By Scott A. Capestany Editor-In-Chief
Over the past few years, a growing band of Pacific Northwest talented and fierce female creatives have taken the regional community of independent film, TV, media and music by storm. This two-part cover story takes us into the hearts and minds of some of Washington’s and Oregon’s most admired and influential women who have helped pave the way on how we consume media, create films/music, produce visual art (films) and empower others through their creative and artistic talents. Their work today continues to push the limits of innovativeness by contributing to the ever-growing and quickly-evolving landscape of our region’s multi-media sector. We are proud to call these women ‘our own.’ But most importantly, so very grateful for what they do for others through their leadership, inspiration and love within our communities.
For part one of this cover story, we are honored and excited to commemorate the careers and achievements of 18 unique and fascinating women from Washington State within the world of film, TV, media and creativity. Highlighting their profound and worthy contributions is just one factor we took into consideration. The other, which is equally important throughout the process of creative collaboration, is the leadership and teamwork skills that each of them have so admirably displayed over the years. Our selection is not in any order of significance, but rather a collective equal presentation celebrating women pioneers that have fought hard in their professions, stepped outside the box, made their voices heard and, most importantly, become game-changers that continue to push for equality and women empowerment around our region.
Congratulations to these outstanding women from Washington State, and be sure to look for part two of this story, which will feature women from Oregon, in the next issue of Media Inc.
SCILLA ANDREEN, co-founder and CEO of Seattle-based IndieFlix, has truly become one of the most iconic empresses of women empowerment and influence within the world of indie filmmaking.
What Variety magazine calls ‘the Netflix of indie films,’ IndieFlix is now the world’s premier online indie film streaming service that specifically provides a platform for content representing independent thinkers, offering a unique and never-before-seen distribution and revenue model for filmmakers. Content that is featured on the IndieFlix platform allows filmmakers to get paid through metrics involving ‘minutes viewed’ and most recently can now access all their films’ data of their actual viewing audience.
“We created IndieFlix with the filmmaker in mind first that offered more than just a platform for showcasing their finished films,” Andreen said. Currently now in beta testing, IndieFlix filmmakers can for the first time have access to all the necessary data as to who, where, and how consumers are viewing their content, which she believes is a game-changer in the industry.
As a veteran entrepreneur, Andreen’s work over the past two decades as an Emmy-nominated costume designer, award-winning filmmaker, producer, popular speaker, international film festival juror and dedicated advocate of independent film has helped open up doors and inspired millions of creative artists, both in front of and behind the camera. Her recent empowerment documentary project run through her IndieFlix foundation, which highlights ordinary women doing extraordinary things, recently returned home to Washington State after making a national tour around the country featuring a band of young female filmmakers interviewing and highlighting other women’s empowering stories. The documentary now is being screened at hundreds of schools across the nation. Her current project Screenagers is a fascinating look into today’s youth and their usage of digital technology, directed by Seattle physician and award-winning filmmaker Delaney Rustin. Visit www.indieflix.com and www.screenagersmovie.com for more.
Having made five of her six feature films in Washington State, our next featured woman of influence likely doesn’t need a formal introduction. If you have your eye on Pacific Northwest filmmaking or have attended any major local film festival or event, writer/director LYNN SHELTON has essentially embodied what women in film and Washington State filmmaking have become. Along with her good friend and Seattle producer Mel Eslyn, Shelton feels there needs to be a greater effort by Washington State legislation to see the value and benefit of making films and TV shows in Washington.
“The thing about the Motion Picture Competitiveness Program is that it’s so beautifully engineered and designed to benefit the Washington State economy and professional filmmakers,” said Shelton. “In fact, Washington State was the first state ever to create a film incentive that included union standards, like pension health benefits.”
Spending half her time in L.A., Shelton works both as a writer and director for a number of well-known network and studio projects. Her work has been seen on Netflix, Showtime, Fox and 20th Century TV in episodes of series such as Mad Men, Shameless, Master of None, Fresh Off the Boat, New Girl and Maron.
Shelton also feels that it is a very unique time for women in film. “I believe that we as women are upon a very special moment that I hope is not wasted,” she said. “A moment of opportunity… that I hope is not wasted.” Now that the conversation of women in film and the lack of gender diversity among directors in Hollywood has been brought to the forefront of the media, Shelton senses a much more profound willingness and actual desire of women wanting to change the pattern by hopefully enhancing the numbers of women directors at large in the workplace. Shelton is actively pushing to bring her next feature to the Evergreen State, produced with our next featured woman of influence and her good friend, Mel Eslyn.
One of the most decorated and hard-working independent film producers from Washington State is MEL ESLYN. Having begun working on movie sets at the age of 14, Eslyn’s resilient and admirable work ethic has spanned two decades, leading her to producing over 15 films, including 3 of Lynn Shelton’s 6 major feature films. Over the last handful of years, she has produced a series of feature films that have screened at some of the world’s top film festivals, including Sundance, Toronto, Tribeca and SXSW. She recently won the prestigious Piaget Producers Award at the 2016 Film Independent Spirit Awards that honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality independent films. The annual award includes a $25,000 unrestricted grant funded by Piaget.
“One of the biggest hurdles for me as a producer has been my ability to bring more of my films to Seattle. Once projects reach a certain budget, a state film incentive comes into play quite significantly as to where the film is made,” Eslyn said. “It’s my goal in the next year to bring at least one, if not two, feature films to our market that in turn will help bring more awareness to legislation to see the huge benefits a feature film has on impacting local community’s business and economy.” One of Eslyn’s biggest contributions to the Washington State film scene over the years has been her loyalty to her crew and co-workers. Although a number of her films have been filmed outside of Washington State, she brings along many local crew people to work alongside her.
When it comes to connecting the Pacific Northwest’s growing pool of talented actors, casting director NIKE IMORU, CSA, is the one woman who not only gets the job done, but is counted on by the leading producers throughout Washington and now in Los Angeles to find the most talented performers in film and TV. Nike, pronounced “Nee-Kay,” has been a professional casting director in Washington for over 10 years and currently is the lead casting director for the state’s largest recurring cable TV series, Z Nation.
“It’s been my goal ever since I began casting to offer more to actors during the casting process than what typically they would get during an audition,” Imoru said. Known around the region as a true “actors coach,” she is a classically trained professional theater actor herself who hails from the U.K., where she also taught acting at a few prestigious schools before becoming a full-time CSA. She recently opened up a state-of-the-art casting studio facility in West Seattle, where she will be spending most of 2016 casting and supporting Z Nation. Visit www.nikeimorucasting.com or find Nike Imoru Casting on Facebook: ‘Act with Inspiration.’
With approximately 45 film festivals and competitions each year for filmmakers and folks to attend around the state, STEFANIE MALONE, executive director of the world’s largest youth film festival NFFTY, helms a quite impressive and quickly growing international festival in downtown Seattle each spring. Now in its 10th year, NFFTY (National Film Festival for Talented Youth) receives over 950 submissions from over 20 countries around the world made by youth filmmakers between the ages of 5 and 25.
An Emmy Award-winning producer herself, Malone’s work in the PBS arena for many years led her to Seattle, where she became the community engagement and education director for Seattle’s local PBS affiliate, KCTS. Although her full-time commitment to NFFTY year-round occupies most of her bandwidth, her ongoing relationship with KCTS and WETA (the Washington, D.C. PBS affiliate) allows her to pursue her true passion and love for developing and producing documentaries. “It’s hard to leave PBS entirely after being with them so long, so I’m grateful I can continue to work within that space where I still think it is an excellent platform for filmmakers to showcase their films and TV shows,” Malone said. Her team of likeminded leaders and growing numbers of supporting staff at NFFTY has allowed the festival to expand its annual events and festival offerings to the public. Visit www.nffty.org.
Working for the City of Seattle as executive director for the Film+Music Office, KATE BECKER leads a staff of seven who oversee a multitude of resources and permitting activities that help facilitate filmmakers, musicians and special events. Whether it be a feature film, TV series, commercial or new media production that involves city parks or hundreds of locations run by the city, Becker’s team truly is the ‘one-stop shop’ for the professional filmmaker. Each year, the city issues over 400 film permits for projects filmed in and around the city.
Prior to working with the city, Becker served in leadership roles at Seattle Theatre Group, Art Share L.A. in Los Angeles, and the New Art Center in Newton, Massachusetts. She co-founded Seattle’s Vera Project and the Old Fire House, nonprofit art- and music-based all-ages venues that have helped build Seattle’s creative economy talent pipeline. Becker has also produced more than 1,000 all-ages shows and numerous major fundraisers and galas. Talking about women in film, Becker said, “I’m so happy to work in a market (WA State) where so many talented women are leading our local industry by producing and creating exceptional content which is a true feather in our cap.”
Becker also works quite diligently as one of Washington State’s top interactive advocates for helping bring new filmmakers to the state from around the world while attending national and international festivals and markets. “We are excited the members of the film industry are actively convening in pursuit of a production facility to be located in Seattle,” she said. “Something like this could do wonders for the film/TV and media landscape.” Visit www.seattle.gov/filmandmusic.
As co-founder and owner of Mighty Tripod Productions (MTP), one of Seattle’s most respected actor development, management and indie production companies, ANGELA DiMARCO truly has become an empowering woman of influence, both in front of and behind the camera. With a genuine heart to help others (she is known as ‘Mama DiMarco’ among her circle), she helps mentor and prepare actors for the rigorous road of working in the business.
“MTP is an evolution of who I was, growing up without having quality training and mentorship that I believe is a major cornerstone of becoming a professional artist,” said DiMarco, who runs the company with her talented and award-winning husband David Hogan, who himself has over two decades of theater, film, TV and talent leadership under his belt.
“David and I wanted to create a platform in Mighty Tripod Productions for Northwest actors taught by Northwest actors, available to all ages to hone their craft, build their confidence and, most of all, be mighty,” she added. You can find DiMarco on all social media channels under Mighty Tripod Productions, her own hashtag #dontwaitcreate and at www.mightytripod.com.
Once a creative artist decides he or she wants to take the plunge into the world of acting or modeling in the Seattle area, TERRI MORGAN’s TCM Models and Talent Agency would be considered by many one of the most well-known and reputable agencies in the state. Starting up in 1979 as a modeling agency over in Eastern Washington, Morgan decided to take her love for helping others within the industry to Seattle and opened up a new location downtown in 1990, where they remain today. By 1998, her well-seasoned staff established a new talent division that has provided actors opportunities in commercials, feature films, TV series and new media requiring on-camera talent.
“Coming from a modeling background myself, I know how hard it can be to break into the business not knowing how to navigate the oftentimes intimidating and rigorous demand of the business or how the auditioning and selection process works,” she said. “TCM specializes in counseling and advising talent by offering a well-developed road map for actors and models to utilize if they choose to enhance their careers.” Visit TCM at www.tcmmodels.com.
One of Washington State’s best known features is its rich and vibrant Native American culture and history. Our next woman of influence has spent over a decade developing an awareness and sensitivity to the power of media and film as a modern storytelling tool for local communities, primarily the indigenous people of the region. As co-founder and executive director of Longhouse Media, now in their 11th year, TRACY RECTOR (Choctaw/Seminole Tribe) has produced over 350 film shorts, worked with over 40 tribes from around the United States, and has served over 3,000 youths by bringing filmmaking tools to tribal students from around the country to help them tell their own stories. Her work has been featured by Cannes Film Festival, ImagineNative and National Geographic’s All Roads Film Project, while also leading the first filmmaking team from Seattle to have a documentary on PBS’ Independent Lens and appearing in the Smithsonian’s Museum of the American Indian. Not to mention, she’s a recent Sundance Film Institute Lab fellow participant and Tribeca Film Festival all-access grantee to boot.
Aside from being an award-winning director/producer and advocate, Rector developed and launched the quite successful educational program ‘SuperFly,’ a program that challenged students to create 5 films in 36 hours, which then screened in conjunction with the Seattle International Film Festival (SIFF).
“SIFF’s decade-long collaborating with Tracy on ‘SuperFly’ was an exceptional opportunity that not only provided exemplary training and experience to youth across cultures, but built bridges between the Native community and their neighbors from cities across the USA. Today, Tracy’s new ‘4th World’ program continues that depth of intent, as we are proud to be working with her to fill the need for additional training for up-and-coming Native filmmakers,” said Dustin Kaspar, education director at SIFF.
Rounding off her admirable leadership throughout the communities of the Puget Sound, Rector currently sits as City of Seattle Arts Commissioner.
“My vision is to bring traditional and contemporary education together on a foundation based in environmental stewardship,” said Rector. As a monthly series, her ‘Indigenous Showcase’ program at the Northwest Film Forum also blends culture with community. She added, “The Indigenous Showcase program screens films made by Native Americans or in part supported by the Native American community.” Read more about Rector at www.longhousemedia.org and www.clearwaterstories.org.
With the growing number of actors and performers living and arriving to Seattle, ABBY DYLAN is a woman whose lengthy multi-decade experience in the industry has landed her passionate voice for actors at the top of the most prestigious organizations in show business. Dylan is an elected member of the SAG-AFTRA Board, where she serves as the National Chairman of the SAGIndie Committee and ViceChair of the Legislative Committee. In addition, she is also a director of the SAG-AFTRA Foundation Board, and was appointed to serve on the Board of Washington Filmworks by both Governor Christine Gregoire and Governor Jay Inslee. In 2016, Dylan also was appointed to the Board of the SAG Foundation as their new secretary. For more, visit www.sagaftra.org, www.sagindie.org, and www.washingtonfilmworks.org.
Every spring, Seattle ushers in one of the biggest and longest-running city-wide events, the Seattle International Film Festival (SIFF). Ranked as one of the top film festivals in the world, SIFF showcases over 450 films, shorts and documentaries from over 80 countries throughout a 25-day odyssey. BETH BARRETT, director of programming, spearheads the division along with her team of staffers and volunteers that help formulate the line-up and presentation of films each year. Barrett has been with SIFF since 2003, joining as an intern in communications and quickly moving along into the programming division. Over the course of her tenure, she has watched SIFF grow from 5 staff to now over 25 full-time staffers.
Programming essentially works with the incoming filmmakers each year, streamlines communication between programmers and watches hundreds of films leading up to the festival with the objective of bringing the best films they can find from around the world and our own region to screen in Seattle. To help local filmmakers from Washington State showcase their films on an international platform, SIFF offers a unique ‘Northwest Connections’ showcasing. “The program is designed to help elevate local filmmakers to international attention that essentially represent a microcosm of the work being done by Pacific Northwest artists with projects of all types of films, genres, styles and lengths,” Barrett said.
Her commitment to bring some of the best films from around the world made by women is a top priority while paying close attention to her final design of the festival’s programming. “It’s really important to me to have women from all around the world represented here at SIFF on an equal footing every year,” said Barrett.
Be sure to mark your calendars for May for this spectacular presentation of world cinema right here in Seattle by visiting www.siff.net for all the events, parties and screenings.
Recently winning the ‘Best TV Personality’ award put on by KING 5 in 2015, ANNY HAVLAND has been making a huge splash in the world of online empowerment through her uplifting reality TV/Web series called Talk It Up TV. Originally from Bellingham, Havland came to Seattle to explore more opportunities using her magical gift of connecting and inspiring others. In 2010, she co-founded and now produces her own series that boasts over 5,000 YouTube subscribers from all around the world.
“Talk It Up TV is a new style of media that is reality TV at its best with a positive twist. Instead of reporting and highlighting negative tragedies, we share these real-life stories with our viewers and create a positive ending to each story with a shocking act of kindness that are unforgettable,” Havland said. Each episode is lined with a powerful, very uplifting and heartfelt message that offers a life-changing experience for the individual. Visit Havland online at www.talkituptv.com or by using the hashtag #tiuarmy.
One of Seattle’s most dynamic documentary filmmakers is ROSALIE MILLER. Her handful of films she has produced in just the last five years have screened at over 100 film festivals worldwide under her own banner, Wanderhouse Productions. Her independent production company focuses on producing micro-budget narrative and documentary projects with an emphasis on digital media production. The Wanderhouse website boasts: “We are dedicated to creative collaboration, compelling storytelling, and subject matter intended to inspire others.”
Miller’s resilient and fierce approach to the filmmaking process radiates wherever she goes with quite vocal and well-developed skills in pitching, fundraising and audience engagement. Her feature-length documentary Personhood (now in post-production), which documents the burgeoning personhood movement and the far-reaching impact of laws designed to protect the fetus, won both the Women in Film Seattle Professional Grant and the 2015 American Documentary Film Fund.
Aside from her work behind the camera, Miller is a member of SAG-AFTRA and is a well-known actress who has appeared in dozens of feature-length films, shorts, commercials and TV series in Washington State. Miller is currently in production on her next documentary, an intimate portrait piece about Seattle-based dance artist and drag queen, Jody Kuehner (aka Cherdonna Shinatra). Visit www.wanderhouseproductions.com and www.personhoodmovie.com for more.
Producer LEAH WARSHAWSKI has over a decade of experience in film and TV production. Warshawski has worked on some of TV’s biggest series, including Lost, Survivor and Alias. She recently wrapped her own feature-length documentary Big Sonia, which in 2015 won the prestigious $50,000 film grant award given annually by True Productions in partnership with the Seattle International Film Festival.
Leah Warshawski with her doc subject and grandmother, Sonia.
“The process of documentary filmmaking is becoming more about the films’ campaigns than just about the actual movie being made,” Warshawski said. “Big Sonia has been a story I’ve always wanted to tell about my own grandmother. So we decided early on to develop a nationwide campaign for major cities that would also educate and involve local communities around the country surrounding her story.”
Warshawski also is currently working with local filmmakers Jo Ardinger and Rosalie Miller on the doc Personhood as producer. “When Jo approached me to join the team, I just couldn’t say no because of the impact I knew this film would make on our communities and country,” she added. Her current projects can be found at www.bigsonia.com.
RYAN DAVIS is a professional film publicist, communications specialist and co-founder of Seattle’s Smarthouse Creative. With over 30 years of combined experience in film marketing, publicity, distribution, programming and exhibition, Smarthouse Creative helps filmmaking teams find their audiences and bring attention to their work during all phases of their projects, from fundraising to festivals to distribution. They also work with select film festivals, non-profits and startups to deliver digital strategy, publicity and audience engagement services to position clients at the forefront of their respective industries.
For over a decade, Davis has worked in nearly every aspect of the film business including documentary film producing, film festivals, distribution, exhibition and sales. She and Smarthouse have placed multiple projects on media platforms such as HBO, CNN, The
New York Times, newspapers and local radio. Independent film projects that Smarthouse has run PR/marketing on have screened all over the world. Prior to Smarthouse, Davis served as a marketing leader for multiple non-profit arts groups and organizations including the Northwest Film Forum and Northwest Folklife.
Smarthouse Creative gets Media Inc.’s vote for best local indie film PR & marketing firm! Visit www.smarthousecreative.com.
If there is one woman creative in Seattle that personifies the fastest and hardest-working bird on earth—the hummingbird—it most certainly is producer/actor LORRAINE MONTEZ. For over a decade, Montez has appeared in over 20 films as an actress and over a dozen films as producer. She is known widely in the local film community for her unlimited amount of energy and drive she pours into her daily routine as a filmmaker, educator, mentor and actor.
After noticing that fewer roles were being offered in film and TV to more mature women as a performer in the local market, she took the initiative to begin writing and soon formed her own production company, Abundant Productions. “I strongly believe in the laws of attraction,” Montez said. “I wanted to create a company that would attract goodness, abundance and creativity.” A recent feature film she produced under her Abundant flagship, The Hollow One, was acquired by Raven Banner Entertainment for international and domestic distribution.
Montez has been a vocal and active member of Women in Film for many years and recently served as the marketing and communication chairwoman for WIF Seattle. As a producer who feels there needs to be a bigger pool of well-educated filmmakers in the art of marketing and producing skills, Montez also instructs a marketing and producing class at Shoreline Community College. She also heads up a monthly workshop called Abundant Creative Playground, a platform where writers and professional actors come together in an interactive creative setting to enhance literary material. It’s a process she calls “disrupting the writing process in a productive and unique way.” Find out more at www.abundantproductions.net.
Award-winning journalist MAUREEN FRANCISCO is a woman whose journey into the world of TV and media has been quite unique. After arriving from the Philippines as a young girl to Federal Way, Washington, she learned to speak English by watching the nightly news. Fascinated by The Oprah Winfrey Show, Francisco was quickly inspired to pursue a career in journalism, which led her to an early career working for major network affiliates (CBS, NBC, ABC and FOX) around the country as a news reporter after graduating from Pacific Lutheran University. Upon her return to the Puget Sound in 2004, Francisco continued her work in TV at Northwest Cable News.
By 2013, she joined her husband as co-executive producer of NW Productions. Their company produces live shows, including the Pacific Northwest qualifying events for the Miss USA and Miss Teen USA pageants from Idaho, Montana, Oregon and Washington
States. “We coordinate and produce all of the events for both pageants in our region including doing the PR for our title holders and contestants under a separate division of NW Productions,” Francisco said. “We are in charge of procuring sponsors, selecting judges, screening contestants for eligibility requirements and finding our host venues.”
NW Productions also produces red carpet events, women empowerment workshops, and reality/talk show programming throughout the Puget Sound. Visit www.maureenfrancisco.com.
With 1 in every 10 Americans now using online dating services, the number of people looking for love online has never been greater. SUSIE LEE, CEO and founder of the dating app Siren, took things into her own hands a few years ago by creating an entirely new approach to the virtual world of online dating. “Our members set the tone of our community; we focus on connections that matter in a respectful space,” said Lee. “Siren is a platform where wit and personality shine.” Lee’s brainchild won the App of the Year by GeekWire in 2015, and recently landed an additional $500,000 in funding to help expand their 20,000 membership base and operations.
The app works quite differently than most apps, in that members receive a “Question of the Day” asked by artists and other types of creatives in the local community. The questions ignite conversations, which in turn promote members to uncover their true personalities organically, rather than with a generic profile and photo.
A graduate of Yale, Columbia and UW with degrees in molecular biophysics and biochemistry, science education, and art, Lee uses her skills as a social sculptor to amplify humanity in technology. Her work has been collected by numerous institutions including the Denver Art Museum, Mitchell Center for the Arts, Frye Art Museum, and Crystal Bridges Museum of Art. For more, go to www.susiejlee.com.
We invite you to learn more about the women of influence within TV, film and media as we continue our coverage in our next issue, which will feature women from the state of Oregon.
Features writer Scott A. Capestany is an award-winning producer, educator and advocate for women in film. Visit him at www.capestanyfilms.com and all social media platforms @capestanyfilms. Email firstname.lastname@example.org.