All posts by Scott A. Capestany

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SXSW 17′ – Women In Film: From Her POV

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Editor In ChiefScott A. Capestany

March 9, 2017 – Austin, Texas

The 24th edition of the SXSW Film Festival opens this week in Austin, Texas.  With over 125 feature films screening, 84 World Premiers, 11 North American Premiers and 6 US Premiers will be presented.

To continue our coverage of highlighting and supporting the visual works by #WomenInFilm within the Independent film space around the world,  Media Inc Magazine congratulates the 80+ Women Directors & female Co-Directors whom will showcase their films and/or visual works of art  at #SXSX this year!

To begin (more category’s below), here’s a full comprehensive look at each feature length film (in competition) @SXSW this year Written and/or Directed by WOMEN.  Each film title is linked to all screenings + filmmakers bios + cast + crew. (Links and brief descriptions courtesy of SXSW)

Feature Length Competition

World Premieres- Selected from 1,407 narrative feature submissions in 2017.

A Critically Endangered Species

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Poland, United States –  World Premiere
Directors/Screenwriters: Zachary Cotler, Magdalena Zyzak –
An internationally respected poet announces she is going to kill herself and needs an heir and executor. Young writers drive up the mountain to compete for the position and are challenged intellectually, emotionally, and erotically. Cast: Lena Olin, Rosanna Arquette, Jordan Gavaris, Alexander Koch, Nathan Keyes, Chris Voss.

Fits and Starts

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World Premiere
Director/Screenwriter: Laura Terruso – @Fits_andStarts 
A struggling writer can’t seem to escape his wife’s literary success. When a road trip to a publisher’s salon takes an unexpected turn, he has to face his own creative shortcomings and find a way to regain control of his life and work. Cast: Wyatt Cenac, Greta Lee, Maria Dizzia, Alex Karpovsky, Ben Sinclair, Onur Turkel, John Rothman, Louis Cancelmi, Larry Murphy, Sam Seder.

The Light of the Moon

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World Premiere
Director/Screenwriter: Jessica M. Thompson –@TLOTMfilm  @jess_m_thompson
After her world is irrevocably changed, a successful New York City architect struggles to regain intimacy and control in her life. Cast: Stephanie Beatriz, Michael Stahl-David, Conrad Ricamora, Catherine Curtin, Olga Merediz, Cindy Cheung, Susan Heyward, Craig Walker, Cara Loften, Michael Cuomo.

MFA

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World Premiere
Director: Natalia Leite /  Screenwriter: Leah Mckendrick –@_natalialeite_
The accidental death of her rapist sets an art student on a course for justice, fueling the inspiration for her thesis exhibition. Cast: Francesca Eastwood, Clifton Collins Jr, Peter Vack, Leah Mckendrick, Marlon Young, David Sullivan, Michael Welch.

Most Beautiful Island

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Writer, Director, Producer and Actor Ana Asensio

Spain, United States – World Premiere
Director/Screenwriter: Ana Asensio – @AnaAsensio1
An undocumented young woman struggling to begin a new life in New York City is offered an opportunity she can’t pass up. But as day turns to night she discovers she’s been lured to the center of a dangerous game. Cast: Ana Asensio, Natasha Romanova, David Little, Nicholas Tucci, Larry Fessenden, Caprice Benedetti.

The Strange Ones

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World Premiere
Directors: Lauren Wolkstein, Christopher Radcliff, Screenwriter: Christopher Radcliff – @thestrangeones  @laurenwolkstein
Mysterious events surround the travels of two brothers as they make their way across a remote American landscape. On the surface all seems normal, but what appears to be a simple vacation soon gives way to dark and complex truths. Cast: Alex Pettyfer, James Freedson-Jackson, Emily Althaus, Gene Jones.

Documentary Feature Competition

Bill Frisell, A Portrait

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Australia – World Premiere
Director/Screenwriter: Emma Franz
An intimate, behind-the-music portrait of one of the most unassuming yet influential creative artists of our time, guitarist Bill Frisell. Frisell said of the film, “It’s like the inside of my brain!” 

I Am Another You

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World Premiere
Director/Screenwriter: Nanfu Wang – @iaayfilm  @wangnanfu
Through the eyes of a young drifter who rejects society’s rules and intentionally chooses to live on the streets, Chinese filmmaker Nanfu Wang explores the meaning of personal freedom – and its limits.

Maineland

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China, United States- World Premiere
Director: Miao Wang – @mainelandfilm  @miaowang
Chinese teenagers from the wealthy elite, with big American dreams, settle into a boarding school in small-town Maine. As their fuzzy visions of the American dream slowly gain more clarity, their relationship to home takes on a poignant new aspect.

Mommy Dead and Dearest

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World Premiere
Director: Erin Lee Carr – @erinleecarr
Child abuse, mental illness, and forbidden love converge in this mystery involving a mother and daughter who were thought to be living a fairy tale life that turned out to be a living nightmare.

Served Like A Girl

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World Premiere
Director: Lysa Heslov – @servedlikeagirl 
Five women veterans who have endured unimaginable trauma in service create a shared sisterhood to help the rising number of stranded homeless women veterans by entering a competition that unexpectedly catalyzes moving events in their own lives.

The Secret Life of Lance Letscher

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World Premiere
Director: Sandra Adair – @LLetscherdoc  @sadair20
Witness the collision of memory, color, and chaos in this unprecedented journey through the visionary mind of collage artist Lance Letscher.

Here’s the breakdown numbers of ALL #WomenInFilm projects directed or co-directed by #SXSW female creatives this year:

Narrative Features -20, Documentary Features – 15, Narrative Shorts – 14, Animated Shorts – 7, Documentary Shorts: 6, Music Videos – 5,  Texas High School – 14, Virtual Reality – 10+, Series – 1

Editor-In-Chief Scott A. Capestany is an Award Winning Film/TV content creator, writer and producer. Scott’s recent appointment to EIC has led to a full re-banding of the 20+ year publication running into a national and soon to be global Independent + Sport + Music + Art publication.  As a devout and long time advocate of #WomenInFilm and #Diversity in the industry, Scott’s ambition is to help women filmmakers and artists of under represented groups have an equal and strong voice in Hollywood.  He is represented by Bloom, Hergott, Diemer, Rosenthal, Laviolette, Feldman, Schenkman & Goodman, LLP in Beverly Hills, CA

Followed Scott @MediaIncMag + @CapestanyFilms

 

 

 

 

 

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Courtside with PAC-12 Networks President Lydia Murphy-Stephans

press_scottcapestany_mediaincmagazineMarch 2017

Seattle, WA – Key Arena

Shortly before the quarterfinals began at the 2017 Women’s Basketball PAC-12 Championship in Seattle, WA at the Key Arena earlier this Spring, we got a chance to sit down with PAC-12 Networks President Lydia Murphy-Stephans to get an inside look at the extraordinary transformation the conference has gone through since the advent of the PAC-12 Networks.  With one of the new segments of editorial content being ‘Media In Sports’ in 2017, we were honored to chat with this very dynamic leader who has helped transform the way we consume sports media both here in the United States, but also all around the world.

Q: Tell us about the inception of the PAC-12 Network

A:  We’re now in our fifth year of the PAC-12 Networks.  Our initial mission was to create a media company owned by the twelve universities and managed by the PAC-12 conference.  The impetus was to provide more exposure to the schools and student-athletes which today we are now producing 850 LIVE events across 32 sports each academic year.  Which means sports like Women’s basketball and all the olympic sports that didn’t get television exposure before now get  significant national and sometimes global exposure.  We are now achieving this through TV networks and across the digital platforms including social media.

Q: What  do you think has helped you achieved success in such a short period of time with the PAC-12 Network?

There was an amazing foundation in place.  The PAC-10, which became the PAC-12, had phenomenal athletic teams both in women and men’s sports as the conference of champions with 493 NCAA championships to call our own.  And what my staff and I have done since the inception of the network was to build on a stellar foundation that was already in place.   There was this amazing brand and level of athletic talent within the conference and so with the  media company what we did was build the infrastructure to be able to provide exposure for that talent.  I also think the advancement in  technology has helped us significantly over the last four years.  When we launched a handful of years ago, twitter was not streaming video, Instagram did not exist and Facebook was not streaming live.  And those are all different vehicles for us to now partner with and distribute content.  So we came along when the timing was just right with both technology and the content we had to showcase.

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PAC-12 Network President Lydia Murphy-Stephans

Q: Tell us about your leadership team.

A: At the initial stages when we were in the planning phases for the network, we were thinking of it as a multi-faceted media company. We never though of it as a set of family of TV networks, so we decided to run parallel paths of the liner side of the business and the digital side of the business that allowed both our network staff and conference staff to work together and side by side.  The PAC-12 network consists of around 185 full-time staffers and over 1500 freelance workers across our six states that bring a unique blend of highly skilled media people along with highly skilled tech savvy team members.

Q: Tell us about your Networks production footprint and structure in terms of operations and athletic coverage.

PAC-12 networks is owned by the 12 Universities.  We produce over 850 events and over 550 hours of content across six states – Arizona, California, Colorado, Oregon, Washington and Utah.  Our twelve Universities  include UCLA, USC, Stanford, University of California-Berkeley, University of Oregon, Oregon State, University of Arizona, Arizona State University, University of Washington, Washington State University, University of Colorado and the University of Utah where we have over 110 athletic venues.

Q: What’s new to PAC-12 Networks this year and what’s to come in the future?

A:  Being headquartered close to silicon valley certainly has its advantages for us.  Thus allowing us to strategically position ourselves to partner with all the technology that allows us to deliver our content.  This last year we added twitter LIVE and Sling TV.  PAC-12 Networks currently is also delivered over the top internationally on both YouTube and EverSport.  Making us available in every country in the world outside the United States that has Internet service. Our focus now is to maximize the distribution both domestically and internationally.   

Prior to becoming the President of the PAC-12 network, Murphy-Stevens cut her teeth as a young producer for ABC sports.  She also was a member of the 1984 Olympic speed skating team.

 

Danette Leighton

PAC-12 CMO Danette Leighton – Innovation and Excellence

Scott A. Capestany

Editor In Chief – Scott A. Capestany

March 2017- Seattle, WA

As the PAC-12 Woman’s NCAA basketball tournament unfolded this Spring at the Key Arena, Media Inc Magazine got a chance to sit down with two quite extraordinary PAC-12 conference executives whom together lead the nation’s most impressive linear and digital broadcast entities – the PAC-12 Network.  As part one of our two part featured ‘Women In sports’ coverage of the NCAA Women’s PAC-12 Conference tournament, we first caught up with first with the Chief Marketing Officer – DANETTE LEIGHTON.

Leighton, whom was appointed the first ever CMO in the history of the conference by commissioner Larry Scott , returned to the PAC-12 in 2010 after cutting her teeth with some of the biggest organizations in professional sports, the WNBA, NBA and Sony Sports.  Prior to her meteoric rise in the world of sports marketing as an executive, Leighton had a long-standing connection to the conference since graduating from the PAC-10’s (at the time) University of Arizona in 1993.

She realized this unique passion and connection to the world of sports and the now the PAC-12, suited her well when the call came from conference commissioner LARRY SCOTT to execute his elaborate vision to re-brand and enhance the conferences already impressive tradition of excellence.

Q: Tell us about your journey to the PAC-12 Conference & Network and the brands evolution to where it is today.

I’m a product of the PAC-10 (the former name of the PAC-12 before Colorado and Utah joined in 2011) where my father played baseball at UCLA and I went to Arizona so pretty much grew up in this league.  So, when I came back seven years ago, I already had a very strong passion for what this brand is and was.  I believe a brand is truly built on its genuine and authentic pillars that exist.  So, my job when I came on board was to really find the ones that differentiated us and start to “pound our chest”, so to speak, but to do it in a way to always be humble.

One of the first things I worked on with our commissioner, Larry Scott, where he was already well down a path of doing an overview of where the brand was and where we needed to go, was to examine the Pac-10 brand that we had and to fortify and strengthen the conferences three very strong brand pillars.  Innovation, geography and excellence.   Geographically speaking, it wasn’t only about the beauty of the mountains, deserts and ocean that made our regional footprint unique, but dating back to the covered wagons pilgrimage to the west coast, it represented a time where Americans moving west carried with them an innovative mindset and looking for a better way of life.

The history of our twelve Universities were each built on the foundations of this great academic success but through a very modern and progressive point of view.  Our strength of being on the west coast really tailored well into the innovation brand pillar we believe is so unique to us.  Blending three very innovative communities in our geographic footprint you can think about entertainment in Hollywood, the Pacific Northwest and Silicon Valley which is our biggest differentiator when you look at us across the landscape of sports compared to other conferences.  Our third pillar of excellence reflects our long and distinguished history of dominance within athletics.  Entering our 101 year of existence, we hold the most NCAA titles than any conference and what makes it so amazing we are currently at 493 national titles where our next closest counterpart is roughly half of that.  We not only have the dominance of the national titles, but we also have a strong Olympic success as well for both men and women.  I believe we made up roughly 80% of team USA which, if we were a country, we would have finished fifth in the overall medal count. Which complemented our progressive mindset of always offering these types of opportunities to both men and women and really value the importance of them.

So, one of my primary roles since I have arrived was tell the stories of these 7000+ student athletes that make up our PAC-12 through these distinguishable and long standing traditions in both athletics and academics.

Q: What experiences from your prior endeavors have helped you enhance the PAC-12 brand.

When I worked with the Monarchs of the WNBA managing the business side of things, I learned how to be scrappy, innovative and mindful of modest business operations and initiatives.  While working with the Kings of the NBA under the great commissioner of David Stern, I had the honor to work with some very dynamic owners who allowed me to work autonomously which Commissioner Scott has supported and embraced with my current position here at the Pac-12.  What I learned most was how different the two brands were and how to market to uniquely different to the men and women fan base of each of the organizations which has helped me tremendously here with the Pac-12.

Q: Tell us more about the creation of the PAC-12 Network.

One of the most impressive and innovative ideas that my commissioner Larry Scott conceived since my arrival has been the creation of the Pac-12 Network.  For the first time in conference history fans can experience LIVE linear and digital broadcasts of over 850 games across multiple platforms and multiple sports.  Where before the TV coverage was very minimal and nearly non-existent with many women sports.  We now LIVE stream our all our basketball press conferences on Facebook live and utilize multiple platforms like Twitter and Instagram to engage our fans around the world.

The network also has enhanced the relationship between student-athletes, fans and families.  Where some live quite far away from their kids and now have the technology to watch and experience their kid sporting events.  Not to mention how the network has helped and complimented the recruiting component allowing high schools coaches from around the county to watch incoming student-athletes.

Q:  What is the most exciting part of your job.

I love being a part of a team and leading a great group of humans. I think it’s very important to believe in what your organization stands for in terms of personal and cultural standpoint.  Although I feel very strong about our brand and our 12 universities, the role that I love so much is experiencing events like this one here in Seattle, the PAC-12 Conference Championship tournament.   I feel very lucky that my team gets to touch everything and experience it.   I value the autonomy commissioner Scott gives me to execute his vision every day at my job.

The one thing that impressed me the most in chatting with Danette was her fierce passion and genuine love she has for her Pac-12 team she works with every day.   But most impressively, her innovative vision she has reflecting her commissioners most impressive creative to date – the Pac-12 Networks.

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Women’s PAC-12 Basketball Tourney kicks off in Seattle!

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Editor in Chief – Scott A. Capestany

 

March 2, 2017  – Seattle, WA 

Arriving this weekend in the Emerald City of Seattle, WA comes the convergence of a unique blend of Entertainment and Sport.   The Key Arena, for the fifth straight year, will play host to the 2017 Women’s 2017 NCAA Pac-12 Tournament.  With twelve teams jostling for the Pac-12 crown that earns an automatic ticket to the NCAA Championship, one athlete in particular from our own University of Washington will likely draw one of the biggest home team crowds in the tournament.   Senior KELSEY PLUM (#10), recently named the 2017 Pac-12 Player of the Year,  enters the tournament as the nation’s ALL-TIME leading scorer and coming off one of the  most explosive regular season performance ever by a woman collegiate athlete in any sport.

Kelsey Plum

On February 25th, Plum ignited the net by pouring in a conference record of 57 points that surpassed the legendary Jackie Stiles to become the NCAA All-time leading scorer.  Her performance broke both the UW school and conference single game scoring record with 3,397 points.   Plum also has scored the second-most points in NCAA Division I history, men’s or women’s behind the NBA Hall of Famer Pete “pistol” Maravich.

Plum, who leads the nation in scoring at 31.6 points per game finished the regular season shooting 53.7 from the field, 43.6 from three-point range and 88.7 from the foul line.  Statistically speaking, these numbers are mind boggling for any basketball fan.  And if the stars haven’t already lined up to perfection, she has the opportunity to finish her distinguished senior season as the only player, male or female, in the history of the NCAA to finish a season as the game’s leading scorer and a member of the 50-40-90 club (Shooting, 3-Point and free-throw percentage).

This weekend’s women’s collegiate athletic showcase couldn’t have come at a better time to compliment @MediaIncMag current coverage of Women in Film.  With exciting plans to expand the magazines print and digital content  to cover both collegiate and professional Athletics + Art + Music beginning throughout the Pacific Northwest, enjoy LIVE coverage of this weekends PAC-12 Women’s Basketball Tournament via twitter @MediaIncMag

For the local Seattle sports fans,  both the University of Washington and Washington State University will be participating in this weekend March Madness.

Here’s when you can catch the lady DAWGS and COUGS:

Thursday March 2nd tipping off at 6pm is WSU vs. Colorado. 

WSU:  (Courtesy of WSU Athletic department) Earning the No. 7 seed in 2017 Pac-12 Women’s Basketball Tournament and will face off against No. 10 Colorado (15-14, 5-13), Thursday in the first-ever meeting between the two on a neutral court. The tournament match-up between the Cougars and the Buffaloes will be the second contest between the two teams in less than a week after both squared off in the regular season finale Saturday afternoon in Pullman.

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The Cougs won the afternoon matinee at Beasley, 67-56, to even the season series with Colorado. The Buffs had previously won in Boulder, 70-58, with a big fourth quarter comeback against WSU. The No. 7 seed for the Cougars matches their best seed in the Pac-12 tournament which dates back to 2002. WSU has advanced out of the tournament’s first round four times, most recently in 2015 after defeating No. 10 Oregon, 66-64, in another 7-10 matchup.

Friday March 3rd tipping off at 8:30pm UW vs. winner of tonight’s Arizona and Oregon’s game.

UW: (Courtesy of UW Athletic Department) Washington is 9-15 all-time in the Pac-12 Tournament since it began in 2002. Last season, the Huskies beat Colorado and Stanford to reach the semifinals before falling to Oregon State, 57-55.

The Huskies will enter the tournament ranked No. 11 in the latest AP Top 25 poll, joining three other Pac-12 schools: Oregon State at No. 6, Stanford at No. 10 and UCLA at No. 15. Washington is ranked No. 7 in the latest RPI poll.

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Washington tops the nation in several statistical categories, including leading the NCAA in made three-pointers (319), second in made free throws (496), third in three-point field goals per game (10.3), fifth in scoring margin (22.4), sixth in points per game (85.3) and eighth in field goal percentage (47.4).

Follow the lady Dawgs @UW_WBB 

Follow the lady Cougs @WSUWomensHoops 

PAC-12 Women’s Basketball Tournament official site

Scott is the Editor-in-Chief of MEDIA INC MAGAZINE and an Award Winning Film / TV content creator, producer and director. He was the first independent  producer in the history of WA State NCAA and Professional athletics to become an official member of the regional press by creating his own weekly LIVE and taped public access Sports TV show ‘Emerald City Sports TV’. The series went on to be nominated as the BEST sports show while covering more Women In Sports events ever broadcast on Cable TV.   He and his production teams can be followed @CapestanyFilms and @MediaIncMag 

ELEW + Capestany Oscar flyer

Capestany Films Presents Pre-Oscar Party Hosted By ELEW!

ELEW + Capestany Oscar flyer

Capestany Films

PRESENTS

 Pre-Oscar Party @Sofitel’s Riviera31

In BEVERLY HILLS, CA

Hosted By:

ELEW

 

Award Winning Producer and Journalist Scott A. Capestany- Editor-In-Chief for Media Inc Magazine and CEO of Capestany Films –  is proud to present this high profile Pre-Oscar party hosted by “Obama-approved” pianist, DJ, screenwriter & director ELEW.

Mr. Capestany’s writings  and magazine publications have appeared at over 25 major film festivals and markets around the world with recent expansion into new thriving regions in supoort of #IndieFilm #IndieMusic #WomenInFilm and #Diversity in the creative space.

ELEW is “a highlight of the party” – Forbes Magazine . You can find him anywhere from Sundance’s Film Festival, DJ’ing at various exclusive nightclubs, playing piano for presidents or at ultra-exclusive private parties in “a $16 million penthouse at Art Basel”, to touring his latest album And To The Republic around the world. Most recently, ELEW and IBM’s super computer, Watson jammed together at DAYBREAKERS in San Francisco.

This Saturday night Feb. 25th from 10pm- 2am you can join ELEW & Scott A. Capestany along with special guests, fans & friends

@ Riviera 31 (inside the Sofitel Hotel), Beverly Hill, CA celebrating the 89th Academy Awards with music, food & drinks.

 

Follow ELEW and CapestanyFilms on Twitter and IG for updates!

@Elewrockjazz and @CapestanyFilms

+ @MediaIncMag
Join the Party by emailing your RSVP to: producer@Capestanyfilms.com

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Women in Film – SLAMDANCE – Coverage 2017

 

key-art-with-type_outline-copy_150This year, SLAMDANCE Film Festival will showcase 8 feature length films by Women Filmmakers.   As part of our ongoing coverage and support of #WomenInfilm in 2017 throughout the world of Independent film,  we are excited to cover and help promote the works of these emerging filmmakers.

 

Screenings beginning Monday January 23rd

Kuro – Jan 23rd – 5:15pm
(France, UK, Germany, Luxembourg) World Premiere
Director(s) & Screenwriter(s): Joji Koyama, Tujiko Noriko
A Japanese woman living in Paris tends to her paraplegic lover, passing time by recounting a story about the time they once spent together in Japan, rich with anecdotes, myths and an unexpected dark turn.
Cast: Tujiko Noriko, Jackie

Suck It Up – Jan 23 – 7:45pm & Jan 25th – 11am
(Canada)
Director: Jordan Canning; Screenwriter: Julia Hoff
Faye lost the love of her life. Ronnie lost her brother. These two best friends take off on a debaucherous journey into the mountians to cope with the loss of the man they both loved
Cast: Erin Carter, Grace Glowicki, Daniel Berirne, Toby Marks, Nancy Kerr, Michael Rowe. Music Ben Fox 

Beat Beat Heart – Jan 24th – 3:45pm
(Germany) North American Premiere
Director & Screenwriter: Luise Brinkmann
Daydreaming her way out of a broken heart, Kerstin’s denial as well as her days are shaken up with the arrival of her mother, dealing with her own relationship’s demise.
Cast: Lana Cooper, Saskia Vester, Till Wonka, Aleksandar Radenkovic, Christin Nichols, Jörg Bundschuh, Caroline Erikson

Cortez – Jan 24th – 7:15pm
(USA)
Director: Cheryl Nichols; Screenwriter(s): Arron Shiver, Cheryl Nichols
Struggling musician Jesse tracks down his ex Anne in a small town in New Mexico, and is forced to face the decisions of his past as present day consequences set in.
Cast: Arron Shiver, Cheryl Nichols, Drago Sumonja, Judith Ivey, Jackson Shiver, Cassidy Freeman, Kristian Moore, Dylan Kenin

Supergirl – Jan24th – 9:30pm 
(USA)
Director: Jessie Auritt
Naomi seems like a typical 11-year-old Orthodox Jewish girl; watching her compete to lift almost three times her bodyweight tells a different story.

The Children Send Their Regards – Jan 25th – 3:15pm
(Austria) World Premiere
Director: Patricia Josefine Marchart; Screenwriter(s): Jakob Purkarthofer, Sepp Rothwangl, Patricia Josefine Marchart
Adult victims of physical abuse by clergy members in Austria revisit the sites of their childhood trauma and make public their stories to shed light into one of the greatest crimes of the post-war period.
Cast: Georg Prader, Jo Auer, Inge Killmeyer, Josef Schörkmayr, Klaus Oberndorfer, Paula Neulinger, Walo Nowak, Anita Ossinger, Klaus Fluch, Sepp Rothwangl

Wexford Plaza –  Jan 25th – 8:45pm
(Canada) North American Premiere
Director & Screenwriter: Joyce Wong
Betty is a lonely strip mall security guard, and an unexpected moment with charming deadbeat Danny ends up setting off the unraveling of both their lives.
Cast: Reid Asselstine, Darrel Gamotin, Francis Melling, Ellie Posadas

Weather House – Jan 26th – 11am
(Germany) World Premiere
Director(s): Frauke Havemann; Co-Director: Eric Schefter; Screenwriter: Mark Johnson Set in an unspecific time of extreme climate change, an isolated group of disoriented characters develop their own strange belief systems and engage in absurd activities to process their dilemma.
Cast: Inga Dietrich, Charles McDaniel, Erik Hansen, Sabine Hertling, Jack Rath

Established in 1995, Slamdance is dedicated to discovering and supporting new talents in independent filmmaking.  Notable Slamdance alumni who first gained notice at the festival include: Christopher Nolan (Interstellar), Oren Peli (Paranormal Activity), Marc Forster (World War Z), Jared Hess (Napoleon Dynamite), Lena Dunham (Girls), Benh Zeitlin (Beasts of the Southern Wild), Anthony & Joe Russo (Captain America: The Winter Soldier), Jeremy Saulnier (Blue Ruin), Seth Gordon (Horrible Bosses), Lynn Shelton (Humpday) and Matt Johnson (Operation Avalanche). Box Office Mojo reports alumni who first showed their work at Slamdance have earned over $11.5 billion at the Box Office to date.

In addition to the Festival, Slamdance serves emerging artists and a growing audience with several year-round activities. These include the popular Slamdance Screenplay Competition, the traveling On The Road screening events, the Anarchy Workshop for student filmmakers, and The ArcLight Presents Slamdance Cinema Club – a monthly cinema club partnership with ArcLight Cinemas based at the ArcLight Hollywood and ArcLight Chicago, with two screenings and filmmaker Q&A’s each month:
www.arclightcinemas.com/en/news/arclight-presents-slamdance-cinema-club

Slamdance Presents is a new distribution arm established to access broader distribution of independent films. The goal is to build the popularity of independent films and support filmmakers on a commercial level through theatrical releases. In August 2016, Slamdance Presents launched the week long release of Claire Carré’s feature sci-fi film, Embers, at ArcLight Cinemas Hollywood. Steve Yu’s The Resurrection of Jake The Snake was the first film to be released by the company. The documentary reached number one on iTunes in December, 2015.

In November 2015, Slamdance announced DIG (Digital, Interactive & Gaming), a new digital, interactive and gaming showcase dedicated to emerging independent artists working in hybrid, immersive and developing forms of digital media art. Ten works were featured in the inaugural DIG show that opened in Los Angeles at Big Pictures Los Angeles on December 4, running through December 13, 2015. The show was also featured at the 2016 Slamdance Film Festival.

Previous Slamdance alumni include: Bong Joon Ho (SNOWPIERCER), Lena Dunham (TINY FURNITURE), and Christopher Nolan (THE DARK KNIGHT; MEMENTO). The 23rd edition of Slamdance will also feature DIG (Digital, Interactive & Gaming) which showcases eight works by emerging artists working in cutting edge digital media, and Polytechnic, a series of free, open-learning workshops that explore new ideas and disrupt existing ones with unique perspectives on filmmaking and new media production from industry insiders.

2017 Slamdance Film Festival Sponsors include Blackmagic Design, Distribber, CreativeFuture, Directors Guild of America, Fusion, Different By Design, Pierce Law Group LLP, Writers Guild Of America West, Salt Lake City’s Slug Magazine, Beehive Distilling, and BlueStar Café. Slamdance is proud to partner with sponsors who support emerging artists and filmmakers. Additional information about Slamdance is available at www.slamdance.com

Facebook: SlamdanceFilmFestival
Twitter: @slamdance
Instagram: @slamogram

Follow @MEDIAINCMAG for @Slamdance #WomenInFilm coverage this year on Twitter.

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Women In Film of Sundance 2017


Scott A. Capestany

Sundance17: Women in Film – From Her POV

By Scott A. Capestany – Editor In Chief

With Sundance Film Festival 2017 opening this week in Park City, MEDIA INC MAGAZINE will be on the ground exclusively covering films, news, VR projects and panels presented, curated  and hosted by WOMEN IN FILM.

This year, 40 feature films will be screening in competition written and/or directed by some of the worlds most talented and emerging female filmmakers.

To give you a birds eye view and look into these fascinating works ‘From HER POV’, Media Inc Magazine has compiled the exclusive WIF list (Film synopsis, Filmmaker Bios and screenings schedule) of each film in their perspective categories for you to add to your Sundance experience this week.

Now, let’s meet the 2017 #WomenInFilm at Sundance Film Festival!

US Documentary Competition

U.S. Dramatic Competition

World Documentary Competition

World Dramatic Competition

Documentary Premieres

Premieres

Spotlight

NEXT

MIDNIGHT

 

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2017 Sundance Film Festival – Short Film Lineup!

This week, the Sundance Institute in Park City Utah will be presenting sixty-eight (68) short films that will compliment the feature length line-up at the 2017 Sundance Film Festival running January 19-29, 2017.

Media Inc Magazine will be reporting LIVE via TWITTER and FACEBOOK LIVE  throughout Park City interacting with filmmakers and bringing you daily/hourly updates on news and exclusive interviews with some of the worlds most talented creatives making the cut this year in all categories.  Our coverage this year will include some of the 40 featured length films Written and/or Directed by #WomenInFilm.  Over 175 total films (shorts, docs, animation and features) will be showcased at one of the worlds most prestigious film festivals over the course of 10 days.

To give you an idea how competitive the selection process was this year,  there were over 8000 films submitted!  With only 68 Shorts and 110 features (including docs) making the final cut.  Roughly 1 in every 40 films submitted got an invitation.

Sundance has been best known as the crown jewel of indie film festivals that have helped discover some of the greatest filmmakers now working in Hollywood over the last 35 years.

With more than 9,000 playwrights, composers, digital media artists, and filmmakers served through the Sundance Institute programs over the last 35 years, the Sundance community of independent creators is more far-reaching and vibrant than ever before.

If you have been selected for any Institute lab program or festival, you are a member of this community. Sundance alumni receive support throughout their careers, including access to tools, resources and advice as well as artist gatherings and more. Alumni are also encouraged to actively contribute to the Institute’s creative community and to our mission to discover and develop work from new artists.

The Institute’s support for short films extends internationally and year-round. Select Festival short films are presented as a traveling program at over 50 theaters in the U.S. and Canada each year, and short films and filmmakers take part in regional Master Classes geared towards supporting emerging shorts-makers in several cities. Sundance Institute’s Documentary Film Program, supported by the John D. and Catherine T. MacArthur Foundation and in partnership with The Guardian and The New York Times’ Op-Docs, provides grants to makers of documentary shorts around the world, including new filmmakers in Cuba featured in a Special Event program at this year’s Festival.

Mike Plante, Senior Programmer for the Sundance Film Festival, said, “Each year we see more short films from around the country and from more regions around the world, which is exciting as we want to discover new voices to support. This year’s crop captures the full spectrum of what short films can be: emotional, hilarious, horrifying and touching — sometimes all at once.”

Among the shorts the Festival has shown in recent years are World of Tomorrow, Thunder Road, Whiplash, The Tsunami and the Cherry Blossom, Gregory Go Boom and Edmond.

The Short Film program is presented by YouTube.

U.S. NARRATIVE SHORT FILMS

American Paradise / U.S.A. (Director and screenwriter: Joe Talbot) — A desperate man in Trump’s America tries to shift his luck with the perfect crime in this story inspired by true events.

Cecile on the Phone / U.S.A. (Director: Annabelle Dexter-Jones, Screenwriters: Annabelle Dexter-Jones, Ellen Greenberg) — Overwhelmed by doubt and confusion after her ex-boyfriend’s return to New York, Cecile embarks on a series of telephone conversations that serve only to distract her from the one conversation she really needs to have.

Come Swim / U.S.A. (Director and screenwriter: Kristen Stewart) — This is a diptych of one man’s day, half impressionist and half realist portraits.

GOOD CRAZY / U.S.A. (Director and screenwriter: Rosa Salazar) — A complex chick deals with a vanilla beau, a shitty brunch and a dead coyote all in a Los Angeles day. There’s batshit crazy and then there’s good crazy—she fits somewhere in between.

Hardware / U.S.A. (Director: Stephen Jacobson, Screenwriters: Ellen Stringer, Stephen Jacobson) — An amateur electronic-drum enthusiast travels to a housewares trade show looking to strike up the perfect business partnership. When things don’t go as planned, he finds himself at the mercy of the electronic drumbeat playing in his head.

Hold On / U.S.A. (Director and screenwriter: Christine Turner) — Family bonds are tested when a young man is left to care for his grandmother one morning.

Hot Seat / U.S.A. (Director and screenwriter: Anna Kerrigan) — Teenaged Andrea uses a male stripper to gain the respect and admiration of cool girl Daphne in this exploration of coming-of-age sexuality and teen girls’ complex relationships, based on a true story.

I Know You from Somewhere / U.S.A. (Director and screenwriter: Andrew Fitzgerald) — A young woman incurs the wrath of the internet after she inadvertently becomes a viral sensation.

Kaiju Bunraku / U.S.A. (Directors: Lucas Leyva, Jillian Mayer, Screenwriter: Lucas Leyva) — Here’s a day in the life of a husband and wife living in a world of giant monsters.

Laps / U.S.A. (Director and screenwriter: Charlotte Wells) — On a routine morning, a woman on a crowded New York City subway is sexually assaulted in plain sight.

LostFound / U.S.A. (Director: Shakti Bhagchandani, Screenwriters: Shakti Bhagchandani, Emre Gulcan) — This story portrays a day in the life of a woman in the Nation of Islam.

Lucia, Before and After / U.S.A. (Director and screenwriter: Anu Valia) — After traveling 200 miles, a young woman waits out Texas’s state-mandated 24-hour waiting period before her abortion can proceed.

New Neighbors / U.S.A. (Director and screenwriter: E.G. Bailey) — How far will a mother go to protect her children?

Night Shift / U.S.A. (Director and screenwriter: Marshall Tyler) — Get a glimpse into a day in the life of a bathroom attendant in a Los Angeles nightclub.

Rubber Heart / U.S.A. (Director: Lizzy Sanford, Screenwriters: Lizzy Sanford, Anna Cordell) — After a painful dry spell, a woman attempts to have a one-night stand.

Shinaab / U.S.A. (Director and screenwriter: Lyle Mitchell Corbine Jr.) — A young Anishinaabe man struggles with his place in the inner city of Minneapolis.

Toru / U.S.A. (Directors and screenwriters: Jonathan Minard, Scott Rashap) — An infant’s life is transformed by a new technology.

INTERNATIONAL NARRATIVE SHORT FILMS

5 Films About Technology / Canada (Director and screenwriter: Peter Huang) — Take a satirical look at the dumber side of technology.

And so we put goldfish in the pool. / Japan (Director and screenwriter: Makoto Nagahisa) — One summer day, 400 goldfish were found in the swimming pool of a secondary school. This is a story about the four 15-year-old girls who put them there.

And The Whole Sky Fit In The Dead Cow’s Eye / Chile, U.S.A. (Director and screenwriter: Francisca Alegría) — Emeteria is visited by the ghost of her patrón, Teodoro. She believes he has come to take her to the afterlife—but he has more devastating news.

Dadyaa — The Woodpeckers of Rotha / Nepal, France (Directors and screenwriters: Pooja Gurung, Bibhusan Basnet) — Atimaley and Devi’s village is haunted by memories. When a dear friend leaves the village without saying goodbye, the old couple faces a dilemma: keep living with the memories or leave the village for good?

Dawn of the Deaf / United Kingdom (Director and screenwriter: Rob Savage) — When a strange sound wipes out the hearing population, a small group of deaf people must band together to survive.

Dear Mr. Shakespeare / United Kingdom (Director: Shola Amoo, Screenwriter: Phoebe Boswell) — An exploration of Shakespeare’s intentions when writing Othello explores the play’s racial themes in historical and contemporary settings, and draws wider parallels between immigration and blackness in the UK today.

The Geneva Convention / France (Director and screenwriter: Benoit Martin) — As Hakim is waiting for the bus after class, he is caught in a vendetta between teenagers. He’s not exactly keen to be involved, but can he avoid it?

HEAT / Poland (Directors and screenwriters: Agata Trzebuchowska, Mateusz Pacewicz) — A young boy does an unusual favor for a friend, assuming his identity to visit his senile grandmother. The woman takes him for a walk, and tells him about the biggest mystery of her life.

Kao Shi (A Test) / China (Director and screenwriter: Zuxiang Zhao) — In a small-town high school, days before the college entrance exam, teacher Chen Jun finds out that the father of his most promising student has died in a mining accident. Telling him—or not—bears heavy consequences.

MappaMundi / Luxembourg, Austria (Director and screenwriter: Bady Minck) — Through the eyes of cosmic cartographers, the viewer takes a voyage through 950 million years of Earth history and 15,000 years of cartography. This accelerated journey visualizes the change in our world—a change unnoticeable in a single lifetime.

Mare Nostrum / France, Syrian Arab Republic (Directors: Rana Kazkaz, Anas Khalaf, Screenwriter: Rana Kazkaz) — On a Mediterranean shore, a Syrian father makes a decision that puts his daughter’s life at risk.

Pedro / Portugal (Directors and screenwriters: André Santos, Marco Leão) — Pedro gets home at dawn. Before the young boy falls asleep, his lonely mother drags him to the beach.

Slapper / Australia (Director: Luci Schroder, Screenwriters: Luci Schroder, Sam West) — A broke and rebellious teen navigates a suburban wasteland, hustling money for the morning-after pill—before it’s too late.

What Tears Us Apart / France (Director and screenwriter: Wei Hu) — A Chinese couple visits the daughter they gave up for adoption 30 years ago. While meeting the French adoptive parents, language barriers become apparent and the birth mother’s hidden emotions rise to the surface.

DOCUMENTARY SHORT FILMS

Alone / U.S.A. (Director: Garrett Bradley) — This investigation into the layers of mass incarceration and its shaping of the modern black American family is seen through the eyes of a single mother in New Orleans, Louisiana.

Bayard & Me / U.S.A. (Director: Matt Wolf) — Walter Naegle’s boyfriend, Bayard Rustin, was a famous civil rights activist 30 years Walter’s senior. In the 1980s, Bayard decided to adopt Walter for legal protection. This love story is about a time when gay marriage was inconceivable.

Close Ties / Poland (Director: Zofia Kowalewska) — Barbara and Zdzislaw will soon celebrate their 45th anniversary—despite their constant bickering, and the fact that Zdzislaw spent eight of those years living with another woman. This is a portrait of a relationship that, somewhat inexplicably, perseveres.

Deer Squad: The Movie / U.S.A. (Directors: Pipus Larsen, Kenneth Gug, Scott J. Ross) — Kelvin Peña, a charismatic 17-year-old from rural Pennsylvania, shares his story of going viral after befriending a group of wild deer in his backyard.

The Diver / Mexico (Director: Esteban Arrangoiz) — Julio César Cu Cámara is the chief diver in the Mexico City sewer system. His job is to repair pumps and dislodge garbage that flows into the gutters to maintain the circulation of sewage waters. THE NEW CLIMATE

Fish Story / United Kingdom (Director: Charlie Lyne) — Behind a fishy tale lies this search for the truth.

Hairat / Ethiopia (Director: Jessica Beshir) — One man’s nightly ritual brings solace to the lovelorn of Harar.

Legal Smuggling with Christine Choy / U.S.A. (Director: Lewie Kloster) — Academy Award–nominated documentary filmmaker Christine Choy undergoes an adventure of wild proportions when she accidentally smuggles cigarettes.

My Father’s Tools / Canada (Director: Heather Condo)— Stephen continues producing traditional baskets to honor his father and thus finds peace in his studio as he connects with the man who taught him the craft.

Project X / U.S.A. (Directors: Laura Poitras, Henrik Moltke) — A top secret handbook takes viewers on an undercover journey to the site of a hidden partnership. Based on NSA documents, this film reveals the inner workings of a windowless skyscraper in Manhattan.

The Rabbit Hunt / U.S.A. (Director: Patrick Bresnan) — On the weekends during the harvest season, 17-year-old Chris and his family hunt rabbits in the sugarcane fields of the Florida Everglades.

Ten Meter Tower / Sweden (Directors: Maximilien Van Aertryck, Axel Danielson) — People who have never been up a 10-meter diving tower must choose whether to jump or climb down in this entertaining study of people in a vulnerable position.

Tough / United Kingdom (Director: Jennifer Zheng) — New light is shed on childhood cultural misunderstandings when a Chinese mother and her British-born daughter speak as adults for the first time. Some things can only be understood with maturity.

Visions of an Island / U.S.A. (Director: Sky Hopinka) — Indigenous and foreign presences coexist on an Alaskan island in the center of the Bering Sea. THE NEW CLIMATE

Waiting for Hassana / Nigeria (Director: Ifunanya Maduka) — In 2014, 276 teenage girls came together for exams in Chibok, Nigeria—by dawn, nearly all had disappeared, and their school was burned to the ground. Jessica, an escapee, shares her haunting account of a friendship violently interrupted by Boko Haram.

White Riot: London / United Kingdom (Director: Rubika Shah) — In 1977, immigration divides Britain. What happens when a punk fanzine challenges the status quo?

MIDNIGHT SHORT FILMS

Do No Harm / New Zealand (Director and screenwriter: Roseanne Liang) — 3:00 a.m., 1980s Hongjing: In an aging private hospital, a single-minded surgeon is forced to break her physician’s oath when violent gangsters storm in to stop a crucial operation.

Fucking Bunnies / Finland (Director: Teemu Niukkanen, Screenwriters: Antti Toivonen, Teemu Niukkanen) — Raimo’s comfortable, middle-class bubble is burst when a Satan-worshipping sex cult moves in next door.

Hot Winter: A film by Dick Pierre / U.S.A. (Director: Jack Henry Robbins, Screenwriters: Jack Henry Robbins, Nunzio Randazzo) — One of the first films in American cinema to address climate change, Hot Winter: A film by Dick Pierre, was also a hardcore porno. All sex scenes have been removed as to not distract from the conscious message. THE NEW CLIMATE

A Nearly Perfect Blue Sky (Un ciel bleu presque parfait) / France (Director and screenwriter: Quarxx) — You might think that Simon lives a monotonous life, but you would be wrong—contrary to appearances, he doesn’t live alone among the ruins of an old farm. Between kidnapper and guardian angel, he never takes his eyes off his roommate.

Pussy / Poland (Director and screenwriter: Renata Gasiorowska) — Alone at home one evening, a young girl decides to have a solo pleasure session—but not everything goes according to plan.

The Robbery / U.S.A. (Director: Jim Cummings, Screenwriters: Jim Cummings, Dustin Hahn) — Crystal robs a liquor store—it goes pretty OK.

Summer’s Puke Is Winter’s Delight / Japan (Director and screenwriter: Sawako Kabuki) — Painful events become memories over time. Still, we vomit and eat again. Life is eco.

ANIMATED SHORT FILMS

The Bald Future / France (Director and screenwriter: Paul Cabon) — Being a bald man sucks. Knowing you’ll become one is worse.

Black Holes / U.S.A., France (Directors and screenwriters: David Nicolas, Laurent Nicolas) — Dave is about to lead the first mission to Mars when he’s teamed up with a sentient melon, who claims to be the reincarnation of a fashion designer, upstaging his big moment and driving him to the brink of madness.

Broken – The Women’s Prison at Hoheneck / Germany (Directors: Volker Schlecht, Alexander Lahl, Screenwriters: Alexander Lahl, Max Mönch) — This animated documentary about Hoheneck, the main women’s prison in former East Germany, is based on original interviews with former inmates. It’s a film about political imprisonment, forced labor and enormous profits on both sides of the Iron Curtain.

Drawn & Recorded: Teen Spirit / U.S.A. (Director: Drew Christie, Screenwriters: Drew Christie, Bill Flanagan) — This is the story behind one of the most iconic songs ever written, animated in the style of a pop-up book.

How’s your prostate? / France (Directors: Jeanne Paturle, Cécile Rousset, Screenwriters: Jeanne Paturle, Cécile Rousset, Cécile Mille) — One friend tells the other about the very strange time when, beside a swimming pool, she learned about her father’s prostate, his erectile function and his nighttime fantasies.

It’s a Date / U.S.A. (Director and screenwriter: Zachary Zezima) — This film explores miscommunication, perceptions and vulnerability in the modern world. Everyone is an alien at first.

Jonas and the Sea / Netherlands (Director: Marlies Van der Wel, Screenwriters: Ruben Picavet, Marlies Van der Wel) — Jonas has dreamed of living in the sea all his life, but it’s impossible. Or is it?

The Laughing Spider / Japan (Director: Keiichi Tanaami) — The early childhood memory of aerial attacks leaves a lasting impression, with strong stimulus and disquiet.

LOVE / France, Hungary (Director and screenwriter: Réka Bucsi)— Abstract haiku-like situations reveal the changing atmosphere on one planet caused by a meteoric impact in a distant solar system. Inhabitants on this pulsing planet become one with each other, in various ways, in this three-chapter exploration of affection.

Nighthawk / Slovenia, Croatia (Director: Špela Čadež, Screenwriters: Gregor Zorc, Špela Čadež) — Attempting to remove an unresponsive badger from a dark road, a police patrol soon realizes that the animal is not dead but rather dead drunk. Things take an even stranger turn when the creature wakes up.

Nutag — Homeland / Canada (Director and screenwriter: Alisi Telengut) — This hand-painted visual poem explores the ideas of diaspora, homeland and the mass deportations of the Kalmyk people during World War II.

Summer Camp Island / U.S.A., South Korea (Director and screenwriter: Julia Pott) — Oscar and his best friend, Hedgehog, just got dropped off at summer camp. Once the parents leave the island, the strangeness lurking beneath the surface is revealed—aliens exist, horses become unicorns and there are monsters under the bed.

Trumpet Man / Hong Kong (Director and screenwriter: Emily Wong) — A turntable springs out a woman named Avocado; her instinct creates a man called Soul. Passion swings both, and an uncertain madness strikes Soul heavily. Seeds of passion breed conflict among five men, eventually leading Soul to a deeper understanding of life.

Victor & Isolina / U.S.A. (Director: William Caballero) — Creatively visualized through 3D printing, two elderly Latinos embark on a resonating he said/she said account of the events that led them to live separately after more than 50 quirky and stressful years together.

One film announced today was funded through a Kickstarter campaign: Black Holes.

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Super Size Me, Dope, Little Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth, Precious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. 2017 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire®, and Canada Goose; Leadership Sponsors – Adobe, AT&T, DIRECTV, and YouTube; Sustaining Sponsors – American Airlines, Canon U.S.A., Inc., Francis Ford Coppola Winery, GEICO, Google VR, The Hollywood Reporter, IMDb, Jaunt, Kickstarter, Omnicom, Stella Artois® and the University of Utah Health. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Sponsor seal at their venues at the Festival. sundance.org/festival

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

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Women In Film at 16th Annual Whistler Film Festival!

As the 16th annual Whistler Film Festival kicks off this weekend high in the Canadian Mountains, MEDIA INC MAGAZINE continues their coverage and support of #WomenInFilm who’s creative vision behind the camera gives hope and inspiration to the next generation and of younger feamale filmmakers.

“With 15 feature films in our lineup directed by women and over half of the participants in our talent programs being women, the Whistler Film Festival is committed to ensuring that their stories have the best opportunity for success.”, said Co-Founder and Festival Executive Director Shauna Hardy Mishaw.   “The industry is calling for change and WFF is behind the movement to ensure that it happens. This year, we’re putting women at the top of our agenda and our mountain.”

Media Inc Magazine is proud to introduce each of these women and thier spectacular works of art as a collective celebration of thier hard work and passion to level the playing field with the boys enhancing gender equality in the workplace.  Now let’s meet this years WFF Women In Film! (Not in any specific order)

The Will to Fly – Australia | 95min | Canadian Premiere | 2016 | English | English Sub.
Screening Times:  Dec 3rd @5pm and Dec 4th @ 3:30pm – Maury Young Arts Centere
**Media Inc’s #1 Documentary Pick! **
An extraordinary sports biography of Australian Olympic ski jumper Lydia Lassila as she trains to become the first woman to ever successfully complete a quadruple, twisting triple somersault jump, a move that combines skiing prowess and gymnastic ability. This Film is a story about resilience, dreams and fulling one’s destiny in life!  *Sports Documentary and Women Empoerment *
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Thee Death (and life) of Carl Narrdlinger – Canada | 92min | World Premiere | 2016 | English
Writer / Directer: Katherine Schlemmer
One of Five films selected by Telecanada for funding ($100,000).  A very original comedy about a double Doppelganger. Police come to the door looking for a man with the same oddball name as our hero, only to discover that the man has a brother who is his identical twin.
Shades of Winter: Between
Austria | 96min | Canadian Premiere | 2016 | English | English Sub.
December 4th – 6:30pm and 9:30pm – Rainbow Theater
*Women Empowerment and Sports Documentary*
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Austrian filmmaker and extreme sports enthusiast Sandra Lahnsteiner takes us on a global celebration of female athleticism as we travel from New Zealand to Austria, through Canada searching for the biggest waves and the best ski runs for her merry band of all-female adventure-seekers to conquer. Beautifully shot and duly inspiring for thrill seekers.
Hunting Pignut – Canada | 95min | Western Canadian Premiere | 2016 | English
Writer/Director: Martine Blue
Bernice, a 15 year old misfit runs away from her rural Newfoundland community in search of Pignut, a tormented and violent gutter punk, after he steals her father’s ashes right out of his urn.

Before the Streets – Canada | 97min | Western Canadian Premiere | 2016 | Atikamekw | English Sub.
Saturday Dec 3rd 8:30pm – Village 8 Cinema
Writer/Director:  Chloe Leriche
This film celebrates a revival of native culture and its traditions, as embodied by the very actors who participated in the film. The first dramatic feature shot in the native language of atikamekw, the film boasts a cast composed almost entirely of non-professionals living and working in the villages where the film was shot. The story takes place in Manawan, the First Nations reserve on the south-western shores of Lake Métabeskéga in the Lanaudière region of Quebec, Canada.
The Space Between – Canada | 90min | Western Canadian Premiere | 2016 | English
Writer/Director: Amy Jo Johnson
December 4th 10:30am – Squamish Lil’Wat Cultural Center
**Media Inc Magazine TOP Comedy pick **
Amy Jo Johnson (Felicity and MM Power Rangers) presents her directorial debut heartfelt comedy feature film about a proud new father who learns that his wife took his infertility into her own hands with a 19-year old university student and sets out on a journey to find the biological baby-daddy.  Brilliant cast including Michael Ironside (Top Gun), Julia Sarah Stone, David Peatkau (FlashPoint TV Series and Crimminal Minds) and Sonya Salomma (Flashpoint TV Series).  EPIC soundtrack including three songs written and performed by Canadian Award Nominated Lead actor Michael Cram.
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The Sun at Midnight – Canada | 93min | Western Canadian Premiere | 2016 | English
Writer/Director: Kirsten Carthew
The adventure/drama tells the story of Lia, a troubled teenager from Montreal who is sent to live with her grandmother in Ft. McPherson. Desperate to get back to the city, she flees into the wilderness and finds a world of danger and vulnerability. She meets Alfred, a caribou tracker, who reluctantly takes her under his wing. When Alfred is severely wounded in a bear attack, their roles reverse and Lia must fight to save both their lives.
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Actress Devery Jacobs as LIA – The Sun at Midnight

Anatomy of Violence – Canada – 93min – Western Canada Premier – Hindi – English Sub

Director:  Deepa Mehta

Trailer HERE

Deepa Mehta takes an innovative docudrama approach to analyzing the rape culture that exists in India. She specifically workshopped six character backgrounds to depict the infamous rapists of a young woman on a decommissioned bus. Grinding poverty, deep-rooted misogyny and a sense of male entitlement are explored to great effect.

Broken – Canada – 68min – Western World Premier – English

Director: Lynne Spencer

Ballet BC’s prima ballerina Simone Orlando overcomes a career threatening injury in this intimate portrait of what happens to an artist (or athlete) who has devoted their life to a single pursuit when personal injury threatens that very way of life. Orlando is now CEO of Ballet Kelowna.

Sled Dogs – Canada – 82min – World Premier – English

Director: Fern Levitt

A provoking expose of the cruelty to dogs that permeates the commercial dog sled operations that supply sled dogs for such famous races as the Iditarod in Alaska. The film addresses the sled dog cull that occurred in Whistler and the attempts by locals to run an ethical puppy farm in its stead.

Melody Makers: Should’ve Been There
Director: Leslie Ann Cole
Canada | 95min | World Documentary Premiere | 2016 | English
A behind the scenes peek at all the rock ‘n roll legends of the 70s, as director Leslie Ann Coles guides us through the ribald history of the influential British rock magazine Melody Makers, featuring unseen photographs of all the greats by Barrie Wentzell.
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From the Land of the Moon
Director: Nicole Garcia
France, Belgium | 121min | Western Canadian Premiere | 2016 | French | English Sub.
Marion Cotillard is mesmerizing in her role as a small-town girl who refuses to accept a loveless marriage and is treated as having a mental illness because she dares to hold out hope for true love, which she finds in the form of a young injured veteran. Subtitled.

Going Furthur
Director: Lindsay Kent
Canada, United States | 99min | Canadian Premiere | 2016 | English
December 4th – 9pm – Meury Young Arts Centre
The psychedelic counterculture movement is alive and well today. Fifty years after Ken Kesey and his Merry Pranksters’ first acid-laced bus trip, his son Zane has taken his Dad’s bus on a 15,000 mile, 75 day tour of music festivals, tribal gatherings, and happenings, man. Enjoy the trip!

Below Her Mouth
Writer/Director: April Mullen

Canada | 92min | British Columbia Premiere | 2016 | EnglishDecember 4th – 10:15pm – Village 8 Cinema

A woman who is engaged to be married succumbs to the lesbian advances of an attractive roofer, and her life is turned upside down with newfound desire. A very adult film with the rare distinction of having been made by an all-female crew. April Mullen directs.

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Media Inc Magazine appoints Scott A. Capestany Editor-In-Chief

In an aggressive move by Media Inc Publishing, one of the longest running print publication companies in the Pacific Northwest with over 25 publications, General Manager of the group John Rusnak announced the appointment of Award Winning film producer and Indie Film business executive Scott A. Capestany to helm Media Inc Magazine as its new Editor-In-Chief .

Long before the internet, the publication began in the late 1980s as the sole media+film resource and news platform to complement the growing indie film scene in the Seattle, WA market and also to keep its readers up on film festival news, regional film productions and also help production crews members to find jobs.   Over the years, the publication circulated among a regional footprint throughout the Pacific Northwest stretching from Seattle to Portland and Eastern Washington as a well known staple among cinephites.

Early in 2015, Capestany was commissioned by the publication to write a few editorials on the current landscape of Film/TV productions in the region. His latest cover story “TOP influential Women in Film and Media in WA State” gained the attention of Indie Film communities that quickly led to multiple partnerships with film festivals, businesses and organizations whose mission statements supported spearheading gender equality and diversity throughout Hollywood.   “We are very excited to see Scott take this publication into the 21st century and look forward to seeing his new vision enhance the publications reach and growth”, said Rusnak.  MI Publishing ownership said they were quite confident in Scott’s abilities to carry the torch of his legendary magazine and has no doubt his choice as the successor will bring exciting new content, readers and partnerships around the world for the first time in the company’s history.

Soon after taking the reigns of the magazine, Capestany invited trusted film industry colleague, film financier and Producers Guild of America member ANNE MARIE GILLEN into the fold to further connect him to the Hollywood circle of emerging Women in Film and rapidly expanding indie film world of new media financing and distribution.  “Scott’s resilience and drive over the years and watching him grow as a reputable player in the business was more than enough to join his team.” Gillen said.  “Scott is quickly evolving into one of Hollywood’s premier Impact Producers.  His explosive energy, ability to quickly formulate partnerships across industry platforms and communicate with the new digital age filmmakers and players is impressive”.

We got a chance to sit down with our new fearless leader to share with us his vision for the future of MI Magazine.

MI:  Congrat’s on your new appointment!  Seems things are coming full circle for you as a writer and journalist.

Scott A. Capestany:  Seems so.  Having been a writer for many years, I’ve had the thought in the back of my mind that someday running a magazine might be something I could really get excited about.  So when the ownership group approached me, the timing just happened to be perfect.  I’m eager to focus my attention this year in building a new team that will support and stand behind the new branding of the publication including my ongoing advocacy for Women In Film and diversity within the creative space.  Another component I’m excited about is adding a sports and artist lifestyle segment to the publication that highlights the explosive new media growth in the entertainment space.  With the ambition to eventually offer more of an international publication online to compliment and grow our regional print publication from its original roots in the Pacific Northwest.  

MI:  So writing and reporting has always been in your blood.

SAC:  Absolutely.  It all started when my High School journalism teacher a million years ago recognized my love for writing that he recommended me to our local city newspaper to do a weekly editorial for them called “man on the street”.  It involved me engaging with local town folk and asking them questions on current world affairs.  During that time, I would spend many days after school in the photography dark room developing photos I took for both the towns paper and our own school newspaper as the schools sports editor.   I wrote my first college editorial for the UW Daily in 1988 about the doping scandal of Ben Johnson of Canada in the Olympics that quickly got me phone call by the head track coach Ken Shannon to congratulate me on standing up for the sport.  I thought I was getting kicked off the team when he called me in! lol  Coming full circle to the last 10 years, I was the first Seattle based indie producer to create, host and produce a local TV sports show for local cable TV before streaming was available.  Luckily for me it was a smash hit and found myself court-side at the biggest pro and college sporting events covering their “not so mainstream” athletes and unique stories surrounding the leagues and organizations.  I call them the hidden jem stories.   So yes, this appointment truly circumvents my full love and passion for people, writing, movies and sports.    

MI:  How did you get involved in the Film/TV business?

SAC:  Well, shortly after attending a Sundance Film Festival around 1999, I found myself drawn to the energy of this extraordinary tribe of creatives called ‘Indie Filmmakers’.  They all thought much like me…outside the box..bucking traditional ways of creating and presenting visual arts.  I found a way to apply my business background I learned in my 20s and early 30s to this newly discovered world of brilliant creative artists.  I knew that I had something to offer the indie film world both as a writer, creator and most importantly someone who could connect and educate these creatives on the ‘business’ components of the industry.   Unfortunately, there is a very low number of indie filmmakers that know much about the business side of the industry.  It’s mostly all about art and expression for them.  So the timing was perfect for me when I arrived into the scene.   

 MI: Tell us about the classes and workshops you teach around the world on this topic.

 SAC:  My mother was an educator so helping others came very naturally to me.  I’ve also been extremely fortunate to have been mentored by extraordinary people in the business like Anne Marie who literally wrote the book on early Indy film financing.  The digital revolution has radically reshaped the film production landscape.  Buyers today are starving for new content as the platforms for consumer consumption have expanded to provide thousands of new ways people watch movies and TV shows.   For distributors these days it’s all about content that is globally appealing  and sales.   If you have content, series bibles, treatments, pitch decks and/or a sizzling proof of concept teaser, you are ahead in the game.  

MI:  How would you describe what is taking place in the current landscape of Film/TV production?

SAC:  I call it the ‘Perfect Storm’ with the three most important  components converging simultaneously and changing so rapidly. Technology, creativity and consumption.  I’d say 80% of the people my age gave up in this business because of the lighting speed technology and the time it takes to develop and foster professional relationships.  You can now pitch a complete stranger in a hotel lobby after a conference and within days they are investing in your endeavor and doing business with you.  Technology has helped bridge the gap of uncertainty in our business. I’m glad I stuck around for this amazing moment in time.  The growth curve for many these days is too much to stay on top of, thus they drop out and revert back to archaic business models that no longer work in the modern world.   Thanks to getting my first computer in 1981 for Christmas,  I’ve always been a “techie” kind of guy that’s had a computer and cell phone for 30+ years and stays on top of the new digital landscape.  People laugh at me texting 40 words a minute with one hand on an airplane, but it’s they way the world works.  I get more done on my cell phone and tablet in a few days than most can do in two weeks.  Especially when it comes to engaging decision makers at the studio and network level as they mostly are in their 30s and grew up on their phones.  So I speak their language quite well.  Applying and harnessing the latest technology in my industry with at my fingertips daily allows me to navigate the terrain with ease and lightning speed accuracy.  Today’s landscape of film making truly is a manifestation of what I imagined it could become when I was a kid and young business professional in the 90s.  Most everything the imagination conceives in the story telling word can be produced on screen for worldwide audiences.     

MI:   What are some of your strategies you use as a producer?

SAC:  For me, it’s about connecting with people first, building those relationships with integrity and transparency then providing a win-win scenarios for our investors, filmmakers and creative artists.    As filmmakers, our industry is all about three things – relationships, timing and money. Understanding and applying these three vital components strategically through storytelling, trust and fearless transparency have always been my cornerstones of my producing endeavors.  The new look and feel of MI Magazine will reflect the dynamic changes in the current world of storytelling from an Indie producers viewpoint.  Our publications clients will be apart of all our new interactive events we will be hosting regionally, nationally and internationally.  We have partnered with numerous film festivals/organizations as their media affiliate that helps connect filmmakers with the world both digitally and through our print publications.  With the current explosion of digital storytelling platforms that now allow everyone the equal opportunity to collaborate together and express themselves creatively to the world, it’s literally a dream come true for me a filmmaker and journalist to be working in such an exciting time connecting the two worlds!  

MI:  What type of Producer are you?  Creative or Business?

scott-on-stage-2

Scott A. Capestany pitching ‘My silent Voice’ on stage at the VARIETY Faith Based Film Summit. He was 1 of 12 selected from around the world.

SAC:  My approach to producing involves working on both sides of the creative process effectively and efficiently.  Over the course of my professional career, I’ve worked in and around a wide array of industries I absolutely Love.  I’ve worked in the communications, hospitality, sports and entertainment sectors both in front of the camera (as a TV Host), on a playing field (athlete) and in a boardroom orchestrating business deals.  They all have involved me producing something that encompasses team building and leadership.  Producing is all about captivating an audience of business professionals, being effective in the pitch and then ultimately getting things done.  This requires a tremendous amount of courage and confidence. You have to be brave and a pioneer with your own vision and ambition.  I have always been one who comes up with quite profound and elaborate ideas and always seems to find a way to pull those thoughts and ideas together.  That’s what a film producer does.  He/She is the visionary and ultimate pitch person to the decision makers that these days are starving for fresh new profitable investment vehicles and original creative content.  My approach to all this has allowed me to communicate effectively on both the creative and business sides of each of my Film/TV projects and making an effective impact in the first 60 seconds of a presentation or conversation.   Not many producers can do this.  But with the new digital age now impacting the entire scope of the filmmaking process and business, I now refer to myself as an ‘Impact Producer’.  “When Scott walks in the room to pitch and talk business it’s like an explosion of engaging ideas and business initiatives that all lead to intelligent and practical revenue and creative streams of brilliance”, Says his Producer Anne Marie Gillen.

MI:  Define an impact producer.

For me,  an Impact producer is someone who can successfully create, implement and execute an explosive campaign for individuals or a team (In my case – filmmakers) that needs to devise multiple audience impact strategies.  Using a passionate spirit as the primary fuel cell.  He/She is a master speaker and fundraiser for these campaigns and can effectively secure key partners, affiliates and execute or oversee  all the campaign stages simultaneously (social media, marketing, PR, fundraising, film festival tour and screenings strategies, etc.) and evaluating the level of overall audience engagement across all platforms.  Before, during and after the project has been completed.    

MI:  What other projects are you involved in as a Producer/Writer and creative now?

We are involved in multiple projects in a variety of production stages.  We’ve recently optioned the sequel to Escape from Alcatraz currently titled ‘After Alcatraz – Surviving the Escape’ that was actually written by the son (Kevin Bruce) of J. Campbell Bruce, the original author who wrote the book that was made into the famous movie with Clint Eastwood by Paramount Pictures in the 70s.  We also are in the development stages of a very exciting action/adventure film THE RAINFOREST.  We also have a magical family film MY SILENT VOICE in the packaging phase that’s about a young deaf girl, her love for horses and her heroic journey to the equine winners circle.  We are also in pre-production of a magical Holiday tale REFLECTIONS IN TIME.   A magical film about a homeless boy who meets a very extraordinary eye Doctor whom takes the boy in from the streets of Seattle and helps him establish a new perspective on life through his magical set of antique eye glasses. { Listen to RADIO INTERVIEW.}

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Scott’s Radio Interview with KKNW

 I’m also interfacing with a handful of producers on some very empowering documentary and live action projects that have quite unique themes.  One of my personal favorites is a TV series titled THE ADVENTURES OF SAMMIE DRAKE.  An adventurous children’s live action TV/VOD series that is in development.  This is a captivating story about a young girl who just graduated from the 3rd grade and convinces her parents that she’s old enough to join the family treasure hunting business.  If you remember the adventures of Pippy Longstocking and the illuminating moxy of little Punky Brewster (of the 80s) with a dash of Nancy Drew mystery, then audiences and especially little girls will quickly identify and connect with Sammie and become fans of her and the brave adventures she undertakes.  Doing everything just as good and even better than the boys!   

MI:  Having a current look at your pallet of films you have on the go, it seems most revolve around themes of empowerment, hero journey’s and social issues.

SAC: Without a doubt!  We are all about telling stories that uplift, inspire and empower others to action.  Capestany Films was founded on these principles and believe that creativity has no discrimination (age, gender, disability, etc.).  We also feel that films produced, created and directed by women and members of marginalized groups in particular deserve equal treatment in the press and equal opportunities in the entertainment space.  Which leads me to share another big initiative we have in 2017 for the magazine as a whole (if I may).  Beginning in 2017 this year, 50%+ of the content will be dedicated to projects, stories and events featuring women in front and/or behind the camera + members of marginalized groups.  I was raised by a strong, resilient, outspoken and brave mother that always encouraged us boys to be fair, treat people with dignity and also be transparent.  So I have a very special place in my heart when I see or create stories that touch on these themes and are told from a female perspective.  I’ve never been one to see gender, race, age, disability or whatever when collaborating and conducting my way of life personally or professionally.  I’m the type of guy that just simply sees the best in everyone and especially if they’ve overcome radical odds to achieve their goals.  Everyone in the world has a unique story ready to tell.  Women and African Americans and other groups (LBGT, Disabilites, etc.) have been fighting for equality in Hollywood for decades not to mention in the everyday workforce.  so I’m very pleased to say we’ll remain on the front lines supporting these creatives from a PR and press standpoint.  

MI: Tell us about your vision and new direction you are taking with MEDIA INC MAGAZINE.

SAC:  We are currently laser focused on re-branding the publication and designing effective “Impact” campaigns for our new generation of readers, influencers and strategic partners.  We’ve already partnered with multiple film festivals as their media affiliate providing coverage and connecting with indie filmmakers to help them promote their projects with solid press coverage.   It’s one thing to get a write-up on an unknown blog and another thing to get a write-up in a regional magazine print publication and have a professional digital link coming from that legitimate digital source.  One of the first things we jumped on was the social media platform that this publication had very little exposure on.  We’ve grown our twitter, IG and FB pages 500% since taking over and still primed for fresh new engagement daily.  So being a fresh new print publication in the digital world has worked to our advantage growing our communities and engagers.   We are already becoming a well known media publication outlet both Nationally and Internationally within the Indie film world.  We are already slated to covered Sundance, SXSW, Tribeca and  Cannes Film Festivals .   Which is allowing us to expand our coverage in new markets.  We are also very excited to add two new segments to the publication; SPORT and ARTIST LIFESTYLE focusing on stories of artists outside their creative lives and also sports stories that are intriguing and original.  Not typical sports reporting, but rather overview of how their leagues and organizations work together to engage the general public.  I have a long standing relationship with most of the Pro (Men’s and Women’s)  and NCAA organizations in Seattle and we will begin with a few great overview editorials for our Spring 2017 issue.  

MI:  What is the current distribution, circulation and frequency of the magazine?

SAC:  We are a very small quarterly publication circulating around 3-5K print magazines throughout the Pacific Northwest . We are strategically planning to expand circulation and take the publication to other creative markets through partnering with domestic and international film festivals, industry organizations and entertainment organizations. 

Cover picture: Scott attended the 2017 Producer Guild Oscar party (in picture) where he won the drawing choosing all correct winners on the events ballot contest.   Although not a member, he plans on joining the guild in the near future.

All photos, images, soundbites and writings of Scott A. Capestany are COPYRIGHTED and protected under US Copyright laws.

Scott is represented by Bevery Hills lawfirm Bloom Hergott Diemer Rosenthal LaViolette Feldman Schenkman & Goodman, LLP

You can follow MEDIA INC and CAPESTANY FILMS on Twitter/IG

For Scott’s full Biography – IMDB

Press:  RAINFOREST – Peninsula Daily News