engineered and designed to benefit the Washington State economy and professional filmmakers,” said Shelton. “In fact, Washington State was the first state ever to create a film incentive that included union standards, like pension health benefits.”

Lynn Shelton

Lynn Shelton

Spending half her time in L.A., Shelton works both as a writer and director for a number of well-known network and studio projects. Her work has been seen on Netflix, Showtime, Fox and 20th Century TV in episodes of series such as Mad Men, Shameless, Master of None, Fresh Off the Boat, New Girl and Maron.

Shelton also feels that it is a very unique time for women in film. “I believe that we as women are upon a very special moment that I hope is not wasted,” she said. “A moment of opportunity… that I hope is not wasted.” Now that the conversation of women in film and the lack of gender diversity among directors in Hollywood has been brought to the forefront of the media, Shelton senses a much more profound willingness and actual  desire of women wanting to change the pattern by hopefully enhancing the numbers of women directors at large in the workplace. Shelton is actively pushing to bring her next feature to the Evergreen State, produced with our next featured woman of influence and her good friend, Mel Eslyn.

One of the most decorated and hard-working independent film producers from Washington State is MEL ESLYN. Having begun working on movie sets at the age of 14, Eslyn’s resilient and admirable work ethic has spanned two decades, leading her to producing over 15 films, including 3 of Lynn Shelton’s 6 major feature films. Over the last handful of years, she has produced a series of feature films that have screened at some of the world’s top film festivals, including Sundance, Toronto, Tribeca and SXSW. She recently won the prestigious Piaget Producers Award at the 2016 Film Independent Spirit Awards that honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality independent films. The annual award includes a $25,000 unrestricted grant funded by Piaget.

Mel Eslyn

Mel Eslyn

“One of the biggest hurdles for me as a producer has been my ability to bring more of my films to Seattle. Once projects reach a certain budget, a state film incentive comes into play quite significantly as to where the film is made,” Eslyn said. “It’s my goal in the next year to bring at least one, if not two, feature films to our market that in turn will help bring more awareness to legislation to see the huge benefits a feature film has on impacting local community’s business and economy.” One of Eslyn’s biggest contributions to the Washington State film scene over the years has been her loyalty to her crew and co-workers. Although a number of her films have been filmed outside of Washington State, she brings along many local crew people to work alongside her.

When it comes to connecting the Pacific Northwest’s growing pool of talented actors, casting director NIKE IMORU, CSA, is the one woman who not only gets the job done, but is counted on by the leading producers throughout Washington and now in Los Angeles to find the most talented performers in film and TV. Nike, pronounced “Nee-Kay,” has been a professional casting director in Washington for over 10 years and currently is the lead casting director for the state’s largest recurring cable TV series, Z Nation.

Nike Imoru

Nike Imoru

“It’s been my goal ever since I began casting to offer more to actors during the casting process than what typically they would get during an audition,” Imoru said. Known around the region as a true “actors coach,” she is a classically trained professional theater actor herself who hails from the U.K., where she also taught acting at a few prestigious schools before becoming a full-time CSA. She recently opened up a state-of-the-art casting studio facility in West Seattle, where she will be spending most of 2016 casting and supporting Z Nation. Visit www.nikeimorucasting.com or find Nike Imoru Casting on Facebook: ‘Act with Inspiration.’

With approximately 45 film festivals and competitions each year for filmmakers and folks to attend around the state, STEFANIE MALONE, executive director of the world’s largest youth film festival NFFTY, helms a quite impressive and quickly growing international festival in downtown Seattle each spring. Now in its 10th year, NFFTY (National Film Festival for Talented Youth) receives over 950 submissions from over 20 countries around the world made by youth filmmakers between the ages of 5 and 25.

Stefanie Malone

Stefanie Malone

An Emmy Award-winning producer herself, Malone’s work in the PBS arena for many years led her to Seattle, where she became the community engagement and education director for Seattle’s local PBS affiliate, KCTS. Although her full-time commitment to NFFTY year-round occupies most of her bandwidth, her ongoing relationship with KCTS and WETA (the Washington, D.C. PBS affiliate) allows her to pursue her true passion and love for developing and producing documentaries. “It’s hard to leave PBS entirely after being with them so long, so I’m grateful I can continue to work within that space where I still think it is an excellent platform for filmmakers to showcase their films and TV shows,” Malone said. Her team of likeminded leaders and growing numbers of supporting staff at NFFTY has allowed the festival to expand its annual events and festival offerings to the public. Visit www.nffty.org.

Working for the City of Seattle as executive director for the Film+Music Office, KATE BECKER leads a staff of seven who oversee a multitude of resources and permitting activities that help facilitate filmmakers, musicians and special events. Whether it be a feature film, TV series, commercial or new media production that involves city parks or hundreds of locations run by the city, Becker’s team truly is the ‘one-stop shop’ for the professional filmmaker. Each year, the city issues over 400 film permits for projects filmed in and around the city.

Prior to working with the city, Becker served in leadership roles at Kate BeckerSeattle Theatre Group, Art Share L.A. in Los Angeles, and the New Art Center in Newton, Massachusetts. She co-founded Seattle’s Vera Project and the Old Fire House, nonprofit art- and music-based all-ages venues that have helped build Seattle’s creative economy talent pipeline. Becker has also produced more than 1,000 all-ages shows and numerous major fundraisers and galas. Talking about women in film, Becker said, “I’m so happy to work in a market (WA State) where so many talented women are leading our local industry by producing and creating exceptional content which is a true feather in our cap.”

Becker also works quite diligently as one of Washington State’s top interactive advocates for helping bring new filmmakers to the state from around the world while attending national and international festivals and markets. “We are excited the members of the film industry are actively convening in pursuit of a production facility to be located in Seattle,” she said. “Something like this could do wonders for the film/TV and media landscape.” Visit www.seattle.gov/filmandmusic.

As co-founder and owner of Mighty Tripod Productions (MTP), one of Seattle’s most respected actor development, management and indie production companies, ANGELA DiMARCO truly has become an empowering woman of influence, both in front of and behind the camera. With a genuine heart to help others (she is known as ‘Mama DiMarco’ among her circle), she helps mentor and prepare actors for the rigorous road of working in the business.

Angela DiMarco

Angela DiMarco

“MTP is an evolution of who I was, growing up without having quality training and mentorship that I believe is a major cornerstone of becoming a professional artist,” said DiMarco, who runs the company with her talented and award-winning husband David Hogan, who himself has over two decades of theater, film, TV and talent leadership under his belt.

“David and I wanted to create a platform in Mighty Tripod Productions for Northwest actors taught by Northwest actors, available to all ages to hone their craft, build their confidence and, most of all, be mighty,” she added. You can find DiMarco on all social media channels under Mighty Tripod Productions, her own hashtag #dontwaitcreate and at www.mightytripod.com.

Once a creative artist decides he or she wants to take the plunge into the world of acting or modeling in the Seattle area, TERRI MORGAN’s TCM Models and Talent Agency would be considered by many one of the most well-known and reputable agencies in the state. Starting up in 1979 as a modeling agency over in Eastern Washington, Morgan decided to take her love for helping others within the industry to Seattle and opened up a new location downtown in 1990, where they remain today. By 1998, her well-seasoned staff established a new talent division that has provided actors opportunities in commercials, feature films, TV series and new media requiring on-camera talent.

Terri Morgan

Terri Morgan

“Coming from a modeling background myself, I know how hard it can be to break into the business not knowing how to navigate the oftentimes intimidating and rigorous demand of the business or how the auditioning and selection process works,” she said. “TCM specializes in counseling and advising talent by offering a well-developed road map for actors and models to utilize if they choose to enhance their careers.” Visit TCM at www.tcmmodels.com.

One of Washington State’s best known features is its rich and vibrant Native American culture and history. Our next woman of influence has spent over a decade developing an awareness  and sensitivity to the power of media and film as a modern storytelling tool for local communities, primarily the indigenous people of the region. As co-founder and executive director of Longhouse Media, now in their 11th year, TRACY RECTOR (Choctaw/Seminole Tribe) has produced over 350 film shorts, worked with over 40 tribes from around the United States, and has served over 3,000 youths by bringing filmmaking tools to tribal students from around the country to help them tell their own stories. Her work has been featured by Cannes Film Festival, ImagineNative and National Geographic’s All Roads Film Project, while also leading the first filmmaking team from Seattle to have a documentary on PBS’ Independent Lens and appearing in the Smithsonian’s Museum of the American Indian. Not to mention, she’s a recent Sundance Film Institute Lab fellow participant and Tribeca Film Festival all-access grantee to boot.

Tracy Rector

Tracy Rector

Aside from being an award-winning director/producer and advocate, Rector developed and launched the quite successful educational program ‘SuperFly,’ a program that challenged students to create 5 films in 36 hours, which then screened in conjunction with the Seattle International Film Festival (SIFF).

“SIFF’s decade-long collaborating with Tracy on ‘SuperFly’ was an exceptional opportunity that not only provided exemplary training and experience to youth across cultures, but built bridges between the Native community and their neighbors from cities across the USA. Today, Tracy’s new ‘4th World’ program continues that depth of intent, as we are proud to be working with her to fill the need for additional training for up-and-coming Native filmmakers,” said Dustin Kaspar, education director at SIFF.

Rounding off her admirable leadership throughout the communities of the Puget Sound, Rector currently sits as City of Seattle Arts Commissioner.

“My vision is to bring traditional and contemporary education together on a foundation based in environmental stewardship,” said Rector. As a monthly series, her ‘Indigenous Showcase’ program at the Northwest Film Forum also blends culture with community. She added, “The Indigenous Showcase program screens films made by Native Americans or in part supported by the Native American community.” Read more about Rector at www.longhousemedia.org and www.clearwaterstories.org.

Abby Dylan

Abby Dylan

With the growing number of actors and performers living and arriving to Seattle, ABBY DYLAN is a woman whose lengthy multi-decade experience in the industry has landed her passionate voice for actors at the top of the most prestigious organizations in show business. Dylan is an elected member of the SAG-AFTRA Board, where she serves as the National Chairman of the SAGIndie Committee and ViceChair of the Legislative Committee. In addition, she is also a director of the SAG-AFTRA Foundation Board, and was appointed to serve on the Board of Washington Filmworks by both Governor Christine Gregoire and Governor Jay Inslee. In 2016, Dylan also was appointed to the Board of the SAG Foundation as their new secretary. For more, visit www.sagaftra.org, www.sagindie.org, and www.washingtonfilmworks.org.

Every spring, Seattle ushers in one of the biggest and longest-running city-wide events, the Seattle International Film Festival (SIFF). Ranked as one of the top film festivals in the world, SIFF showcases over 450 films, shorts and documentaries from over 80 countries throughout a 25-day odyssey. BETH BARRETT, director of programming, spearheads the division along with her team of staffers and volunteers that help formulate the line-up and presentation of films each year. Barrett has been with SIFF since 2003, joining as an intern in communications and quickly moving along into the programming division. Over the course of her tenure, she has watched SIFF grow from 5 staff to now over 25 full-time staffers.

Programming essentially works with the incoming filmmakers each Beth Barrettyear, streamlines communication between programmers and watches hundreds of films leading up to the festival with the objective of bringing the best films they can find from around the world and our own region to screen in Seattle. To help local filmmakers from Washington State showcase their films on an international platform, SIFF offers a unique ‘Northwest Connections’ showcasing. “The program is designed to help elevate local filmmakers to international attention that essentially represent a microcosm of the work being done by Pacific Northwest artists with projects of all types of films, genres, styles and lengths,” Barrett said.

Her commitment to bring some of the best films from around the world made by women is a top priority while paying close attention to her final design of the festival’s programming. “It’s really important to me to have women from all around the world represented here at SIFF on an equal footing every year,” said Barrett.

Be sure to mark your calendars for May for this spectacular presentation of world cinema right here in Seattle by visiting www.siff.net for all the events, parties and screenings.

Recently winning the ‘Best TV Personality’ award put on by KING 5 in 2015, ANNY HAVLAND has been making a huge splash in the world of online empowerment through her uplifting reality TV/Web series called Talk It Up TV. Originally from Bellingham, Havland came to Seattle to explore more opportunities using her magical gift of connecting and inspiring others. In 2010, she co-founded and now produces her own series that boasts over 5,000 YouTube subscribers from all around the world.

Anny Havland

Anny Havland

Talk It Up TV is a new style of media that is reality TV at its best with a positive twist. Instead of reporting and highlighting negative tragedies, we share these real-life stories with our viewers and create a positive ending to each story with a shocking act of kindness that are unforgettable,” Havland said. Each episode is lined with a powerful, very uplifting and heartfelt message that offers a life-changing experience for the individual. Visit Havland online at www.talkituptv.com or by using the hashtag #tiuarmy.

One of Seattle’s most dynamic documentary filmmakers is ROSALIE MILLER. Her handful of films she has produced in just the last five years have screened at over 100 film festivals worldwide under her own banner, Wanderhouse Productions. Her independent production company focuses on producing micro-budget narrative and documentary projects with an emphasis on digital media production. The Wanderhouse website boasts: “We are dedicated to creative collaboration, compelling storytelling, and subject matter intended to inspire others.”

Rosalie Miller

Rosalie Miller

Miller’s resilient and fierce approach to the filmmaking process radiates wherever she goes with quite vocal and well-developed skills in pitching, fundraising and audience engagement. Her feature-length documentary Personhood (now in post-production), which documents the burgeoning personhood movement and the far-reaching impact of laws designed to protect the fetus, won both the Women in Film Seattle Professional Grant and the 2015 American Documentary Film Fund.

Aside from her work behind the camera, Miller is a member of SAG-AFTRA and is a well-known actress who has appeared in dozens of feature-length films, shorts, commercials and TV series in Washington State. Miller is currently in production on her next documentary, an intimate portrait piece about Seattle-based dance artist and drag queen, Jody Kuehner (aka Cherdonna Shinatra). Visit www.wanderhouseproductions.com and www.personhoodmovie.com for more.

Producer LEAH WARSHAWSKI has over a decade of experience in film and TV production. Warshawski has worked on some of TV’s biggest series, including Lost, Survivor and Alias. She recently wrapped her own feature-length documentary Big Sonia, which in 2015 won the prestigious $50,000 film grant award given annually by True Productions in partnership with the Seattle International Film Festival.

Leah Warshawski with her doc subject and grandmother, Sonia.

Leah Warshawski with her doc subject and grandmother, Sonia.

“The process of documentary filmmaking is becoming more about the films’ campaigns than just about the actual movie being made,” Warshawski said. “Big Sonia has been a story I’ve always wanted to tell about my own grandmother. So we decided early on to develop a nationwide campaign for major cities that would also educate and involve local communities around the country surrounding her story.”

Warshawski also is currently working with local filmmakers Jo Ardinger and Rosalie Miller on the doc Personhood as producer. “When Jo approached me to join the team, I just couldn’t say no because of the impact I knew this film would make on our communities and country,” she added. Her current projects can be found at www.bigsonia.com.

RYAN DAVIS is a professional film publicist, communications specialist and co-founder of Seattle’s Smarthouse Creative. With over 30 years of combined experience in film marketing, publicity, distribution, programming and exhibition, Smarthouse Creative helps filmmaking teams find their audiences and bring attention to their work during all phases of their projects, from fundraising to festivals to distribution. They also work with select film festivals, non-profits and startups to deliver digital strategy, publicity and audience engagement services to position clients at the forefront of their respective industries.

Ryan Davis

Ryan Davis

For over a decade, Davis has worked in nearly every aspect of the film business including documentary film producing, film festivals, distribution, exhibition and sales. She and Smarthouse have placed multiple projects on media platforms such as HBO, CNN, The
New York Times, newspapers and local radio. Independent film projects that Smarthouse has run PR/marketing on have screened all over the world. Prior to Smarthouse, Davis served as a marketing leader for multiple non-profit arts groups and organizations including the Northwest Film Forum and Northwest Folklife.

Smarthouse Creative gets Media Inc.’s vote for best local indie film PR & marketing firm! Visit  www.smarthousecreative.com.

If there is one woman creative in Seattle that personifies the fastest and hardest-working bird on earth—the hummingbird—it most certainly is producer/actor LORRAINE MONTEZ. For over a decade, Montez has appeared in over 20 films as an actress and over a dozen films as producer. She is known widely in the local film community for her unlimited amount of energy and drive she pours into her daily routine as a filmmaker, educator, mentor and actor.

Lorainne Montez

Lorainne Montez

After noticing that fewer roles were being offered in film and TV to more mature women as a performer in the local market, she took the initiative to begin writing and soon formed her own production company, Abundant Productions. “I strongly believe in the laws of attraction,” Montez said. “I wanted to create a company that would attract goodness, abundance and creativity.” A recent feature film she produced under her Abundant flagship, The Hollow One, was acquired by Raven Banner Entertainment for international and domestic distribution.

Montez has been a vocal and active member of Women in Film for many years and recently served as the marketing and communication chairwoman for WIF Seattle. As a producer who feels there needs to be a bigger pool of well-educated filmmakers in the art of marketing and producing skills, Montez also instructs a marketing and producing class at Shoreline Community College. She also heads up a monthly workshop called Abundant Creative Playground, a platform where writers and professional actors come together in an interactive creative setting to enhance literary material. It’s a process she calls “disrupting the writing process in a productive and unique way.” Find out more at www.abundantproductions.net.

Award-winning journalist MAUREEN FRANCISCO is a woman whose journey into the world of TV and media has been quite unique. After arriving from the Philippines as a young girl to Federal Way, Washington, she learned to speak English by watching the nightly news. Fascinated by The Oprah Winfrey Show, Francisco was quickly inspired to pursue a career in journalism, which led her to an early career working for major network affiliates (CBS, NBC, ABC and FOX) around the country as a news reporter after graduating from Pacific Lutheran University. Upon her return to the Puget Sound in 2004, Francisco continued her work in TV at Northwest Cable News.

Maureen Francisco

Maureen Francisco

By 2013, she joined her husband as co-executive producer of NW Productions. Their company produces live shows, including the Pacific Northwest qualifying events for the Miss USA and Miss Teen USA pageants from Idaho, Montana, Oregon and Washington
States. “We coordinate and produce all of the events for both pageants in our region including doing the PR for our title holders and contestants under a separate division of NW Productions,” Francisco said. “We are in charge of procuring sponsors, selecting judges, screening contestants for eligibility requirements and finding our host venues.”

NW Productions also produces red carpet events, women empowerment workshops, and reality/talk show programming throughout the Puget Sound. Visit www.maureenfrancisco.com.

With 1 in every 10 Americans now using online dating services, the number of people looking for love online has never been greater. SUSIE LEE, CEO and founder of the dating app Siren, took things into her own hands a few years ago by creating an entirely new approach to the virtual world of online dating. “Our members set the tone of our community; we focus on connections that matter in a respectful space,” said Lee. “Siren is a platform where wit and personality shine.” Lee’s brainchild won the App of the Year by GeekWire in 2015, and recently landed an additional $500,000 in funding to help expand their 20,000 membership base and operations.

Susie Lee

Susie Lee

The app works quite differently than most apps, in that members receive a “Question of the Day” asked by artists and other types of creatives in the local community. The questions ignite conversations, which in turn promote members to uncover their true personalities organically, rather than with a generic profile and photo.

A graduate of Yale, Columbia and UW with degrees in molecular biophysics and biochemistry, science education, and art, Lee uses her skills as a social sculptor to amplify humanity in technology. Her work has been collected by numerous institutions including the Denver Art Museum, Mitchell Center for the Arts, Frye Art Museum, and Crystal Bridges Museum of Art. For more, go to www.susiejlee.com.

We invite you to learn more about the women of influence within TV, film and media as we continue our coverage in our next issue, which will feature women from the state of Oregon.

Features writer Scott A. Capestany is an award-winning producer, educator and advocate for women in film. Visit him at www.capestanyfilms.com and all social media platforms @capestanyfilms. Email producer@capestanyfilms.com.

Lydia 2

Courtside with PAC-12 Networks President Lydia Murphy-Stephans

press_scottcapestany_mediaincmagazineMarch 2017

Seattle, WA – Key Arena

Shortly before the quarterfinals began at the 2017 Women’s Basketball PAC-12 Championship in Seattle, WA at the Key Arena earlier this Spring, we got a chance to sit down with PAC-12 Networks President Lydia Murphy-Stephans to get an inside look at the extraordinary transformation the conference has gone through since the advent of the PAC-12 Networks.  With one of the new segments of editorial content being ‘Media In Sports’ in 2017, we were honored to chat with this very dynamic leader who has helped transform the way we consume sports media both here in the United States, but also all around the world.

Q: Tell us about the inception of the PAC-12 Network

A:  We’re now in our fifth year of the PAC-12 Networks.  Our initial mission was to create a media company owned by the twelve universities and managed by the PAC-12 conference.  The impetus was to provide more exposure to the schools and student-athletes which today we are now producing 850 LIVE events across 32 sports each academic year.  Which means sports like Women’s basketball and all the olympic sports that didn’t get television exposure before now get  significant national and sometimes global exposure.  We are now achieving this through TV networks and across the digital platforms including social media.

Q: What  do you think has helped you achieved success in such a short period of time with the PAC-12 Network?

There was an amazing foundation in place.  The PAC-10, which became the PAC-12, had phenomenal athletic teams both in women and men’s sports as the conference of champions with 493 NCAA championships to call our own.  And what my staff and I have done since the inception of the network was to build on a stellar foundation that was already in place.   There was this amazing brand and level of athletic talent within the conference and so with the  media company what we did was build the infrastructure to be able to provide exposure for that talent.  I also think the advancement in  technology has helped us significantly over the last four years.  When we launched a handful of years ago, twitter was not streaming video, Instagram did not exist and Facebook was not streaming live.  And those are all different vehicles for us to now partner with and distribute content.  So we came along when the timing was just right with both technology and the content we had to showcase.

Lydia Murphy-Stephans (1)

PAC-12 Network President Lydia Murphy-Stephans

Q: Tell us about your leadership team.

A: At the initial stages when we were in the planning phases for the network, we were thinking of it as a multi-faceted media company. We never though of it as a set of family of TV networks, so we decided to run parallel paths of the liner side of the business and the digital side of the business that allowed both our network staff and conference staff to work together and side by side.  The PAC-12 network consists of around 185 full-time staffers and over 1500 freelance workers across our six states that bring a unique blend of highly skilled media people along with highly skilled tech savvy team members.

Q: Tell us about your Networks production footprint and structure in terms of operations and athletic coverage.

PAC-12 networks is owned by the 12 Universities.  We produce over 850 events and over 550 hours of content across six states – Arizona, California, Colorado, Oregon, Washington and Utah.  Our twelve Universities  include UCLA, USC, Stanford, University of California-Berkeley, University of Oregon, Oregon State, University of Arizona, Arizona State University, University of Washington, Washington State University, University of Colorado and the University of Utah where we have over 110 athletic venues.

Q: What’s new to PAC-12 Networks this year and what’s to come in the future?

A:  Being headquartered close to silicon valley certainly has its advantages for us.  Thus allowing us to strategically position ourselves to partner with all the technology that allows us to deliver our content.  This last year we added twitter LIVE and Sling TV.  PAC-12 Networks currently is also delivered over the top internationally on both YouTube and EverSport.  Making us available in every country in the world outside the United States that has Internet service. Our focus now is to maximize the distribution both domestically and internationally.   

Prior to becoming the President of the PAC-12 network, Murphy-Stevens cut her teeth as a young producer for ABC sports.  She also was a member of the 1984 Olympic speed skating team.

 

Danette Leighton

PAC-12 CMO Danette Leighton – Innovation and Excellence

Scott A. Capestany

Editor In Chief – Scott A. Capestany

March 2017- Seattle, WA

As the PAC-12 Woman’s NCAA basketball tournament unfolded this Spring at the Key Arena, Media Inc Magazine got a chance to sit down with two quite extraordinary PAC-12 conference executives whom together lead the nation’s most impressive linear and digital broadcast entities – the PAC-12 Network.  As part one of our two part featured ‘Women In sports’ coverage of the NCAA Women’s PAC-12 Conference tournament, we first caught up with first with the Chief Marketing Officer – DANETTE LEIGHTON.

Leighton, whom was appointed the first ever CMO in the history of the conference by commissioner Larry Scott , returned to the PAC-12 in 2010 after cutting her teeth with some of the biggest organizations in professional sports, the WNBA, NBA and Sony Sports.  Prior to her meteoric rise in the world of sports marketing as an executive, Leighton had a long-standing connection to the conference since graduating from the PAC-10’s (at the time) University of Arizona in 1993.

She realized this unique passion and connection to the world of sports and the now the PAC-12, suited her well when the call came from conference commissioner LARRY SCOTT to execute his elaborate vision to re-brand and enhance the conferences already impressive tradition of excellence.

Q: Tell us about your journey to the PAC-12 Conference & Network and the brands evolution to where it is today.

I’m a product of the PAC-10 (the former name of the PAC-12 before Colorado and Utah joined in 2011) where my father played baseball at UCLA and I went to Arizona so pretty much grew up in this league.  So, when I came back seven years ago, I already had a very strong passion for what this brand is and was.  I believe a brand is truly built on its genuine and authentic pillars that exist.  So, my job when I came on board was to really find the ones that differentiated us and start to “pound our chest”, so to speak, but to do it in a way to always be humble.

One of the first things I worked on with our commissioner, Larry Scott, where he was already well down a path of doing an overview of where the brand was and where we needed to go, was to examine the Pac-10 brand that we had and to fortify and strengthen the conferences three very strong brand pillars.  Innovation, geography and excellence.   Geographically speaking, it wasn’t only about the beauty of the mountains, deserts and ocean that made our regional footprint unique, but dating back to the covered wagons pilgrimage to the west coast, it represented a time where Americans moving west carried with them an innovative mindset and looking for a better way of life.

The history of our twelve Universities were each built on the foundations of this great academic success but through a very modern and progressive point of view.  Our strength of being on the west coast really tailored well into the innovation brand pillar we believe is so unique to us.  Blending three very innovative communities in our geographic footprint you can think about entertainment in Hollywood, the Pacific Northwest and Silicon Valley which is our biggest differentiator when you look at us across the landscape of sports compared to other conferences.  Our third pillar of excellence reflects our long and distinguished history of dominance within athletics.  Entering our 101 year of existence, we hold the most NCAA titles than any conference and what makes it so amazing we are currently at 493 national titles where our next closest counterpart is roughly half of that.  We not only have the dominance of the national titles, but we also have a strong Olympic success as well for both men and women.  I believe we made up roughly 80% of team USA which, if we were a country, we would have finished fifth in the overall medal count. Which complemented our progressive mindset of always offering these types of opportunities to both men and women and really value the importance of them.

So, one of my primary roles since I have arrived was tell the stories of these 7000+ student athletes that make up our PAC-12 through these distinguishable and long standing traditions in both athletics and academics.

Q: What experiences from your prior endeavors have helped you enhance the PAC-12 brand.

When I worked with the Monarchs of the WNBA managing the business side of things, I learned how to be scrappy, innovative and mindful of modest business operations and initiatives.  While working with the Kings of the NBA under the great commissioner of David Stern, I had the honor to work with some very dynamic owners who allowed me to work autonomously which Commissioner Scott has supported and embraced with my current position here at the Pac-12.  What I learned most was how different the two brands were and how to market to uniquely different to the men and women fan base of each of the organizations which has helped me tremendously here with the Pac-12.

Q: Tell us more about the creation of the PAC-12 Network.

One of the most impressive and innovative ideas that my commissioner Larry Scott conceived since my arrival has been the creation of the Pac-12 Network.  For the first time in conference history fans can experience LIVE linear and digital broadcasts of over 850 games across multiple platforms and multiple sports.  Where before the TV coverage was very minimal and nearly non-existent with many women sports.  We now LIVE stream our all our basketball press conferences on Facebook live and utilize multiple platforms like Twitter and Instagram to engage our fans around the world.

The network also has enhanced the relationship between student-athletes, fans and families.  Where some live quite far away from their kids and now have the technology to watch and experience their kid sporting events.  Not to mention how the network has helped and complimented the recruiting component allowing high schools coaches from around the county to watch incoming student-athletes.

Q:  What is the most exciting part of your job.

I love being a part of a team and leading a great group of humans. I think it’s very important to believe in what your organization stands for in terms of personal and cultural standpoint.  Although I feel very strong about our brand and our 12 universities, the role that I love so much is experiencing events like this one here in Seattle, the PAC-12 Conference Championship tournament.   I feel very lucky that my team gets to touch everything and experience it.   I value the autonomy commissioner Scott gives me to execute his vision every day at my job.

The one thing that impressed me the most in chatting with Danette was her fierce passion and genuine love she has for her Pac-12 team she works with every day.   But most impressively, her innovative vision she has reflecting her commissioners most impressive creative to date – the Pac-12 Networks.

Pac-12-Womens-Tournamnet-Copy

Women’s PAC-12 Basketball Tourney kicks off in Seattle!

press_scottcapestany_mediaincmagazine

Editor in Chief – Scott A. Capestany

 

March 2, 2017  – Seattle, WA 

Arriving this weekend in the Emerald City of Seattle, WA comes the convergence of a unique blend of Entertainment and Sport.   The Key Arena, for the fifth straight year, will play host to the 2017 Women’s 2017 NCAA Pac-12 Tournament.  With twelve teams jostling for the Pac-12 crown that earns an automatic ticket to the NCAA Championship, one athlete in particular from our own University of Washington will likely draw one of the biggest home team crowds in the tournament.   Senior KELSEY PLUM (#10), recently named the 2017 Pac-12 Player of the Year,  enters the tournament as the nation’s ALL-TIME leading scorer and coming off one of the  most explosive regular season performance ever by a woman collegiate athlete in any sport.

Kelsey Plum

On February 25th, Plum ignited the net by pouring in a conference record of 57 points that surpassed the legendary Jackie Stiles to become the NCAA All-time leading scorer.  Her performance broke both the UW school and conference single game scoring record with 3,397 points.   Plum also has scored the second-most points in NCAA Division I history, men’s or women’s behind the NBA Hall of Famer Pete “pistol” Maravich.

Plum, who leads the nation in scoring at 31.6 points per game finished the regular season shooting 53.7 from the field, 43.6 from three-point range and 88.7 from the foul line.  Statistically speaking, these numbers are mind boggling for any basketball fan.  And if the stars haven’t already lined up to perfection, she has the opportunity to finish her distinguished senior season as the only player, male or female, in the history of the NCAA to finish a season as the game’s leading scorer and a member of the 50-40-90 club (Shooting, 3-Point and free-throw percentage).

This weekend’s women’s collegiate athletic showcase couldn’t have come at a better time to compliment @MediaIncMag current coverage of Women in Film.  With exciting plans to expand the magazines print and digital content  to cover both collegiate and professional Athletics + Art + Music beginning throughout the Pacific Northwest, enjoy LIVE coverage of this weekends PAC-12 Women’s Basketball Tournament via twitter @MediaIncMag

For the local Seattle sports fans,  both the University of Washington and Washington State University will be participating in this weekend March Madness.

Here’s when you can catch the lady DAWGS and COUGS:

Thursday March 2nd tipping off at 6pm is WSU vs. Colorado. 

WSU:  (Courtesy of WSU Athletic department) Earning the No. 7 seed in 2017 Pac-12 Women’s Basketball Tournament and will face off against No. 10 Colorado (15-14, 5-13), Thursday in the first-ever meeting between the two on a neutral court. The tournament match-up between the Cougars and the Buffaloes will be the second contest between the two teams in less than a week after both squared off in the regular season finale Saturday afternoon in Pullman.

WSU 1

The Cougs won the afternoon matinee at Beasley, 67-56, to even the season series with Colorado. The Buffs had previously won in Boulder, 70-58, with a big fourth quarter comeback against WSU. The No. 7 seed for the Cougars matches their best seed in the Pac-12 tournament which dates back to 2002. WSU has advanced out of the tournament’s first round four times, most recently in 2015 after defeating No. 10 Oregon, 66-64, in another 7-10 matchup.

Friday March 3rd tipping off at 8:30pm UW vs. winner of tonight’s Arizona and Oregon’s game.

UW: (Courtesy of UW Athletic Department) Washington is 9-15 all-time in the Pac-12 Tournament since it began in 2002. Last season, the Huskies beat Colorado and Stanford to reach the semifinals before falling to Oregon State, 57-55.

The Huskies will enter the tournament ranked No. 11 in the latest AP Top 25 poll, joining three other Pac-12 schools: Oregon State at No. 6, Stanford at No. 10 and UCLA at No. 15. Washington is ranked No. 7 in the latest RPI poll.

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Washington tops the nation in several statistical categories, including leading the NCAA in made three-pointers (319), second in made free throws (496), third in three-point field goals per game (10.3), fifth in scoring margin (22.4), sixth in points per game (85.3) and eighth in field goal percentage (47.4).

Follow the lady Dawgs @UW_WBB 

Follow the lady Cougs @WSUWomensHoops 

PAC-12 Women’s Basketball Tournament official site

Scott is the Editor-in-Chief of MEDIA INC MAGAZINE and an Award Winning Film / TV content creator, producer and director. He was the first independent  producer in the history of WA State NCAA and Professional athletics to become an official member of the regional press by creating his own weekly LIVE and taped public access Sports TV show ‘Emerald City Sports TV’. The series went on to be nominated as the BEST sports show while covering more Women In Sports events ever broadcast on Cable TV.   He and his production teams can be followed @CapestanyFilms and @MediaIncMag 

ELEW + Capestany Oscar flyer

Capestany Films Presents Pre-Oscar Party Hosted By ELEW!

ELEW + Capestany Oscar flyer

Capestany Films

PRESENTS

 Pre-Oscar Party @Sofitel’s Riviera31

In BEVERLY HILLS, CA

Hosted By:

ELEW

 

Award Winning Producer and Journalist Scott A. Capestany- Editor-In-Chief for Media Inc Magazine and CEO of Capestany Films –  is proud to present this high profile Pre-Oscar party hosted by “Obama-approved” pianist, DJ, screenwriter & director ELEW.

Mr. Capestany’s writings  and magazine publications have appeared at over 25 major film festivals and markets around the world with recent expansion into new thriving regions in supoort of #IndieFilm #IndieMusic #WomenInFilm and #Diversity in the creative space.

ELEW is “a highlight of the party” – Forbes Magazine . You can find him anywhere from Sundance’s Film Festival, DJ’ing at various exclusive nightclubs, playing piano for presidents or at ultra-exclusive private parties in “a $16 million penthouse at Art Basel”, to touring his latest album And To The Republic around the world. Most recently, ELEW and IBM’s super computer, Watson jammed together at DAYBREAKERS in San Francisco.

This Saturday night Feb. 25th from 10pm- 2am you can join ELEW & Scott A. Capestany along with special guests, fans & friends

@ Riviera 31 (inside the Sofitel Hotel), Beverly Hill, CA celebrating the 89th Academy Awards with music, food & drinks.

 

Follow ELEW and CapestanyFilms on Twitter and IG for updates!

@Elewrockjazz and @CapestanyFilms

+ @MediaIncMag
Join the Party by emailing your RSVP to: producer@Capestanyfilms.com